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James Otto
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Vous avez sélectionné:
James Otto
Piano seul
Partitions à imprimer
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1
Seven Pieces in Twentieth-Century Styles
Seven Pieces in Twentieth-Century Styles
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Piano seul
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INTERMÉDIAIRE
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James Siddons
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Seven Pieces in Twentieth-Cent
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and W...
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Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00 ≈
4.48€
The Months of 2021 Piano Book
The Months of 2021 Piano Book
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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The Months of 2021 Piano Book
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.518018 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,New ...
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Piano Solo - Level 3 - SKU: A0.518018 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,New Age,Sacred,Wedding. Score. 643 pages. James M Stevens Music ASCAP #128746. Published by James M Stevens Music ASCAP (A0.518018). In January of 2021 I set out a goal to release 12 piano albums/books of original piano compositions for each month of the year. It was a mammoth task, but finished with the final December album released on Dec. 27. The book is written exactly as played for the albums and actually played from the sheet music contain within and can be heard on all streaming platforms including: Spotify, Pandora Radio, Amazon Music, Apple Music, Deezer, and others. This book contains every month exactly as previously published. Each has it's own original cover and page numbers, however, I've included separate page numbers at the bottom of every page to show where each book begins as represented by the contents on the cover. This book contains 186 songs, 642 pages, and almost 9 hours of listening/playing enjoyment. Each book is available separately as is every single individual composition as well. Thanks for all those who have used and supported my music! James Michael Stevens is a prolific composer residing in Nashville, TN.
$99.00 ≈
88.66€
They Don't Know About Us
They Don't Know About Us
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Piano seul
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INTERMÉDIAIRE
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Pop musique
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One Direction
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Abby Simpson
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They Don't Know About Us
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Abby Simpson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.929921 By One Direction. By Peter Wallevik, Tebey Ottoh, Tommy Lee James, and Tommy P. Gregersen. Arranged by Abby Simpso...
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Piano Solo - Level 3 - SKU: A0.929921 By One Direction. By Peter Wallevik, Tebey Ottoh, Tommy Lee James, and Tommy P. Gregersen. Arranged by Abby Simpson. Pop. Score. 5 pages. Abby Simpson #4810525. Published by Abby Simpson (A0.929921). They Don't Know About Us by One Direction arranged for solo piano. Intermediate level. No reach is farther than an octave. Perfect addition to any recital or solo performance.
$4.99 ≈
4.47€
They Don't Know About Us
They Don't Know About Us
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Piano seul
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INTERMÉDIAIRE
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Pop musique
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One Direction
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Música al Piano
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They Don't Know About Us
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Música al Piano
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SheetMusicPlus
By One Direction. By Peter Wallevik, Tebey Ottoh, Tommy Lee James, and Tommy P. Gregersen. Arranged by Música al Piano. Pop. Score. 3 pages. M&...
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By One Direction. By Peter Wallevik, Tebey Ottoh, Tommy Lee James, and Tommy P. Gregersen. Arranged by Música al Piano. Pop. Score. 3 pages. Música al Piano #768987. Published by Música al Piano
$5.00 ≈
4.48€
Braveheart - Main Title
Braveheart - Main Title
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Piano seul
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INTERMÉDIAIRE
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Film/TV
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James Horner
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Elizabeth Shier & Dana Thynes
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Gb), but otherwise identical
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Braveheart - Main Title
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Dana Thynes
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1294153 Composed by James Horner. Arranged by Elizabeth Shier & Dana Thynes. 20th Century,Celtic,Film/TV,Irish. Score. 5 ...
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Piano Solo - Level 3 - SKU: A0.1294153 Composed by James Horner. Arranged by Elizabeth Shier & Dana Thynes. 20th Century,Celtic,Film/TV,Irish. Score. 5 pages. Dana Thynes #884577. Published by Dana Thynes (A0.1294153). BRAVEHEART THEME for piano, in the key of GbThe main theme of Braveheart begins with soft flute-like melody notes against a quiet background. A fragment of the Scottish tune Black is the Color of My True Love's Hair weaves its way into the bottom of page one, and then deep chords at the top of page two give a low and ominous premonition of battle. Slowly it builds with bigger chords. Dissonances compete in the melody and harmony, always building. Big octave-plus-fifth left hand chords give a medieval sound.The flavor of Braveheart, the movie, is captured in this arrangement. Not too difficult, but with a few challenges, this is a satisfying piece to play over and over again, emotions soaring and always feeling like you are there with William Wallace in the fight for FREEDOM.Two versions in different keys (F & Gb), but otherwise identical. The arrangement in F is much easier, of course, and easier to read. Though most of the music remains in the primary key (either F or Gb) Braveheart travels rapidly through several key transitions on pages 2-3 in the key of F, and pages 2-4 in the key of Gb.Though the key of F is easier, the key of Gb seems to have a special magic, as piano pieces utilizing the black keys frequently do! The piano recording heard in the video is performed in the key of Gb.
$5.99 ≈
5.36€
Braveheart - Main Title
Braveheart - Main Title
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Piano seul
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INTERMÉDIAIRE
#
Film/TV
#
James Horner
#
Elizabeth Shier & Dana Thynes
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Gb), but otherwise identical
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Braveheart - Main Title
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Dana Thynes
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1294155 Composed by James Horner. Arranged by Elizabeth Shier & Dana Thynes. 20th Century,Celtic,Film/TV,Irish. Score. 5 ...
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Piano Solo - Level 3 - SKU: A0.1294155 Composed by James Horner. Arranged by Elizabeth Shier & Dana Thynes. 20th Century,Celtic,Film/TV,Irish. Score. 5 pages. Dana Thynes #884580. Published by Dana Thynes (A0.1294155). BRAVEHEART THEME for piano, in the key of FThe main theme of Braveheart begins with soft flute-like melody notes against a quiet background.  A fragment of the Scottish tune Black is the Color of My True Love's Hair weaves its way into the bottom of page one, and then deep chords at the top of page two give a low and ominous premonition of battle. Slowly it builds with bigger chords.  Dissonances compete in the melody and harmony, always building.  Big octave-plus-fifth left hand chords give a medieval sound.The flavor of Braveheart, the movie, is captured in this arrangement.  Not too difficult, but with a few challenges, this is a satisfying piece to play over and over again, emotions soaring and always feeling like you are there with William Wallace in the fight for FREEDOM.Two versions in different keys (F & Gb), but otherwise identical.  The arrangement in F is much easier, of course, and easier to read.  Though most of the music remains in the primary key (either F or Gb) Braveheart travels rapidly through several key transitions on pages 2-3 in the key of F, and pages 2-4 in the key of Gb.Though the key of F is easier, the key of Gb seems to have a special magic, as piano pieces utilizing the black keys frequently do!  The piano recording heard in the video is performed in the key of Gb.
$5.99 ≈
5.36€
Tim James: Bottom Of The Ocean for piano solo
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Piano seul
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FACILE
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Pop musique
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Tim James
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Virtualsheetmusic
Instantly printable sheet music by Miley Cyrus for piano solo of EASY skill level. / pop,children
Instantly printable sheet music by Miley Cyrus for piano solo of EASY skill level. / pop,children
$6.97 ≈
6.24€
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