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Concerto For Clarinet And Chamber Orchestra
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1
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Vous avez sélectionné:
Concerto For Clarinet And Chamber Orchestra
Partitions à imprimer
93 partitions trouvées
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1
26
51
76
Concerto For Clarinet And Chamber Orchestra (score only)
Concerto For Clarinet And Chamber Orchestra (score only)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Alan Beggerow
#
Concerto For Clarinet And Cham
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Alan Beggerow
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.985813 Composed by Alan Beggerow. 20th Century. Score and parts. 66 pages. Alan Beggerow #3640523. Published by Al...
(+)
Chamber Orchestra - Level 4 - SKU: A0.985813 Composed by Alan Beggerow. 20th Century. Score and parts. 66 pages. Alan Beggerow #3640523. Published by Alan Beggerow (A0.985813). Concerto for solo clarinet and orchestra in 3 movements. Instrumentation:2 flutes2 oboes1 B-flat clarinet1 Bass clarinet2 Bassoons4 hornsSolo clarinetstringsApproximate 19 minutes duration.
$9.95 ≈
9.17€
Richard Faith : Concerto for oboe and chamber orchestra, full score
Richard Faith : Concerto for oboe and chamber orchestra, full score
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Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Richard Faith
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Richard Faith : Concerto for o
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.533083 Composed by Richard Faith. 20th Century,Standards. Score and parts. 109 pages. Musik Fabrik Music Publishin...
(+)
Chamber Orchestra - Level 4 - SKU: A0.533083 Composed by Richard Faith. 20th Century,Standards. Score and parts. 109 pages. Musik Fabrik Music Publishing #482089. Published by Musik Fabrik Music Publishing (A0.533083). A three-movement concerto for oboe and orchestra in a pastoral style. A reduction for oboe and piano by the composer is available as a seperate item. The parts are on rental from the publisher. Instrumentation: 2 flutes (2nd doubles piccolo) english horn in F clarinet in Bb 2 bassoons 2 horns in F timpani percussion: orchestra bells, bass drum, tomtom, suspended cymbal, crash cymbal, triangle gong, celesta, small tambourine harp Strings.
$25.95 ≈
23.91€
Concerto for Clarinet and String Orchestra in D Major, Op. 33: Adagio-Allegro
Concerto for Clarinet and String Orchestra in D Major, Op. 33: Adagio-Allegro
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Orchestre de chambre
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James Bernard
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Concerto for Clarinet and Stri
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James Bernard
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1023544 Composed by James Bernard. Classical,Holiday,Romantic Period. Score and parts. 12 pages. James Bernard #5991095. Pub...
(+)
Chamber Orchestra - SKU: A0.1023544 Composed by James Bernard. Classical,Holiday,Romantic Period. Score and parts. 12 pages. James Bernard #5991095. Published by James Bernard (A0.1023544). This movement of my Clarinet Concerto was written for my Dads birthday. .
$14.99 ≈
13.81€
Mendelssohn: Wedding March for Alto Clarinet & Piano
Mendelssohn: Wedding March for Alto Clarinet & Piano
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Clarinette
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
(+)
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95 ≈
22.99€
Mendelssohn: Wedding March for Clarinet & Piano
Mendelssohn: Wedding March for Clarinet & Piano
#
Clarinette et Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
#
jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
(+)
B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602813. Published by jmsgu3 (A0.549889). Score: 12 pages, piano part: 6 pages, clarinet part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$24.95 ≈
22.99€
Concerto for Vibraphone and Chamber Orchestra
Concerto for Vibraphone and Chamber Orchestra
#
purchasing the music you have
#
Daniel Castillo Mendoza
#
Concerto for Vibraphone and Ch
#
Daniel C. M.
#
SheetMusicPlus
Large Ensemble Vibraphone - Level 5 - SKU: A0.810362 Composed by Daniel Castillo Mendoza. 20th Century,Contemporary,Standards. Score and parts. 66 pages...
(+)
Large Ensemble Vibraphone - Level 5 - SKU: A0.810362 Composed by Daniel Castillo Mendoza. 20th Century,Contemporary,Standards. Score and parts. 66 pages. Daniel C. M. #6716675. Published by Daniel C. M. (A0.810362). Concerto for vibraphone and chamber orchestra. The PDF includes score and parts. The instrumentation is flute, oboe, Bb clarinet, basoon, french horn, timpani, strings, vibraphone (soloist). By purchasing the music you have full permission to perform in public. If you are going to record it, I'd be pleased you could share it with me. You can contact me on danieldcm01@gmail.com.
$129.99 ≈
119.78€
Vivaldi Concerto in C Major for Guitar
Vivaldi Concerto in C Major for Guitar
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Orchestre de chambre
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INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
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Robert E
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Vivaldi Concerto in C Major fo
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R. E. Proctor
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.809758 Composed by Antonio Vivaldi. Arranged by Robert E. Proctor. Baroque,Contemporary. Score and parts. 78 pages...
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Chamber Orchestra - Level 3 - SKU: A0.809758 Composed by Antonio Vivaldi. Arranged by Robert E. Proctor. Baroque,Contemporary. Score and parts. 78 pages. R. E. Proctor #2907309. Published by R. E. Proctor (A0.809758). Concerto in C Major – Vivaldi This is an expanded version of the Vivaldi Concerto in C Major from the original for string trio/quartet and lute/mandolin. Most versions available today utilize a chamber orchestra. This version, expands that to include woodwinds and additional string solo parts, adding a new dimension of color to this charming work. At approximately 9 minutes and 31 seconds, this makes a lovely interlude for your audience. It also pairs well with the Vivaldi Concerto in D Major for Lute/Mandolin, also in this expanded format. (My arrangement available on this web site.) Enhanced guitar part with suggested fingerings including five finger technique for right hand. This can be played with traditional four finger RH technique by leaving out the notes played by the c or little finger of the right hand.Additional instruments are Cello solo, Double Bass solo, Flute, Oboe, Clarinet, and Bassoon. This is a revised version from the previous with enhanced fingers for guitar and a variety of improvements to the orchestration.
$19.95 ≈
18.38€
Concertino - for clarinet, mandolin and symphony orchestra
Concertino - for clarinet, mandolin and symphony orchestra
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Orchestre de chambre
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Klezmer
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, man
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029....
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Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00 ≈
49.76€
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.36€
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.36€
Richard Faith : Concerto for oboe and chamber orchestra, piano reduction and solo part
Richard Faith : Concerto for oboe and chamber orchestra, piano reduction and solo part
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Richard Faith
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Richard Faith : Concerto for o
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.533084 Composed by Richard Faith. 20th Century,Concert,Standards. Score and parts. 57...
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.533084 Composed by Richard Faith. 20th Century,Concert,Standards. Score and parts. 57 pages. Musik Fabrik Music Publishing #482091. Published by Musik Fabrik Music Publishing (A0.533084). A three-movement concerto for oboe and orchestra in a pastoral style. The piano reduction is by the composer. The full score is available as a seperate item. The parts are on rental from the publisher. Instrumentation: 2 flutes (2nd doubles piccolo) english horn in F clarinet in Bb 2 bassoons 2 horns in F timpani percussion: orchestra bells, bass drum, tomtom, suspended cymbal, crash cymbal, triangle gong, celesta, small tambourine harp Strings.
$25.95 ≈
23.91€
Bach/Leytush - GOLDBERG VARIATIONS for Piano and Chamber Orchestra - Score Only
Bach/Leytush - GOLDBERG VARIATIONS for Piano and Chamber Orchestra - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Arkady Leytush
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Arkady Leytush
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Bach/Leytush - GOLDBERG VARIAT
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Arkady Leytush
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1174276 By Arkady Leytush. By I. S. Bach. Arranged by Arkady Leytush. Baroque. Score and parts. 325 pages. Arkady ...
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Chamber Orchestra - Level 3 - SKU: A0.1174276 By Arkady Leytush. By I. S. Bach. Arranged by Arkady Leytush. Baroque. Score and parts. 325 pages. Arkady Leytush #774439. Published by Arkady Leytush (A0.1174276). Orchestra: Flute, Oboe, Clarinet in B, Bassoon, 2 Horns, Trumpet, Trombone, Violins 1st, Violins 2nd, Violas, Cellos, D. BassI have been thinking about the plan to make an orchestral transcription of Goldberg Variations for a long time, as one of the examples of collective music-making, where most of the work would be typical of the style of a piano concerto, and would also include chamber ensembles both with a pianist and solo. Total duration (with some repetitions) - 50 min. Some variations are played: Piano + Orchestra (1,2,3,4,6,8,10,11,12,14,16,18,20,21,24,25,26,27.28,29) Orchestra only (19, 30), Brass only (4), Wood winds only (9), Brass + Wood winds only (22), Piano + Soloists from the Orchestra (7, 15, 17) Piano only (13) Prelude-Aria (Theme) begins with the pianist and after 8 measures the orchestra gradually turns on. The same Postlude-Aria theme at the end of the composition has an inversion orchestration, when everyone starts playing together (Piano + Orchestra) and then the orchestra gradually stops playing and only one pianist remains.Audio (mp3) incudes excerpts of Variations ## 1,2,4,5,6,7,11,14,19,20,21,22,28,29,30.
$100.00 ≈
92.15€
Concerto
Concerto
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Flûte traversière, Orchestre
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AVANCÉ
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Contemporain
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Krzysztof Penderecki
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Flute (clarinet) and chamber orchestra - difficult - For flute (clarinet) and chamber orchestra. Composed by Krzysztof Penderecki (1933- 2020). This ...
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Flute (clarinet) and chamber orchestra - difficult - For flute (clarinet) and chamber orchestra. Composed by Krzysztof Penderecki (1933- 2020). This edition: piano reduction with solo part. Downloadable, piano reduction with solo part. Duration 25\' 0. Schott Music - Digital #Q3037. Published by Schott Music - Digital
$39.99 ≈
36.85€
Concierto para Clarinete y Cuerdas (Concerto for Clarinet & Strings)
Concierto para Clarinete y Cuerdas (Concerto for Clarinet & Strings)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Carlos Zamora
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Concierto para Clarinete y Cue
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Editorial Nacional
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.992379 Composed by Carlos Zamora. 20th Century,Contemporary,Latin. Score and parts. 24 pages. Editorial Nacional #...
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Chamber Orchestra - Level 4 - SKU: A0.992379 Composed by Carlos Zamora. 20th Century,Contemporary,Latin. Score and parts. 24 pages. Editorial Nacional #3479461. Published by Editorial Nacional (A0.992379). Parts: rental only. Please contact francia.gomez@editorialnacional.cl.
$20.00 ≈
18.43€
Concerto for Trumpet and Orchestra (score, piano reduction, solo trumpet parts)
Concerto for Trumpet and Orchestra (score, piano reduction, solo trumpet parts)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Gary Friedman
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Concerto for Trumpet and Orche
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Gary Friedman
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.889880 Composed by Gary Friedman. Contemporary,Romantic Period. Score and parts. 87 pages. Gary Friedman #12841. P...
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Chamber Orchestra - Level 4 - SKU: A0.889880 Composed by Gary Friedman. Contemporary,Romantic Period. Score and parts. 87 pages. Gary Friedman #12841. Published by Gary Friedman (A0.889880). Concerto for Trumpet and Orchestra The first and third movements are lively, the second is reflective. There are several solo passages for other players. This was first performed by professional musicians including John Thomas, trumpet soloist, at a composers' workshop at Bard College on August 1, 2003. The orchestra was tiny, with only one player per string part, one each of flute, oboe/English horn, clarinet, bassoon, French horn, trombone, and two percussionists and very little rehearsing was possible. The audio clip is of that performance, 3rd movement. Please listen to the other movements at my website, www.garyfriedmanmusic.net. Provided here are the complete orchestra score, a piano reduction of the orchestra, and the solo trumpet parts for both B flat and E flat trumpet. Each has been preferred by some soloists. A complete set of parts is available separately for $20. Also available separately for $20 is an arrangement for brass septet with the 2 trumpet players sharing the solo part. Included with the septet is an arrangement of the 3rd movement for brass dectet. Duration: about 15 minutes Year: 2003.
$20.00 ≈
18.43€
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95 ≈
20.23€
Mozart 1791 KV 622 Oboe Concerto in G with Chamber Orchestra
Mozart 1791 KV 622 Oboe Concerto in G with Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Rainer's Rainbow
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R G Roth
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Mozart 1791 KV 622 Oboe Concer
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Rainer's Rainbow
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1284776 By Rainer's Rainbow. By Wolfgang Amadeus Mozart 1756-1791. Arranged by R G Roth. 19th Century,Classical,In...
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Chamber Orchestra - Level 4 - SKU: A0.1284776 By Rainer's Rainbow. By Wolfgang Amadeus Mozart 1756-1791. Arranged by R G Roth. 19th Century,Classical,Instructional,Romantic Period,Traditional. Score and Parts. 476 pages. Rainer's Rainbow #875954. Published by Rainer's Rainbow (A0.1284776). This new arrangement of Mozart's Clarinet Concerto has been transposed from the original key of A toG and is reworked her as an Oboe Solo. The score includes an optional piano part / score for rehearsal purposes. It can be performed with just string quartet or just piano. Additional (optional) parts are included here for the Chamber ensemble setting, These include 2 optional Flutes, section Bassoon and string bass.
$19.99 ≈
18.42€
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399....
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Chamber Orchestra - Level 5 - SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95 ≈
16.54€
EDGE for clarinet and strings
EDGE for clarinet and strings
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Anthony Knaak
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EDGE for clarinet and strings
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Tone Knack
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1025034 Composed by Anthony Knaak. 20th Century,Contemporary,Standards. Score and parts. 7 pages. Tone Knack #5358...
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Chamber Orchestra - Level 4 - SKU: A0.1025034 Composed by Anthony Knaak. 20th Century,Contemporary,Standards. Score and parts. 7 pages. Tone Knack #5358031. Published by Tone Knack (A0.1025034). EDGE is the second movement of my clarinet concerto. It features solo clarinet, violins 1 and 2, viola, cello, and string bass. The motif I used in its composition were the notes: E, D, G, and E. The style is neo-classical. It is suitable for string chamber orchestra. .
$2.99 ≈
2.76€
Crusell Concerto for Clarinet No. 1 Op. 1 Chamber Orchestra
Crusell Concerto for Clarinet No. 1 Op. 1 Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Bernhard Henrik Crusell
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Christian Roßmeißl
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Crusell Concerto for Clarinet
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Christian Rossmeissl
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.957612 Composed by Bernhard Henrik Crusell (1775-1838). Arranged by Christian Roßmeißl. Classical. Score and...
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Chamber Orchestra - Level 4 - SKU: A0.957612 Composed by Bernhard Henrik Crusell (1775-1838). Arranged by Christian Roßmeißl. Classical. Score and parts. 309 pages. Christian Rossmeissl #6399849. Published by Christian Rossmeissl (A0.957612). Full Score for Chamber Orchestra. Pages: 309, Parts: Flute Oboe: 2 Parts Fagot,: 2 Parts Horn in Eb: 2 Parts Trumpet in Eb: 2 Parts Pauken Violine: 2 Parts Viola Cello Doublebass Solo Clarinet,Also available: Clarinet Solo Part and Playbackwww.letsplay-notes.com / sheetmusic plus.
$180.00 ≈
165.87€
Concerto For Clarinet
Concerto For Clarinet
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Jazz
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Artie Shaw
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Edited Robert C
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Concerto For Clarinet
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Robert C. Olivia
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1403422 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 214 pages. Robert C. Olivia #9866...
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Chamber Orchestra - Level 5 - SKU: A0.1403422 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 214 pages. Robert C. Olivia #986632. Published by Robert C. Olivia (A0.1403422). This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw’s band with strings played on the record version and in the motion picture. In addition to the big band & string parts here, also available is the companion conductor score and solo clarinet part. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period. The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie†Brown on Trombone. There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.
$200.00 ≈
184.30€
Concerto Pop For Clarinet and Orchestra
Concerto Pop For Clarinet and Orchestra
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Orchestre de chambre
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AVANCÉ
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William Pagan-Perez
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Concerto Pop For Clarinet and
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William Pagan-Perez
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1318050 Composed by William Pagan-Perez. 21st Century. 209 pages. William Pagan-Perez #906747. Published by Willia...
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Chamber Orchestra - Level 5 - SKU: A0.1318050 Composed by William Pagan-Perez. 21st Century. 209 pages. William Pagan-Perez #906747. Published by William Pagan-Perez (A0.1318050). This is a three movements solo for the clarinet with an accompaniment of the chamber orchestra.
$49.95 ≈
46.03€
W. A. Mozart-Clarinet Concerto in A Major,K.622,for Clarinet and Orchestra
W. A. Mozart-Clarinet Concerto in A Major,K.622,for Clarinet and Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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OSM Press
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W. A. Mozart-Clarinet Concerto
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Open Cloud
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1351025 Composed by Wolfgang Amadeus Mozart. Arranged by OSM Press. Classical. 216 pages. Open Cloud #935853. Publ...
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Chamber Orchestra - Level 3 - SKU: A0.1351025 Composed by Wolfgang Amadeus Mozart. Arranged by OSM Press. Classical. 216 pages. Open Cloud #935853. Published by Open Cloud (A0.1351025).
$48.99 ≈
45.14€
Rhapsody In Blue (Clarinet Quartet, String Orch)
Rhapsody In Blue (Clarinet Quartet, String Orch)
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Flûte, Hautbois, Clarinette, Basson
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AVANCÉ
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George Gershwin
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John Romano
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Rhapsody In Blue
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John Romano
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 5 - SKU: A0.874596 Composed by George Gershwin. Arranged by John Romano. 20th Century,Jazz. 145 pages. John R...
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Woodwind Ensemble,Woodwind Quartet - Level 5 - SKU: A0.874596 Composed by George Gershwin. Arranged by John Romano. 20th Century,Jazz. 145 pages. John Romano #5828041. Published by John Romano (A0.874596). Rhapsody In Blue (1924) by George Gershwin is an iconic concerto for piano but also possibly the most famous and recognizable clarinet solo in history. This arrangement by John Romano (2020) expands the prominence of the opening clarinet solo by giving a quartet of clarinets the role of the solo piano. The result is a delightful showpiece in the style of a jazz concerto grosso with string orchestra. In addition to a full concerto setting, it can also be performed as a chamber piece with string quintet or piano accompaniment (included). This arrangement is the complete Rhapsody In Blue. Traditional cuts can be made for timing purposes. The set includes a full orchestral score, all parts, and a piano reduction.
$100.00 ≈
92.15€
Concerto For Clarinet - Score Only
Concerto For Clarinet - Score Only
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Jazz
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Artie Shaw
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Edited Robert C
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Concerto For Clarinet - Score
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Robert C. Olivia
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1403494 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 68 pages. Robert C. Olivia #98667...
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Chamber Orchestra - Level 5 - SKU: A0.1403494 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 68 pages. Robert C. Olivia #986671. Published by Robert C. Olivia (A0.1403494). This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture. Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. Techniques are carefully detailed to show ornaments, slurs, accents etc. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period.The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie†Brown on Trombone.There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.
$35.00 ≈
32.25€
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Concerto For Clarinet And Chamber Orchestra
