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Boston (Early American Christmas Carol) for Woodwind Quintet
Boston (Early American Christmas Carol) for Woodwind Quintet

#Boston

Boston (Early American Christmas Carol) for Woodwind Quintet
Boston (Early American Christmas Carol) for Woodwind Quintet #Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor #FACILE #Noël #William Billings #Nathaniel Hontz #Boston #TigerSong LLC #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1325494 Composed by William Billings. Arranged by Nathaniel Hont...(+)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1325494 Composed by William Billings. Arranged by Nathaniel Hontz. Advent,Chamber,Christmas,Early Music,Sacred. 10 pages. TigerSong LLC #913721. Published by TigerSong LLC (A0.1325494). William Billings's Christmas anthem Methinks I See a Heavenly Host (Boston), arranged for Woodwind Quintet. A great, early-American addition to sacred or secular holiday performances!

The Vesper Bell
The Vesper Bell #Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor #INTERMÉDIAIRE #Musique Sacrée #Andrew Lamb #Andrew Lamb #The Vesper Bell #Andrew Lamb #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1209178 By Andrew Lamb. By Henry Smith (1813-1879). Arranged by ...(+)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1209178 By Andrew Lamb. By Henry Smith (1813-1879). Arranged by Andrew Lamb. Religious. 19 pages. Andrew Lamb #807290. Published by Andrew Lamb (A0.1209178). Title: The Vesper BellComposer: Henry Smith (1813-1879)Arranger: Andrew LambDescription: This is my transcription of the prelude The Vesper by composer Henry Smith (1813-1879).Henry Smith was an American composer and organist born in Salem, Massachusetts, on September 27, 1813. At a young age, he showed musical talent and became a pupil of Lowell Mason, an influential educator and composer who was instrumental in developing music education in the United States. Smith was also a prolific composer and wrote over 500 works, including hymns, songs, anthems, and instrumental music. Many of his hymns are still sung today in churches across the country, including Rejoice in the Lord Always, and Sabbath Bells are Ringing. In addition to his work as a composer, Smith was also an accomplished organist and held positions at several churches throughout his career, including in Boston and New York City.

Carson Cooman: Solar Visions (2004) for woodwind quintet
Carson Cooman: Solar Visions (2004) for woodwind quintet #Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor #AVANCÉ #Contemporain #Carson Cooman #Carson Cooman: Solar Visions #Musik Fabrik Music Publishing #SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.533642 Composed by Carson Cooman. Contemporary. Score and parts. 58 pages. Musik Fab...(+)

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.533642 Composed by Carson Cooman. Contemporary. Score and parts. 58 pages. Musik Fabrik Music Publishing #3035193. Published by Musik Fabrik Music Publishing (A0.533642). Solar Visions (2004) for woodwind quintet was commissioned by and is dedicated to theArcadian Winds of Boston, Massachusetts, at the specific request of John Paul Aubrey,hornist. Hearing the Arcadian Winds perform contemporary music on numerous occasionswas an inspiration to the writing of this piece.The work is in three movements, each sharing the same basic musical material. The startingpoint for the work's conception is a dissonant cadential figuration from early American music,centered on Ab. Spinning out from this idea, the material extends to incorporate patterns ofperfect 5ths one semitone apart. This sense of cadence is extended in the work to makelarger-scale structures.The first movement, Recitatives and Chorales, consists of free, recitative-like material for theinstruments in solos. These recitatives often erupt into fast spirals. This texture is interruptedperiodically by chorale-like ideas presented by the full quintet.The second movement, Serenata, is a song-like with each instrument taking the melody inturn. Some of the recitative-ideas of the first movement re-emerge, as well as a rearticulationof the cadential figuration.The third movement, Dance, is energetic and driving. The dance is interrupted by arecollection of the first movement's material. The final resolution of the extended cadentialfigurations occurs at the end, and the work ends exuberantly with a flourish in Ab major.