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Vous avez sélectionné:
Agitate
Partitions à imprimer
90 partitions trouvées
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26
51
76
Agitate
Agitate
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Joe Wiedemann
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Agitate
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Joe Wiedemann
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1011584 Composed by Joe Wiedemann. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 181 ...
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Full Orchestra - Level 4 - SKU: A0.1011584 Composed by Joe Wiedemann. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 181 pages. Joe Wiedemann #3416427. Published by Joe Wiedemann (A0.1011584). Each instrument section here has a chance to stir the pot. A real lesson in articulation, this moody piece offers challenging parts for talented orchestras. Lively tremelos and staccatos generate agitation, contrasted by slow and sometimes ominous, foreboding melodies. It makes a good show-starter before more standard repertoire.Duration 8:20Scored for: Piccolo, Flutes I-II, Oboes I-II, Clarinets I-II alt. Bass Cl., Bassoons, Horns in F I-II, Trumpets I-II, Trombones I-II, Tuba, Snare Drum, Cymbals, 3 Timpani, Violins I-II, Violas, Cellos, Contrabass
$19.99 ≈
18.44€
Schumann : Kreisleriana, Opus 16 – III. Sehr aufgeregt (Très agité)
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Piano seul
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AVANCÉ
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Classique
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Schumann
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Kreisleriana, Opus 16 – III.
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Tomplay
Telechargez la partition Piano Kreisleriana, Opus 16 – III. Sehr aufgeregt (Très agite) de Schumann. Partition pour Piano seul -- Classique...
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Telechargez la partition Piano Kreisleriana, Opus 16 – III. Sehr aufgeregt (Très agite) de Schumann. Partition pour Piano seul -- Classique
3.99€
Double Concerto for Flute and Guitar (SCORE and PARTS)
Double Concerto for Flute and Guitar (SCORE and PARTS)
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Orchestre
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AVANCÉ
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Apostolos Paraskevas
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Double Concerto for Flute and
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Silver Sickle Publications
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.942101 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 285 pages. Silver Sickle P...
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Full Orchestra - Level 5 - SKU: A0.942101 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 285 pages. Silver Sickle Publications #6253455. Published by Silver Sickle Publications (A0.942101). Constitution Article 91 (Double Concerto for flute and guitar in one movement). A quite demanding concerto from a technical point of view, unfolds many sonorities for both solo instruments as well as orchestra, including dense texture, polyphony, and a flavor of minimalism just before the end. After an agitated orchestra introduction, the flute enters with a lamenting and painful melody. The guitar takes over by introducing the core motivic elements of the work. Flute and guitar join in a chase-like duet with virtuosic passages in both instruments, accompanied by the orchestra in a frenzied commotion. The slow and almost distorted cadenza (with the snare drum) comes as a surprise and at the same time as a moment of relief. The tension increases as propulsive rhythms drive through the finale and build with rapid agitation to the end. The title of the work, Constitution Article 91, refers to a part of the former Greek constitution used by the dictatorship between 1967 and 1974 to abolish democracy in Greece. Certain rhythms in the work come from a fearsome and agitated speech that the dictator delivered to the academicians in 1973 following the students movement against the tyranny. Constitution Article 91 is a real tour de force for the soloists. In this colorful work, Apostolos Paraskevas shows us that a meeting point can be found between advanced contemporary idioms and evocations of an almost popular style. This music is notable for its rhythmic verve, its melodic grace, and its emotional depth. It has genuine substance, but speaks directly to the listener-a rare and welcome achievement. John Daverio/Musicologist
$950.00 ≈
876.22€
Double Concerto for Flute and Guitar (SCORE ONLY)
Double Concerto for Flute and Guitar (SCORE ONLY)
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Orchestre
#
Apostolos Paraskevas
#
Double Concerto for Flute and
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Silver Sickle Publications
#
SheetMusicPlus
Full Orchestra - SKU: A0.942100 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 121 pages. Silver Sickle Publication...
(+)
Full Orchestra - SKU: A0.942100 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 121 pages. Silver Sickle Publications #6253447. Published by Silver Sickle Publications (A0.942100). Constitution Article 91 (Double Concerto for flute and guitar in one movement). A quite demanding concerto from a technical point of view, unfolds many sonorities for both solo instruments as well as orchestra, including dense texture, polyphony, and a flavor of minimalism just before the end. After an agitated orchestra introduction, the flute enters with a lamenting and painful melody. The guitar takes over by introducing the core motivic elements of the work. Flute and guitar join in a chase-like duet with virtuosic passages in both instruments, accompanied by the orchestra in a frenzied commotion. The slow and almost distorted cadenza (with the snare drum) comes as a surprise and at the same time as a moment of relief. The tension increases as propulsive rhythms drive through the finale and build with rapid agitation to the end. The title of the work, Constitution Article 91, refers to a part of the former Greek constitution used by the dictatorship between 1967 and 1974 to abolish democracy in Greece. Certain rhythms in the work come from a fearsome and agitated speech that the dictator delivered to the academicians in 1973 following the students movement against the tyranny. Constitution Article 91 is a real tour de force for the soloists. In this colorful work, Apostolos Paraskevas shows us that a meeting point can be found between advanced contemporary idioms and evocations of an almost popular style. This music is notable for its rhythmic verve, its melodic grace, and its emotional depth. It has genuine substance, but speaks directly to the listener-a rare and welcome achievement. John Daverio/Musicologist
$35.00 ≈
32.28€
The Strife is O'er (Percussion & String Quartet) Score and Parts
The Strife is O'er (Percussion & String Quartet) Score and Parts
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Rick Barnes
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The Strife is O'er
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Rick Barnes Music
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SheetMusicPlus
Strings Piano - Level 4 - SKU: A0.1445593 By Rick Barnes. By Rick Barnes. Christian,Contemporary,Sacred. 49 pages. Rick Barnes Music #1025434. Published...
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Strings Piano - Level 4 - SKU: A0.1445593 By Rick Barnes. By Rick Barnes. Christian,Contemporary,Sacred. 49 pages. Rick Barnes Music #1025434. Published by Rick Barnes Music (A0.1445593). Take your congregation on the journey of Christ's death and resurrection with this new setting to the Easter hymn The Strife is O'er, the Battle Done. With agitated strings, majestic brass and soaring choral lines, Rick Barnes uses a cinematic approach to depict the battle between Christ and Death. It is scored for choir and piano with optional string quartet and percussion or with full orchestra.
$35.00 ≈
32.28€
Horn Sonata No. 2 (Complete)
Horn Sonata No. 2 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 2
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Lyons Music Services
#
SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by ...
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French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.
$18.00 ≈
16.60€
Meditation for Tuba and Metronome...?
Meditation for Tuba and Metronome...?
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Tuba
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INTERMÉDIAIRE/AVANCÉ
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Julien Simard
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Meditation for Tuba and Metron
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Julien Simard
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SheetMusicPlus
Tuba Solo - Level 4 - SKU: A0.931126 Composed by Julien Simard. Contemporary,Instructional. Individual part. 6 pages. Julien Simard #6130571. Published ...
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Tuba Solo - Level 4 - SKU: A0.931126 Composed by Julien Simard. Contemporary,Instructional. Individual part. 6 pages. Julien Simard #6130571. Published by Julien Simard (A0.931126). The metronome is always right is a phrase that every music student has heard at one point or another. However, Meditation for Tuba and Metronome? proves once and for all that the metronome is in fact not always right! As the tubist performs luscious melodies, the metronome he is using starts to malfunction, becoming more and more inconsistent and agitated. This drives the tubist into a frenzy, causing him to finally reset the metronome and start over.....Commissioned and recorded by Tristan Whalen-Hughes on the album Low Orbit. https://www.tristanwhalenhughes.com/recordings.
$15.99 ≈
14.75€
Pastiche for Piano No. 1 on Kaikhosru Shapurji Sorabji Op. 8
Pastiche for Piano No. 1 on Kaikhosru Shapurji Sorabji Op. 8
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Piano seul
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AVANCÉ
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Salim Haddad
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Pastiche for Piano No. 1 on Ka
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Salim Haddad
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1379321 Composed by Salim Haddad. 21st Century,Classical,Contemporary. Score. 7 pages. Salim Haddad #963996. Published by...
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Piano Solo - Level 5 - SKU: A0.1379321 Composed by Salim Haddad. 21st Century,Classical,Contemporary. Score. 7 pages. Salim Haddad #963996. Published by Salim Haddad (A0.1379321). A stormy, agitated piece full of virtuoso flourishes. Brief moments of calm contrast with florid passage work and thundering bass chords and octaves. Recorded by the composer. Salim Haddad is an avid pianist and composer from Edmonton, Canada. https://www.youtube.com/@Haddad.Composer/about
$2.00 ≈
1.84€
Peace I Leave With You
Peace I Leave With You
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Dean H
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Peace I Leave With You
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D H Hamill
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1012874 Composed by Dean H. Hamill. A Cappella,Christian,Praise & Worship,Sacred. Octavo. 7 pages. D H Ha...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1012874 Composed by Dean H. Hamill. A Cappella,Christian,Praise & Worship,Sacred. Octavo. 7 pages. D H Hamill #6083301. Published by D H Hamill (A0.1012874). For SSAATTBB with piano accompaniment. The lyrics are from John 14: 27 and 18 (KJV). The opening section is calm and peaceful, as one might expect. The middle section (a cappella) is a bit agitated and repetitive in a manner to give emphasis to the promises of the opening section. Then the piece ends with a shortened repeat of the restful and calm opening section. This is appropriate for worship services but is really more suitable as a concert piece. It was composed during a very difficult time of my life when these verses comforted me. Duration is approximately 6 1/2 minutes. Your comments are welcome -- contact me at dean.hamill@hushmail.com.
$2.99 ≈
2.76€
In Search of Something (for solo piccolo trumpet)
In Search of Something (for solo piccolo trumpet)
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Aaron Lee
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In Search of Something
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J. Aaron Lee
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SheetMusicPlus
Piccolo Trumpet Solo,Trumpet in D Solo - Level 4 - SKU: A0.617908 Composed by Aaron Lee. 20th Century,Classical,Contemporary. Individual part. 9 pages. ...
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Piccolo Trumpet Solo,Trumpet in D Solo - Level 4 - SKU: A0.617908 Composed by Aaron Lee. 20th Century,Classical,Contemporary. Individual part. 9 pages. J. Aaron Lee #227060. Published by J. Aaron Lee (A0.617908). Written for unaccompanied piccolo trumpet, this work (approx. 2.5 min in duration), this work is in constant search of balance. Two competing characters both search in their own ways (one calm and one agitated) until they eventually find the balance and resolution they each seek. In addition the a score for piccolo trumpet, versions for piccolo trumpet in B-flat and trumpet in D are also provided. For more music from Aaron Lee, you can visit www.musicoflee.com.
$3.99 ≈
3.68€
Awaken the dawn (for trombone & piano)
Awaken the dawn (for trombone & piano)
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Trombone et Piano
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AVANCÉ
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Musique Sacrée
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Joseph Hollings
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Awaken the dawn
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Joseph Hollings Publishing
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.927663 Composed by Joseph Hollings. 20th Century,Contemporary. Score and part. 21 pages. Joseph Hollings Publishing #...
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Piano,Trombone - Level 5 - SKU: A0.927663 Composed by Joseph Hollings. 20th Century,Contemporary. Score and part. 21 pages. Joseph Hollings Publishing #6682863. Published by Joseph Hollings Publishing (A0.927663). Awaken the dawn was written for and dedicated to Shachar Israel, Assistant Principal Trombone of the Cleveland Orchestra. Mr. Israel commissioned the work and worked closely with the composer during the composition process. The piece is demanding for both trombonist and pianist.Naming the piece was relatively straightforward, as the composer intended from the outset to use the English translation of the Hebrew word and Mr. Israel's first name 'Shachar' (in Hebrew, 'shachar' means 'dawn'). The title, taken from a passage in the Book of Psalms, is intended to represent the energy and beauty present in the few moments before dawn breaks.The piece begins with a lyrical trombone line, floating over a minimalistic piano accompaniment. Making the most of the trombone's pitch and dynamic range, the trombone becomes increasingly agitated and the piano accompaniment more fragmented. A frenetic passage leads into a fast, aggressive section before returning to the opening melodies.Mr. Israel recorded the piece in 2018 at the Oberlin Conservatory of Music in Oberlin, Ohio with the marvelous Martha Locker on piano. The recording was produced by the Grammy award-winning Elaine Martone. The recording is currently available on Amazon, Spotify and Apple Music.DURATION: approx. 7:30Joseph Hollings is a member of ASCAP. Learn more about the composer at www.josephhollings.comFollow on TikTok @TikTokComposerFollow on Instagram @josephhollings.
$15.00 ≈
13.84€
Zueignung (Ab Major)
Zueignung (Ab Major)
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Jonathan Prentice
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Zueignung
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Jonathan Prentice
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.884848 Composed by Richard Strauss. Arranged by Jonathan Prentice. 20th Century. Score. 4 pages. Jonathan Prentice...
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Piano,Vocal,Voice - Level 3 - SKU: A0.884848 Composed by Richard Strauss. Arranged by Jonathan Prentice. 20th Century. Score. 4 pages. Jonathan Prentice #5953799. Published by Jonathan Prentice (A0.884848). Strauss's ecstatic setting of Hermann von Gilm's poem, Devotion, with a very singable melody, over an agitated accompaniment (Here in Ab Major, suitable for mezzos and baritones).
$1.99 ≈
1.84€
Abraham's Walk
Abraham's Walk
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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David E
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Abraham's Walk
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David E Boelzner
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1013046 Composed by David E. Boelzner. Christian,Contemporary,Jewish,Sacred. Score and part. 9 pages. David E Boelzner #...
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Piano,Viola - Level 4 - SKU: A0.1013046 Composed by David E. Boelzner. Christian,Contemporary,Jewish,Sacred. Score and part. 9 pages. David E Boelzner #5898963. Published by David E Boelzner (A0.1013046). Abraham’s Walk is a reflection, for viola and piano, of the dramatic biblical story of God calling on Abraham to demonstrate his faith by sacrificing his son, Isaac. The beginning sets a peaceful mood with a quiet modal tune, first in piano and then viola, but somber chords intervene. Then God calls to Abraham three times, each time louder, the last time thunderously. After a pause, the viola captures Abraham’s stunned and then agitated response, as he processes what he’s being asked to do. Tragically resolved, he begins the trudging walk to his son’s doom, which builds to a climax in both instruments, culminating in God’s calling again to Abraham, this time to stay his knife hand.
$9.99 ≈
9.21€
Zueignung (A Major)
Zueignung (A Major)
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Jonathan Prentice
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Zueignung
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Jonathan Prentice
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.884849 Composed by Richard Strauss. Arranged by Jonathan Prentice. 20th Century. Score. 4 pages. Jonathan Prentice...
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Piano,Vocal,Voice - Level 3 - SKU: A0.884849 Composed by Richard Strauss. Arranged by Jonathan Prentice. 20th Century. Score. 4 pages. Jonathan Prentice #5952975. Published by Jonathan Prentice (A0.884849). Strauss's ecstatic setting of Hermann von Gilm's poem, Devotion, with a very singable melody, over an agitated accompaniment (Here in A Major, suitable for mezzos and baritones).
$1.99 ≈
1.84€
Sonata for Trombone and Piano
Sonata for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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Sonata for Trombone and Piano
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Sy Brandon
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.754960 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 27 pages. Sy Brandon #3225903. Published by...
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Piano,Trombone - Level 4 - SKU: A0.754960 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 27 pages. Sy Brandon #3225903. Published by Sy Brandon (A0.754960). This three movement sonata for trombone or euphonium is filled with lyricism and jazz harmonies. The opening movement is a moderato in sonata form that is followed by a slow second movement that varies a two part theme. The last movement is more angular and agitated. This work is recorded by Michael Davidson on the Emeritus Recordings CD Blue Wolf and Peter Howell on the Emeritus label Trombonarama CD.
$14.99 ≈
13.83€
Soliloquy for Unaccompanied Bass Trombone
Soliloquy for Unaccompanied Bass Trombone
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William Rose
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Soliloquy for Unaccompanied Ba
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.1316801 Composed by William Rose. 21st Century,Contemporary. Individual part. 3 pages. Gordon Cherry...
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Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.1316801 Composed by William Rose. 21st Century,Contemporary. Individual part. 3 pages. Gordon Cherry #905479. Published by Gordon Cherry (A0.1316801). Soliloquy for Unaccompanied Bass Trombone, a fine new work by composer William Rose is dedicated to British musician Jonathan Warburton. It is a work in two movements of about 4 minutes in length.Movement I. marked Sorrowful is slow, serious, melodic and very expressive. Movement II. marked Agitated, in contrast, is excitingly fast, rhythmic, having large jumps in register and highly punctuated.Soliloquy is a perfect piece to place on a recital.
$22.50 ≈
20.75€
Zueignung (G Major)
Zueignung (G Major)
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Jonathan Prentice
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Zueignung
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Jonathan Prentice
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.884850 Composed by Richard Strauss. Arranged by Jonathan Prentice. 20th Century. Score. 4 pages. Jonathan Prentice...
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Piano,Vocal,Voice - Level 3 - SKU: A0.884850 Composed by Richard Strauss. Arranged by Jonathan Prentice. 20th Century. Score. 4 pages. Jonathan Prentice #5955477. Published by Jonathan Prentice (A0.884850). Strauss's ecstatic setting of Hermann von Gilm's poem, Devotion, with a very singable melody, over an agitated accompaniment (Here in G Major, suitable for altos and basses).
$1.99 ≈
1.84€
Heart Riddle #1 from "Grasping Water"
Heart Riddle #1 from "Grasping Water"
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Maria Thompson Corley
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Heart Riddle #1 from "Gra
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Maria Thompson Corley
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SheetMusicPlus
Vocal Solo,Voice - Level 5 - SKU: A0.845909 Composed by Maria Thompson Corley. Concert,Contemporary. 4 pages. Maria Thompson Corley #4625013. Published ...
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Vocal Solo,Voice - Level 5 - SKU: A0.845909 Composed by Maria Thompson Corley. Concert,Contemporary. 4 pages. Maria Thompson Corley #4625013. Published by Maria Thompson Corley (A0.845909). Part of a cycle that was included in the curriculum for classes on African American Art Song taught at University of Michigan, Ann Arbor, and Jackdaws Music Education Trust, U.K. The text for Three Heart Riddles is about confusion regarding the hot and cold behavior of the object of the writer's affection. Each one begins with a question. The first is agitated, rhapsodic, and dissonant. The second is a tango. The third begins contemplative, then revisits the first and second riddles before ending in a devil-may-care manner.
$9.99 ≈
9.21€
Haunted Castle - From 24 Short Piano Pieces in All Keys
Haunted Castle - From 24 Short Piano Pieces in All Keys
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Michael Hayes
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Haunted Castle - From 24 Short
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Michael Hayes
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1209267 By Michael Hayes. By Michael Hayes. Contemporary. Score. 2 pages. Michael Hayes #807382. Published by Michael Hay...
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Piano Solo - Level 3 - SKU: A0.1209267 By Michael Hayes. By Michael Hayes. Contemporary. Score. 2 pages. Michael Hayes #807382. Published by Michael Hayes (A0.1209267). Haunted Castle – Spooky and mysteriousHaunted Castle starts with a slow, eerie chordal melody in the key of G minor, evoking the ominous atmosphere of the castle. The steady chords and steady bass line, create a sense of suspense. Throughout the piece, careful use of dynamics will add to the overall eerie atmosphere.As the piece progresses, the right-hand chords become more complex, harmonically dense, and agitated to add to the feeling of unease. Enjoy the spooky middle section in bars 22 through 31.Watch out in bars 22 through 29, where the left hand changes to treble clef. Likewise, watch out in bar 37, where the right hand changes to bass clef.
$2.00 ≈
1.84€
Ondulations
Ondulations
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Contemporain
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Martin Lachance
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Ondulations
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Martin Lachance
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.1009918 Composed by Martin Lachance. Contemporary. Score and parts. 22 pages. Martin Lacha...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.1009918 Composed by Martin Lachance. Contemporary. Score and parts. 22 pages. Martin Lachance #22643. Published by Martin Lachance (A0.1009918). Ondulations is a composition for piano 4-hands in which we constantly hear bursts of agitation in the water. The beginning of the piece is inspired by the image of a rock that falls into the water. Following this shock, the ripples generated die away quietly. The idea of agitated water pervades the entire piece, with a near-ubiquitous swarm of repeated notes, alternating with calmer sections in a dreamy mood.
$9.99 ≈
9.21€
Piano Sonata No. 5, op. 81
Piano Sonata No. 5, op. 81
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Piano seul
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Piano Sonata No. 5, op. 81
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Adrian Gagiu
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.1091262 Composed by Adrian Gagiu. Classical,Contemporary. Individual part. 28 pages. Adrian Gagiu #695427. Publish...
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Instrumental Solo - Level 5 - SKU: A0.1091262 Composed by Adrian Gagiu. Classical,Contemporary. Individual part. 28 pages. Adrian Gagiu #695427. Published by Adrian Gagiu (A0.1091262). Piano sonata in Neoclassical style, developing the themes briefly tried out by Beethoven in the slow introduction to the Finale of his Sonata No. 29 op. 106 (1818). This first movement (Allegro moderato) utilizes the first two of those melodic and textural scraps as the two themes of a sonata form in a mostly delicate, fantasia-like manner, with time signature ambiguity and alternance. The second movement (Allegro) utilizes the next two of those melodic and textural scraps as the two themes of an agitated 'scherzo' in G sharp minor, with allusions to Bach's Prelude in C minor from the second book of 'The Well-Tempered Clavier' and to Beethoven's Bagatelle in G minor, op. 126 no. 2. The Finale (Largo - Allegro ma non troppo) utilizes first the searching sections of that Introduction, as an enigmatic preparation of the big surprise in the Finale proper: a set of nine, mostly powerful variations on a tone row, yet treated not entirely with the twelve-tone technique, but in extended tonality context. Variations 2-5 allude to motifs from the themes of the previous movements. The mp3 is a self-made recording of the first movement using a Graf 1826 fortepiano sampled by Modartt's Pianoteq. Performing Rights Organization: SOCAN. Total duration: 19 min.
$12.99 ≈
11.98€
Dementia in F-sharp for solo flute
Dementia in F-sharp for solo flute
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Flûte traversière
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AVANCÉ
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Jing Liu
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Dementia in F-sharp for solo f
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Jing Liu
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1010609 Composed by Jing Liu. 20th Century,Contemporary. Individual part. 5 pages. Jing Liu #550747. Published by Jing Li...
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Flute Solo - Level 5 - SKU: A0.1010609 Composed by Jing Liu. 20th Century,Contemporary. Individual part. 5 pages. Jing Liu #550747. Published by Jing Liu (A0.1010609). Submitted for 2015 Areon Flutes International Chamber Music Composition Competition Dementia in F-sharp is ultimately about forgetting, and the anger that comes with the inability to remember. For reasons unknown, the note F-sharp is the center of the universe for the flutist. In increasingly agitated attempts, the flutist tries to remember, and the lines go higher and higher until the memory appears clearly, in its original form, in the middle section. But that dissolves back into agony and chaos, until the flutist repeats the opening figure for the final time--but the F-sharp is ultimately lost. JL, Jan 2015.
$9.99 ≈
9.21€
Piano Sonata No 3
Piano Sonata No 3
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Piano seul
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AVANCÉ
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Contemporain
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Malcolm D Robertson
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Piano Sonata No 3
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Mr Malcolm D Robertson
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.928007 Composed by Malcolm D Robertson. Contemporary. Score. 25 pages. Mr Malcolm D Robertson #6638433. Published by Mr M...
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Piano Solo - Level 5 - SKU: A0.928007 Composed by Malcolm D Robertson. Contemporary. Score. 25 pages. Mr Malcolm D Robertson #6638433. Published by Mr Malcolm D Robertson (A0.928007). Composed between the 26th January & the 20th February 2021. The Sonata is in three movements, the first moderately slow, rather restless, searching & unsettled. The central movement is fast, agitated & aggresively frustrated at times, trying to reach upwards & break out. The movement is virtuosic technically very demanding. The final movement is slow and very sustained, with a chorale that occurs three times, first reassuring, then with rich harmonisation & finally spacious & wistfully peaceful but fragmented, finally concluding with a quiet reminscence of the Sonata's opening.
$10.00 ≈
9.22€
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven, Cees Nie
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Fantasia Sonata in D Major for
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Upstream Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Publishe...
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Piano Solo - Level 4 - SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00 ≈
26.75€
Cafe Terrace I
Cafe Terrace I
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Piano seul
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AVANCÉ
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Contemporain
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Kevin Longley
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Cafe Terrace I
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Kevin Longley
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1019351 Composed by Kevin Longley. Contemporary. Score. 9 pages. Kevin Longley #3378573. Published by Kevin Longley (A0.1...
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Piano Solo - Level 5 - SKU: A0.1019351 Composed by Kevin Longley. Contemporary. Score. 9 pages. Kevin Longley #3378573. Published by Kevin Longley (A0.1019351). Cafe Terrace I for Piano, composed in August of 2006 was the first in a set of 3 pieces inspired by Vincent van Gogh's Café Terrace at Night. The music's underlying idea attempts to depict the laughing, the crying, the arguments and the quiet conversations van Gogh may have observed while conceiving his masterpiece. It begins in a flutter of excitement demonstrating the commotion of the Cafe at its busiest hour. As the piece progresses the musics character slowly changes. Moving towards a more agitated state it finally descends to the lower register of the piano, depicting a verbal conflict. This conflict eventually resolves and returns to the opening music which then leads to the exuberant ending.
$3.25 ≈
3.00€
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Agitate
