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Piano seul
Partitions à imprimer
9 partitions trouvées
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1
Evening Prayer
Evening Prayer
#
Piano seul
#
INTERMÉDIAIRE
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Brenda Dillon
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Evening Prayer
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Dillon's Music Group
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.918272 Arranged by Brenda Dillon. Classical,Standards. Score. 3 pages. Dillon's Music Group #6052645. Published by Dillon...
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Piano Solo - Level 3 - SKU: A0.918272 Arranged by Brenda Dillon. Classical,Standards. Score. 3 pages. Dillon's Music Group #6052645. Published by Dillon's Music Group (A0.918272). Evening Prayer is included in Classical Interpretations Collection. It was written by Engelbert Humperdinck from his opera, Hansel and Gretel. The idea for this opera came from his sister who wrote the libretto. Evening Prayer is also known as The Children's Prayer. The bravery of two scared children lost in a forest being comforted by fourteen angels surrounding them evokes a powerful emotion.About the arranger: Brenda Dillon is best known for her contributions to the Recreational Music Making movement. She served on the RMM Committee that designed the RMM Track for MTNA's Pedagogy Saturday. She also presented group piano and RMM sessions throughout the U.S. In addition to serving as a teacher trainer, she has written extensive articles on both group piano and RMM teaching. She has publications with Hal Leonard and Alfred Music listed on her website (www.brendadillon.com).
$3.00 ≈
2.80€
I Dreamt I Dwelt in Marble Halls
I Dreamt I Dwelt in Marble Halls
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Piano seul
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INTERMÉDIAIRE
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Michael Balfe
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Tom Horton
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I Dreamt I Dwelt in Marble Hal
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Tom Horton
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1236790 Composed by Michael Balfe. Arranged by Tom Horton. 19th Century,Classical,Opera. Score. 2 pages. Tom Horton #8323...
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Piano Solo - Level 3 - SKU: A0.1236790 Composed by Michael Balfe. Arranged by Tom Horton. 19th Century,Classical,Opera. Score. 2 pages. Tom Horton #832320. Published by Tom Horton (A0.1236790). I Dreamt I Dwelt in Marble Halls – a lovely arrangement of the popular aria by Michael Balfe from his operatta 'The Bohemian Girl'The Bohemian Girl is an Irish Romantic opera composed by Michael William Balfe with a libretto by Alfred Bunn. The plot is loosely based on a Miguel de Cervantes' tale, La gitanilla. The best-known aria from the piece is I Dreamt I Dwelt in Marble Halls in which the main character, Arline, describes her vague memories of her childhood of a nobler upbringing having been kidknapped by Gypsy's as a very young girl. The best-known version of the operatta is undoubtedly the 1936 full-length Laurel and Hardy film, described in the opening credits as A Comedy Version of The Bohemian Girl. The characters played by Laurel and Hardy do not appear in the stage opera.This piece is a single sheet extract from Tom's piano book Pianistic 1 which you can purchase in full via this website.
$4.95 ≈
4.62€
HMS Pinafore Overture for Piano Solo
HMS Pinafore Overture for Piano Solo
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Piano seul
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INTERMÉDIAIRE
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Sir Arthur Seymour Sullivan
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Berthold Tours
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HMS Pinafore Overture for Pian
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Cornelius Edition
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1232189 Composed by Sir Arthur Seymour Sullivan. Arranged by Berthold Tours. Opera,Romantic Period. Score. 6 pages. Corne...
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Piano Solo - Level 3 - SKU: A0.1232189 Composed by Sir Arthur Seymour Sullivan. Arranged by Berthold Tours. Opera,Romantic Period. Score. 6 pages. Cornelius Edition (uk) #827873. Published by Cornelius Edition (uk) (A0.1232189). H.M.S. Pinafore; or, The Lass That Loved a Sailor, Â is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, on 25 May 1878 and was their first major sucess. The overture arranged for solo piano is useful for many occasions.
$4.99 ≈
4.66€
The Mikado Overture for solo piano
The Mikado Overture for solo piano
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Piano seul
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INTERMÉDIAIRE
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Opera
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Classique
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Sir Arthur Seymour Sullivan
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George Lowell Tracy
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The Mikado Overture for solo p
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Cornelius Edition
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1232205 Composed by Sir Arthur Seymour Sullivan. Arranged by George Lowell Tracy. Opera,Romantic Period. Score. 12 pages....
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Piano Solo - Level 3 - SKU: A0.1232205 Composed by Sir Arthur Seymour Sullivan. Arranged by George Lowell Tracy. Opera,Romantic Period. Score. 12 pages. Cornelius Edition (uk) #827889. Published by Cornelius Edition (uk) (A0.1232205). The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations. It opened on 14 March 1885, in London, where it ran at the Savoy Theatre for 672 performances. The overture arranged for solo piano is a useful recital item and useful for many occasions.
$4.99 ≈
4.66€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) - D MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by VÃkingur Ólafsson) - D MAJOR VERSION
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Piano seul
#
INTERMÉDIAIRE
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Classique
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Ar
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Jean-Philippe Rameau (1683-1764). Arranged by Trancribed by Flavio Regis Cunha. Baroque Period, Early Music, Weddi...
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Piano Solo - Intermediate - Composed by Jean-Philippe Rameau (1683-1764). Arranged by Trancribed by Flavio Regis Cunha. Baroque Period, Early Music, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Bor?ades is a trag?die lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Bor?ades are the descendants of Bor?as.
'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Bor?ades?, written in 1763 when Rameau was 80. ?lafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, ?lafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$6.99 ≈
6.52€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) Db MAJOR R*E*CORD VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by VÃkingur Ólafsson) Db MAJOR R*E*CORD VERSION
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Piano seul
#
INTERMÉDIAIRE
#
Classique
#
Jean-Philippe Rameau
#
Rameau: Les Boréades: "The Ar
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano Solo - Intermediate - Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed by Flavio Regis Cunha. Baroque Period, Early Music...
(+)
Piano Solo - Intermediate - Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.
'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Boréades?, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, Ólafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
https://youtu.be/qTwqBVt2Clw
$6.99 ≈
6.52€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C# MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by VÃkingur Ólafsson) C# MAJOR VERSION
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Piano seul
#
INTERMÉDIAIRE
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Classique
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Ar
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period...
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Piano Solo - Intermediate - Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Renaissance, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.
'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Boréades?, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, Ólafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$6.99 ≈
6.52€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by VÃkingur Ólafsson) C MAJOR VERSION
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Piano seul
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INTERMÉDIAIRE
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Classique
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Ar
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period...
(+)
Piano Solo - Intermediate - Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 9 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.
'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Boréades?, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, Ólafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$6.99 ≈
6.52€
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