Partitions Numériques de The Cure pour Quatuor de Clarinettes: 4 clarinettes

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The Cure
Non classifié 191

Piano & claviers
Piano, Voix et Guitare 76
Piano, Voix 58
Piano seul 57
Piano Facile 14
1 Piano, 4 mains 6

Instruments en Do 5
Orgue 3
Accompagnement Piano 1
Piano grosses notes 1

+ 4 instrumentations

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Guitares
Guitare notes et tablatures 94
Basse electrique 39
Ligne De Mélodie, (Paroles) et Accords 15
Paroles et Accords 15
Guitare 12

Ukulele 5
Dulcimer 3
4 Guitares (Quatuor) 1

+ 3 instrumentations

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Voix
Chorale SATB 62
Chorale 3 parties 25
Chorale TTBB 13
Chorale 2 parties 11
Chorale SSAA 7

Chorale Unison 7
Chorale SSAATTBB 1
Voix duo 1

+ 3 instrumentations

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Vents
Flûte traversière 29
Clarinette 26
Saxophone 24
Saxophone (partie séparée) 23
Saxophone Alto 22

Hautbois, Piano (duo) 16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 15
Clarinette et Piano 15
Flûte, Hautbois, Clarinette, Basson 14
Saxophone Soprano et Piano 14
Quintette de Saxophone: 5 saxophones 13
Flûte traversière et Piano 13
Quatuor de Saxophones: 4 saxophones 13
Hautbois 12
Saxophone Tenor 12
Hautbois (partie séparée) 11
Saxophone Soprano 11
Saxophone Tenor et Piano 10
Saxophone Alto et Piano 10
Saxophone Baryton, Piano 9
Saxophone Baryton 6
Flûte, Hautbois, Clarinette (trio) 4
Hautbois, Clarinette, Basson (trio d'anches) 4
3 Saxophones (trio) 4
Cor Anglais 4
Quintette de Clarinettes: 5 clarinettes 4
Quatuor de Flûtes : 4 flûtes 4
Cor anglais, Piano 3
Ensemble de saxophones 3
Ensemble de Clarinettes 2
2 Clarinettes (duo) 2
Quatuor de Clarinettes: 4 clarinettes 2

Flûte à bec Alto, Piano 2
2 Flûte à bec (duo) 1
Ensemble de Flûtes 1
Flute, harpe et violon 1
Flûte et Guitare 1
Clarinette, Basson (duo) 1
Flûte, Violon 1
3 Clarinettes (trio) 1
5 Flûtes à bec 1

+ 36 instrumentations

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Cuivres
Trombone 30
Trompette 26
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 20
Cor 19
Trombone et Piano 14

Trompette, Piano 14
Tuba et Piano 10
Cor et Piano 10
Quatuor de Cuivres: 2 trompettes, Cor, trombone 9
Tuba 9
Trompette (partie séparée) 5
Cor Anglais 4
Quatuor de Cuivres : 2 trompettes, trombone, tuba 4
Cor anglais, Piano 3
Trombone (partie séparée) 3
Euphonium, Piano (duo) 3
Ensemble de Cors 2
Quatuor de cuivres: 4 trombones 2
Ensemble de Trompettes 1
Trombone basse 1
Quatuor de Cuivres 1

+ 16 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 76
Violon 28
Violon et Piano 19
Alto seul 19
Contre Basse 16

Alto, Piano 16
Violoncelle, Piano 14
Violoncelle 13
Violoncelle (partie séparée) 10
Trio à Cordes: violon, alto, violoncelle 8
Contrebasse, Piano (duo) 8
Violon, Violoncelle (duo) 6
Harpe 6
Quintette à cordes: 2 violons, alto, violoncelle, basse 6
Alto (partie séparée) 4
2 Violons (duo) 4
Harpe, Voix 2
Violon (partie séparée) 2
Trio à Cordes: 2 violons, violoncelle 2
Trio à cordes 1
4 Violoncelles 1
Violon, Alto (duo) 1
Alto, Violoncelle (duo) 1
Contrebasse (partie séparée) 1

+ 19 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 78
Batterie 52
Orchestre à Cordes 13
Orchestre 11
Ensemble de cuivres 6

Ensemble Jazz 4
Orchestre de chambre 3
Jazz combo 3
Ensemble de Percussions 2
Percussion (partie séparée) 2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier 2
Batterie (partie séparée) 1
Piano et Orchestre 1

+ 8 instrumentations

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• Cure [The]

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The Cure

Quatuor de Clarinettes: 4 clarinettes

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2 partitions trouvées

Solage: Le basile for Clarinet Quartet

Solage: Le basile for Clarinet Quartet #Quatuor de Clarinettes: 4 clarinettes #INTERMÉDIAIRE #Solage #James M #Solage: Le basile for Clarinet #jmsgu3 #SheetMusicPlus

Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,C...(+)

Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Medieval,Traditional. 8 pages. Jmsgu3 #858782. Published by jmsgu3 (A0.1266048). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.Â Â The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherchÃ© one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.

$32.95 ≈ 30.40€

Entry Of The Gladiators for Clarinet Quartet

Entry Of The Gladiators for Clarinet Quartet #Quatuor de Clarinettes: 4 clarinettes #INTERMÉDIAIRE #Contemporain #J #Diego Marani #Entry Of The Gladiators for Cl #Diego Marani #SheetMusicPlus

Composed by J. Fucik. Arranged by Diego Marani. 20th Century, Classical Period, Repertoire, Classroom, Recital. Score, Set of Parts. 19 pages. Published by Dieg...(+)

Composed by J. Fucik. Arranged by Diego Marani. 20th Century, Classical Period, Repertoire, Classroom, Recital. Score, Set of Parts. 19 pages. Published by Diego Marani (S0.190249). - Score,Set of Parts - 20th Century,Classical Period,Repertoire,Classroom,Recital - Diego Marani
"Entrance of the Gladiators" op. 68 or "Entry of the Gladiators" is a military march composed in 1897 by the Czech composer Julius Fuc�k. He originally titled it "Grande Marche Chromatique," reflecting the use of chromatic scales throughout the piece, but changed the title based on his personal interest in the Roman Empire. In 1901, American publisher Carl Fischer published a version of this march, arranged for American wind bands by Canadian composer Louis-Philippe Laurendeau, under the title "Thunder and Blazes." It was during this period that the song gained lasting popularity as a screamer march for circuses, often used to introduce clowns. Today it is known mainly by this association, even though the title and composer are relatively obscure. The march receives the occasional concert hall performance, such as at the 2007 Last Night of the Proms. This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.

$16.90 ≈ 15.59€

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