Elliott Carter

Les Etats du compositeur: ' le titre de cette pièce a été suggéré par short story 'pour les quais' Arnold Schoenberg dans lequel il décrit l'anxiété de montage des membres d'un village de pêche français comme les bateaux et le pêcheur de mer lié n'a pas comparu après une tempête et plusieurs jours ' absence. Quand ils étaient soudainement aperçues tous criant 'pour les quais, aux quais, O.K.' / Basson Et Alto

Score and Parts-Complete set of parts for Elliot Carter's Fantasy About Purcell's Fantasia On One Note (2 Trumpets Horn and 2 Trombones).

Due to a differing timbre, the viola receives its own voice in Carter's String Trio, which features the instrument prominently throughout the work. / Violon, Alto Et Violoncelle

Score-The score for Elliott Carter's A Mirror On Which To Dwell for Soprano and Chamber Orchestra set to Six poems by Elizabeth Bishop. Performance duration 19 Minutes 30 seconds.

Score-String Quartet No. 3 was commissioned in 1971 by the Julliard School for the Julliard String Quartet. It subdivides the ensemble into two duos which play contrasting movements both individually and at the same time exploring feelings of rivalry and cooperation. Elliott Carter (1908-2012) was a highly regarded American composer who continued writing innovative music into his 11th decade. His early influences included Charles Ives Gustav Holst Aaron Copland and Nadia Boulanger with whom he studied in Paris in the 1930s. He was known for always adapting and changing with the times and became more and more popular as his stature grew throughthe decades.

In 2012, the American composer Elliott Carter died at the ripe old age of almost 104. To the last, he devoted his time to composing. Instances is the last orchestral work written by the two-time winner of the Pulitzer Prize. / Orchestre

Score and Parts-Elliott Carter's Syringa (1978) for Mezzo-Soprano Bass/Baritone Guitar and 10 instrumentalists. Score and parts.

Score-The Pocahontas Ballet Suite is one of Carter's early works and reflects the neo-classical influences of studies with Walter Piston and Gustav Holst at Harvard (1926-32) and with Stravinskian disciple and master pedagogue Nadia Boulanger in Paris. This fantastic work is presented to you in a clear and well presented score.