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Judith Weir
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Variations For Judith
27.10
Variations For Judith
Piano seul
[Partition]
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Intermédiaire
Chester
Onze courtes réflexions sur Bist du bei mir par GH Stölzel arr JS Bach pour pi...
(+)
Onze courtes réflexions sur Bist du bei mir par GH Stölzel arr JS Bach pour piano (de facile à intermédiaire) Judith Serota a été directeur exécutif des Festivals Spitalfields à l'est de Londres jusqu'à la fin de 2007. Comme une surprise en laissant présente à elle, alors directeur artistique du Festival, Diana Burrell, l'idée de réunir un ensemble de pièces pour piano de difficulté facile à intermédiaire pour elle de jouer. Ceux-ci devaient avoir des variations sur un thème: Bist du bei mir, une chanson pour voix et basse continue en JS Klavierbüchlein secondes de Bach ou 'Livre petit clavier'. Les variations ont été rédigés par les directeurs artistiques du Festival de Spitalfields, tous les compositeurs avec lesquels Judith avaient travaillé au cours des 20 années précédentes. Depuis lors, plusieurs compositeurs plus, liés au Festival au cours de ces années, ont contribué pièces. Le résultat est Variations pour Judith, 'onze courtes réflexions' sur le thème. / Piano
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The Wild Reeds
22.40
The Wild Reeds
Orgue
Chester
/ Orgue
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Judith Weir: Chorale for Steve: Piano: Instrumental Work
6.99
Judith Weir: Chorale for Steve: Piano: Instrumental Work
Piano seul
Chester
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6.99 GBP - vendu par Musicroom GB
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Judith Weir: Day Break Shadows Flee: Piano: Instrumental Work
13.99
Judith Weir: Day Break Shadows Flee: Piano: Instrumental Work
Piano seul
Chester
Judith Weir's Day Break Shadows Flee for solo Piano.This 10 minute work was comm...
(+)
Judith Weir's Day Break Shadows Flee for solo Piano.This 10 minute work was commissioned by BBC Radio 3. It was first performed by Benjamin Grosvenor on 1st September 2014 as part of the PromsChamber Music Series at Cadogan Hall.'Day Break Shadows Flee written for Benjamin Grosvenor is a Two-Part Invention a Piano solo composition in which the two hands work in close co-ordination butindependently. My intention was generally to avoid using thick chords (although octaves and other clear sonorities are included) while allowing both the right and left-hand lines to be free mobile and expressive. The treble andbass sectors of the keyboard are clearly contrasted and often widely separated. In atmosphere and expression the music is another kind of two-part invention contrasting bright upwards-arching phrases (heard at the opening andevoking the arrival of light at the beginning of the day) with veiled mysterious scurryings suggesting the stranger more nervous life lived at night and in the early morning.' - Judith Weir
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Judith Weir: Ettrick Banks: Organ: Instrumental Work
10.99
Judith Weir: Ettrick Banks: Organ: Instrumental Work
Orgue
[Partition]
Novello & Co Ltd.
Work for Organ premiered by Michael Bonaventure August 1985.
10.99 GBP - vendu par Musicroom GB
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Judith Weir: Ardnamurchan Point: Piano Duet: Instrumental Work
2 Pianos, 4 mains
[Partition]
Chester
Work for Two Pianos.
19.99 GBP - vendu par Musicroom GB
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Judith Weir: Fragile: Piano: Instrumental Work
7.99
Judith Weir: Fragile: Piano: Instrumental Work
Piano seul
Chester
Judith Weir's Fragile for Piano. Fragile was commissioned as part of William Ho...
(+)
Judith Weir's Fragile for Piano. Fragile was commissioned as part of William Howard's 'Love Song' project by Nicholas and Jane Ferguson for their 40th Wedding Anniversary. First Performed by WilliamHoward (piano) at Leighton House Museum Holland Park London on 23rd May 2017. Duration: c. 3.5 minutes
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Judith Weir: Michael's Strathspey for Piano: Piano: Instrumental Work
7.99
Judith Weir: Michael's Strathspey for Piano: Piano: Instrumental Work
Piano seul
[Partition]
Novello & Co Ltd.
Version for Piano as premiered by Michael Finnissy.
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Judith Weir: Distance And Enchantment: Chamber Ensemble: Score and Parts
24.99
Judith Weir: Distance And Enchantment: Chamber Ensemble: Score and Parts
Piano Trio: piano, violon, violoncelle
[Partition]
Chester
Distance and Enchantment is a musical essay considering the strikingly common oc...
(+)
Distance and Enchantment is a musical essay considering the strikingly common occurrence of people who disappear from home never to return. It takes the form of two meditations on traditional songs which are playedtogether without a break amounting to a single movement of about eleven minutes duration. The first song The Dark Eyed Gipsy tells of a woman who of her own accord leaves her home to roam the unknown world with a band ofgipsies; and the second A ghaoil lig dhachaigh gu m'mathair mi tells of a girl who wanders a little too far from home on a dark night and is stolen away by the fairies. Scored for Violin Cello Viola and Piano. Scoreand parts included.
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Judith Weir: Piano Trio Two (Piano Score): Piano Trio: Score
19.99
Judith Weir: Piano Trio Two (Piano Score): Piano Trio: Score
Piano Trio: piano, violon, violoncelle
[Partition]
Chester
The Piano score for Judith Weor's second Piano Trio. The String parts are availa...
(+)
The Piano score for Judith Weor's second Piano Trio. The String parts are available: CH68244
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Judith Weir: I've Turned The Page...: Piano: Instrumental Work
7.99
Judith Weir: I've Turned The Page...: Piano: Instrumental Work
Piano seul
[Partition]
-
Intermédiaire/avancé
Chester
Commissioned by the Scottish International Piano Competition as the test piece f...
(+)
Commissioned by the Scottish International Piano Competition as the test piece for the 2007 Competition. Using the phrase ?I?ve turned the page? in conversation implies that you?ve made a new start and possibly left anold bad habit behind; as in ?I never used to practise the Piano but now I?ve turned the page?. I?ve Turned The Page... asks the performer to undertake several such drastic transformations within a veryshort space of time. As each page of the score is turned and sometimes in between turns the music?s character changes radically. The performer also has to develop rapidly during the five or six minutes it takes to play thispiece.
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Judith Weir: Wild Mossy Mountains: Organ: Instrumental Work
10.99
Judith Weir: Wild Mossy Mountains: Organ: Instrumental Work
Orgue
[Partition]
Novello & Co Ltd.
Work for Organ premiered by Michael Bonaventure September 1982.
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Judith Weir: The Art Of Touching The Keyboard For Piano: Piano: Instrumental
19.99
Judith Weir: The Art Of Touching The Keyboard For Piano: Piano: Instrumental
Piano seul
Novello & Co Ltd.
This work was commissioned by William Howard with funds provided by the Arts Cou...
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This work was commissioned by William Howard with funds provided by the Arts Council of Great Britain and was first performed in the Wigmore Hall 31 May 1983. Duration: c.10 minutes.
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Judith Weir: The King Of France For Piano: Piano: Instrumental Work
13.99
Judith Weir: The King Of France For Piano: Piano: Instrumental Work
Piano seul
[Partition]
Chester
The King Of France is a set of variations on the tune El Rey De Francia. There ...
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The King Of France is a set of variations on the tune El Rey De Francia. There is a hint of the tune's Spanish background in the dry brittle textures of some of the the later variations. The work was written for SusanTomes in 1993 and lasts about eight minutes.
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Judith Weir: Piano Trio: Piano Trio: Score and Parts
24.99
Judith Weir: Piano Trio: Piano Trio: Score and Parts
Piano Trio: piano, violon, violoncelle
[Partition]
Chester
Score and Parts.Commissioned by the Chamber Music Society of Lincoln Centre. Fi...
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Score and Parts.Commissioned by the Chamber Music Society of Lincoln Centre. First performance 19 May 1998 Merkin Concert Hall New York City.Quoting Weir: 'In my previous work I have often enjoyed inventing titles whichattempt to encapsulate the particular world of each composition but this fifteen minutes piece for violin cello and piano is simply entitled Piano Trio . What is the reason for this unusually abstract description? I thinkperhaps that in this piece the many external impressions which habitually make up my musical world have become too numerous and too personal to be pinned down in the space of few words that a composition title allows.The firstmovement began in my mind with impressions of Venice as relayed in Schubert's song Gondelfahrer; the crisp midnight air the dark choppy water the bells tolling the gondolier alone in emotional turmoil. Schubert's world is aplace where I can find constant inspiration and strength.The second movement recalls a time when I was called from a phone box in Africa. At one moment I was alone in my room the next (or so it seemed in my imagination)surrounded by light heat and sudden energy and activity. The movement is not however an evocation of African music; it takes the form of a scherzo and trio which collide with each other at the movement's conclusion.Thethird movement formed in my mind whilst I was reading some Gaelic poetry from the Hebridean island of Lewis on Scotland 's far flung Atlantic fringe. I was thinking of the bleached white beaches in that part of the world whereevery object lying on the sand - a washed-up bottle or a bird's skeleton - is a major event in a deserted landscape. The same might be said of this short set of musical variations where melodic fragments are laid out with plentyof space around them clear and plain for everyone to hear.
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Judith Weir: Roll Off The Ragged Rocks Of Sin: Piano: Instrumental Work
10.99
Judith Weir: Roll Off The Ragged Rocks Of Sin: Piano: Instrumental Work
Piano seul
[Partition]
Chester
This work is a free transcription of the aria Wer Bist Du? Frage Dein Gewissen f...
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This work is a free transcription of the aria Wer Bist Du? Frage Dein Gewissen from J.S.Bach's Cantata No 132 Bereitet die Wege bereitet die Bahn. First performed by Nicholas Hodges at the British MusicInformation Centre London on 1st October 1992. Duration: c.3 minutes.
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Judith Weir: The Trees Unfold: Organ: Instrumental Work
6.99
Judith Weir: The Trees Unfold: Organ: Instrumental Work
Orgue
Chester
The Trees Unfold
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Judith Weir: The Tree Of Peace: Organ: Instrumental Work
8.99
Judith Weir: The Tree Of Peace: Organ: Instrumental Work
Orgue
Chester
Judith Weir's The Tree Of Peace was composed in 2016 for Organ. Commissioned in ...
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Judith Weir's The Tree Of Peace was composed in 2016 for Organ. Commissioned in loving memory of Richard Axtell (1952-2015) talented and much-loved organist at the Parish of St. Andrew West Tarring. 'It'senormously inspiring to see the Master of the Queen's Music turning her attention to the organ once again. Judith Weir's The Tree Of Peace is a short piece commissioned in memory of the organist Richard Axtell... Despite thesimplicity of the music it carries all the hallmarks of Weir's unmistakeably refined idiom.' - Stephen Farr Choir and Organ Jan 2018 From the Master of the Queen's Music Judith Weir comes The Tree ofPeace which was commissioned in memory of Richard Axtell organist of the parish church in West Tarring West Sussex. It was given its first performance there by Charles Harrison on the 17 June 2017. It lasts some 4 minutes andproves to be a thoroughly engaging piece in her customary refined idiom. It is in three main sections with a graded increase of tempo throughout. Thematic material is presented at the start cantabile. The central sectionprovides an energetic development marked animato leading to the conclusion molto mosso which gives the theme as in the opening but in augmentation. Throughout I feel an orchestral sense of colour and interrelationships inthe music - and have found it delightful to play. A modest two manual and pedal instrument with some contrasted quiet colours available will suffice and the technical demands are by no means severe. A delightful addition to therepertoire of short self-contained delightful pieces. - Organists' Review Duration: Approx 4 minutes.
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Judith Weir: Piano Concerto: Piano: Instrumental Work
Piano seul
[Partition]
Chester
Solo Piano Part-Work for Piano and Orchestra commissioned for the Spitafields Fe...
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Solo Piano Part-Work for Piano and Orchestra commissioned for the Spitafields Festival 1997.
25.99 GBP - vendu par Musicroom GB
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