Voir toutes les partitions de Pharrell Williams
SKU: M7.MF-2067-01
ISBN 9783795790479.
Band 67 der Top 100 Hit Collection ist wieder gespickt mit tollen Songs aus den Charts. Mit dabei sind: 'Blurred Lines', der groovende Sommerhit von Robin Thicke; 'Ho Hey', der jetzt endlich auch bei uns erfolgreiche Hit der Folk-Rock-Formation The Lumineers; und 'Read All About It Pt. III', die traumhafte Klavierballade von Emeli Sandé. Ebenfalls enthalten: 'Bei meiner Seele', wieder ein echter Ohrwurm von Xavier Naidoo; 'Just Give Me A Reason', die wunderschöne Klavierballade von Pink und Nate Russ, dem Sänger von fun.; 'Only Teardrops', Folk-Pop von Emmelie de Forst mit dem Siegerlied vom Eurovision Song Contest 2013.2 Hefte in einem: Klavierarrangement sowie Melodieausgabe für Klavier, Keyboard, Gitarre, Gesang, Flöte oder Violine zum Herausnehmen. Die beiliegende CD enthält MIDI-Files, Playalongs und Karaokeversionen.
SKU: M7.MF-3604
ISBN 9783795747442.
'Eas y Charts' is the successful play-along series of Schott which enables even first-year beginners to play current hits and have fun - alone or together with other wind players. In the fourth volume, we present the top hits of the past months. 'I Follow Rivers' meanwhile is a must on every party, and hips begin to gyrate when 'Move In The Right Direction' is played before we can briefly chill with 'Stay' by style icon Rihanna. The latest hits include 'Blurred Lines' by Crooner Robin Thicke and 'Bei meiner Seele' by Mannheim's most famous son, Xavier Naidoo.
SKU: HL.4003723
UPC: 884088959685. 9.0x12.0x0.026 inches.
Robin Thicke's monster smash hit of the summer storms onto the stage in this arrangement for band that features a moderately paced groove and solid scoring. ScorePlay - click to view score with recording.
SKU: BT.REBA00732
ISBN 9789069114149. Dutch.
SKU: PE.EP72932
ISBN 9790577017945.
F lodden by Sally Beamish is a 28-minute work for soprano and chamber orchestra with texts by R.S. Craig, Jean Elliot and J.B. Selkirk, with two interludes in between. It was written in 2013 for the 500th anniversary of the tragedy at Flodden Field, a battle which led to casualties and losses of historic proportions. Sally Beamish decided to set the texts and to write for soprano to express the grief of those left behind -- particularly the women and children. The orchestration throughout the work is spare and angular; characterized by stark exposed solo lines, nervy ornamentation, and blurred string textures.
Flodden was commissioned by the Scottish Chamber Orchestra, supported with funds from the PRS for Music Foundation, RVW Trust, Cruden Foundation and Hope Scott Trust. It was first performed in September 2013 at Hamilton Town House by the Scottish Chamber Orchestra, conducted by Joseph Swensen, with soprano soloist Shuna Scott Sendall, and was shortlisted for both a Royal Philharmonic Society and a British Composer Award.
The full score (EP 72932) is available for sale as part of the Peters Contemporary Library. The performance material can be hired.
This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.
SKU: HL.14030975
ISBN 9788759860199.
Work for Chamber Ensemble dating from 1989. The composer writes: The Title SHADOWLAND refers on the one hand to a blurred 'Landscape' of shadows, where small shadows are formed behind other shadows, and where the outlines are constantly disintegrating. On the other hand, the title refers to the fanciful and unreal landscapes I felt in the music while I was writing it. SHADOWLAND has four movements, with proportions 4-7-4-3. These proportions can be found on various levels, from the smallest cell to the largest form. The first movement is divided into four parts which have exactly the same proportions as the whole pjece, and behind the fastrunning melodies and trills that dominate the whole movement one can hear, in the second, third, and fourth parts, anticipations of the second, third and fourth movements respectively. The second movement begins at the edge of silence with almost unperceptible glissandi and indistinct chorales. Gradually the hushed landscape is drowned out by sudden expressive melodic outbursts and ends with violent dance rhythms. The third movement is built up of clouds of staccato tones and is a further development of the pointillistic ideas from CLAIROBSCUR. In th last movement the horn plays a long soloistic melody line which the other instruments imitate and echo. These echoes swamp the horn line from time to time. SHADOWLAND was commissioned by and dedicated to The London Sinfonietta.
