SKU: AP.51004
ISBN 9781470665104. UPC: 038081583334. English.
Inspire your students with music created by one of their peers! Seventh-grade composer Liliana Alarcon wrote Before the Dawn, and arranger Timothy Loest collaborated with her on this dreamy work that opens with reflective dissonance and then shifts to pure sonic joy. A simple piano part, doubled on vibraphone, adds to the ethereal soundscape. Uplifting! (2:45).
SKU: ST.H406
ISBN 9790220219269.
Refl ecting on a woman's lost love, Before Dawn conveys a sense of catharsis in music that builds through quietly introspective episodes to a powerful conclusion.
SKU: HL.1104111
ISBN 9781705176832. UPC: 196288101918. 6.75x10.5x0.019 inches. Psalm 108:2, Psalm 57.
Delightfully retro, here's a joyful opening for a traditional/transitional worship gathering. The theme is tossed back and forth between the voices before joining together in affirmations of the greatness of God. A driving piano accompaniment holds it all together with style!
SKU: CL.012-3587-01
An impressive programmatic work by Australian composer Graham Lloyd that depicts a relaxing day on the Gold Coast of Australia. Starting out just before dawn and continuing until the darkness following the sunset, this breathtaking and colorful composition is an outstanding choice for mature band. Very highly recommended.
About Heritage of the March
Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style
SKU: WD.080689963421
UPC: 080689963421. Narration by Heidi Petak.
Blessed Dawn, created by award-winning songwriter Tony Wood, with narration by Dr. Heidi Petak and arrangements and orchestrations by Daniel Semsen, is one of the most profound and provocative Easter musicals in recent history.Just as the songs portray a landscape of both old and new, the landscape of performance levels found in Blessed Dawn range from the intuitive and accessible to the moderately challenging. Conceptually, the musical strikes tones of great emotion and high celebration, voiced alongside notes of the sorrow, reverence and suffering portrayed in the Passion of the Christ. This new work calls out to those who hear it, urging that you present it with great focus and a special commitment to sharing the message of the Gospel and the power of His resurrection. We pray a special blessing on you and your choir, orchestra, soloists, narrators and media teams, as you present the story of Easter in...Blessed Dawn.Song Titles: The Life * Resurrection Hymn Medley includes Christ the Lord Is Risen Today, He Lives and Crown Him with Many Crowns * Wondrous Cross (Underscore 1) * Cross of Christ * It Was Finished (Underscore 2) * The Day Before * Then Came the Morning * Blessed Dawn of Easter's Day with Alleluia! Alleluia! * Jesus, Only Jesus * The Life (Reprise).
SKU: AP.51004S
ISBN 9781470665111. UPC: 038081583341. English.
SKU: FG.55011-871-3
Lauri Mäntysaari explores the theme nature in Chats before Sunrise (2007, rev. 2022). The atmosphere created in this composition is one of early dawn after a long night spent with good friends (and wine, perhaps), a moment where an unseen element lighter than the air seems to hold the still bubbling conversation in its arms and let us feel relieved. Not only does the word chat mean a light conversation, but also a family of birds which is particularly known for their habit of making clicking sounds. These chats also find their place in the composition.Durat ion: c. 6'Lauri Mäntysaari (b. 1982 Helsinki) is known for his wide variety of composing for different media. His output consists of orchestral works, music for instrumental ensemble, solo works, songs and choir music. His works have been performed widely in Finland, but also in eg. Sweden, Denmark, Estonia, Austria and Canada. Mäntysaari's works have recently gained success in international competitions in Italy and The Netherlands.
SKU: CY.CC2501
Le Rossignol or the Nightingale is originally a vocalise for Soprano solo from Saint-Saen's incidental music for the play, Parysatis written in 1902. This 4-5 minute work is all about mood.
Mr. Sauer uses the original key of B-flat, which lays perfectly for all of the bird-like calls that are in phrases which are slurred. The music has a lot of ad lib. tempo sections which gives the performer plenty of time to create that magic call of the Nightingale. Early writers thought it was the female that sang, but in fact it is the male. The Nightingale usually sings at night or just before dawn when other birds are silent and has a strong spontaneous song with an impressive range of trills and whistles.
SKU: CY.CC2516
Le Rossignol or the Nightingale is originally a vocalise for Soprano solo from Saint-Saen's incidental orchestral music for the play, Parysatis written in 1902. This 4 minute work is all about mood. For this arrangement, Mr. Sauer transposes into the key of C, which lays perfectly for all of the bird-like calls that are in phrases which are slurred. The music has a lot of ad lib. tempo sections which gives the performer plenty of time to create that magic call of the Nightingale. Early writers thought it was the female that sang, but in fact it is the male. The Nightingale usually sings at night or just before dawn when other birds are silent and has a strong spontaneous song with an impressive range of trills and whistles.
SKU: GI.G-10953
English. Text Source: Jaroslav J. Vajda, 1919&ndash,2008. Text by Jaroslav J. Vajda.
SKU: CY.CC2513
SKU: CL.RWS-1930-00
Just before the sun breaks through the morning clouds, the Dragon Riders prepare their mighty beasts for flight. In this exciting piece for developing band, take your musicians and audience to the skies as the dragons soar through the clouds reigning over the world below. Your students will love this imaginative work by F. Scott Kroll!
SKU: BT.FORFZZ04
Pieces for Solo Recorder, Volume 2 – Eleven original concert works edited by John Turner.
Contents:
Sonatina – Hans Gal
Piobaireachd – David Johnson
Soliloquy – Francis Baines
Three Insect Pieces – Michael Ball
Melisma – Denis Apivor
Little Suite – Arnold Cooke
Sonatina – Alan Ridout
Dance Heptad – John Gardner
Three Canzonas – Douglas Lilburn
Sonatina Pastorale – Thomas Pitfield
Before Dawn on Thursday – Duncan Druce
SKU: SU.45001050
Soprano;2222; 2200; 2 perc.; strings Duration: 27' I. The Lost Mermaid (Janet McAdams); II. The Sirens (Franz Kafka); III. Beauty, That Lying Bitch (Paula McLain); IV. The Song of the Sirens (Homer, trans. Alexander Pope); V. Eyewitness Account (Richard Whitbourne); VI. In the Hour Before Dawn (Dante Alighieri) Composed: 1998 Published by: Dead Elf Music. Performance materials available on rental only:.
SKU: CL.RWS-1930-01
SKU: BT.PWM8821
Work on this piece began in the spring of 1899 durng Kar owiczs studies in Berlin and he finished it after graduating and returning home in June 1902. Its premiere took place on March 21, 1903 in Berlin, and the Polish premiere on April 7, 1903 in Lviv. The symphony has a classic, four-movement structure, but in terms of architecture it is much closer to symphonic poems. It consists of the movements: 1. Andante. Allegro 2. Andante non troppo 3. Vivace 4. Allegro maestoso. ''In terms of orchestration and instrumentation technique it represents Kar owiczs early, academic period. The composer still used double wind enriched with piccolo flute, unlike in his later orchestral works the symphonic poems. The orchestration of the work indicates that the composer was guided by Tchaikovskys symphonic model. Kar owicz here still willingly operates with various sound blocks of entire instrumental groups, treating them in a choral manner, with tight chordal pillars'' (Leszek Polony). Before the Polish premiere the composer gave a comprehensive literary programme of the work in the Lviv newspaper S owo Polskie, in which he referred to each consecutive movement of the Symphony. In his last words he wrote, ''We hear a hymn of revival, at first quiet and sweet, then wider and wider, and fuller. Already the time has come; to hear the fanfare. Only one more step! And although the spirits fall again in doubt, we hear a powerful and solemn hymn of rebirth.''.
SKU: HL.134549
Author: Lutoslawski.
The music form of ''Les Espaces du Sommeil'' is determined to a high degree by the form of Robert Desnos' poem which imposed its division on phrases and a one-piece structure. ''I think that I owe the unusually clear form of music to the splendid composition ofthe text.'' [Witold Lutoslawski, RM no. 8, 1980]. The music fully respects the surrealistic and symbolist integrity of Desnos' poem.Lutoslawski was always behaving this way, but never before had he given precedence to a poet to such a degree. Such an impression isgiven by considerable parts of the text sung on one or a few neighbouring sounds and therefore resembling an ordinary recitation. [Tadeusz Kaczynski].
SKU: HL.254195
9.5x12.25 inches.
Extensive introduction presented in Polish, German, and English. This edition of the works of Mieczyslaw Karlowicz is based on critically examined sources. The aim of the edition is to present the composer's original text as authentically as possible. This is not an easy task. The source materials of Karlowicz's music are very diverse in nature. Apart from most of the songs, the composer prepared for printing and published in his lifetime the following: Serenade for string orchestra Op. 2, Prelude and Fugue Op. 5, Concerto in A major for violin and orchestra Op. 8, Returning Waves Op. 9 and Eternal Songs Op. 10. Being highly experienced in writing for a symphony orchestra, and knowledgeable in the modern method of instrumentation in the neoromantic style, he prepared his scores with great care. The remaining symphonic poems were not published before the composer's death; and theRebirth Symphony, the manuscript of which miraculously survived the ravages of World War II, was issued only in 1993, as part of the present Complete Works edition. During this war the autographs of the most compositions by Karlowicz, including all his symphonic poems (except for The Sorrowful Tale), were lost. The present publication, therefore, is based as a rule on the first editions, compared with extant autographs or authorized copies of the scores. The amendments of misprints or self-evident mistakes on the part of the composer are not indicated graphically in the text but referred to in the Editorial Notes.
SKU: BT.PWM5784
ISBN 9788322411636. Polish.
The aim of the present Course is to facilitate learning the piano through a simplification of essentials and to acquaint the pupil with fundamental knowledge in the domain of theory of music. Because learning about musical clefs is in general a little too difficult for a child, the author teaches reading of bass and treble notes simultaneously without clefs and acquaints the pupil with them only when the pupil is convinced of the necessity for their introduction. In this way the author makes it possible for the pupil to play at the same time in treble and bass from the first exercises. These early stages thus seem not so difficult and cause neither displeasure to the pupil nor loss of time, the latter being inevitable when the learner plays first only in the treble clef before going on to the bass. From the first lessons the pupil is also accustomed to playing on black keys and the finger technique of both hands is developed simultaneously. The exercises are arranged in such a way that the pupil does not need to use additional exercises for solving other problems.
SKU: HL.132241
ISBN 9788392036517. UPC: 884088970758. 9.25x12.0x0.257 inches. Chopin National Edition (ed. Jan Ekier and Pawel Kaminski).
Called Concerto No. 2, it was written before what is known as Concerto No. 1 (Op. 11). The piece is also available in other Urtext National Editions. 00132292 is the version for one piano. 00132242 is the two piano reduction. 00132289 is a historical version of the full score. The National Edition of the Works of Fryderyk Chopin Published by PWM Exclusively Distributed by Hal Leonard Corporation Co-Editors Jan Ekier and Pawel Kaminski The objective of the National Edition is to present Chopin's complete output in its authentic form, based on the entire body of available sources. Sources were analyzed with up-to-date scientific and musicological methodology. The National Edition was based on sources originated from the composer, mainly autographs, copies of autographs and first editions with the composer's corrections, and pupils' copies with Chopin's annotations. In cases when original sources were lacking, the closest possible materials were used. Collecting the source materials was a laborious task which took years of effort. The characteristics of sources, the links and discrepancies between them as well as the reasons for particular editorial decisions are discussed in the Source Commentary in each volume. The Performance Commentary appended to each volume includes: the realization of ornaments, comments on pedal markings (the original markings sometimes are inadequate, due to the difference in sound between pianos used in Chopin`s times and modern pianos), suggestions as to the harmonic legato (a performance technique often used by Chopin and now forgotten). About the National Edition Full Introduction to the Polish National Edition of the Works of Fryderyk Chopin.
SKU: HL.215244
12.0x17.0x0.63 inches.
Hardcover full score. Text in Polish, German, and English. This edition of the works of Mieczyslaw Karlowicz is based on critically examined sources. It includes all his compositions. The aim of the edition is to present the composer's original text as authentically as possible. This is not an easy task. The source materials of Karlowicz's music are very diverse in nature. Apart from most of the songs, the composer prepared for printing and published in his lifetime the following: Serenade for Strings Op. 2, Prelude and Fugue Op. 5, Concerto in A major for Violin and Orchestra Op. 8, Returning Waves Op. 9 and Eternal Songs Op. 10. Being highly experienced in writing for a symphony orchestra, and knowledgeable in the modern method of instrumentation in the neoromantic style, he prepared his scores with great care. The remaining symphonic poems were not published before the composer's death; and the 'Rebirth' Symphony, the manuscript of which miraculously survived the ravages of World War II, was issued only in 1993, as part of the present Complete Works edition. During this war the autographs of the most compositions by Karlowicz, including all his symphonic poems (except for The Sorrowful Tale), were lost. The present publication, therefore, is based as a rule on the first editions, compared with extant autographs or authorized copies of the scores. The amendments of misprints or self-evident mistakes on the part of the composer are not indicated graphically in the text but referred to in the Editorial Notes.
