Sonatas For Piano In Separate Editions (Weiner) Op. 27, N 2

SKU: HL.50488955

UPC: 884088496296. 9.25x12.0x0.083 inches.

SKU: HL.50489412

UPC: 073999984545. 9.0x12.0x0.077 inches.

SKU: HL.50489058

ISBN 9790080073261. UPC: 073999984972. 9.0x12.0x0.111 inches. Leo Weiner.

SKU: HL.50489334

UPC: 073999984743. 9.0x12.0x0.09 inches.

SKU: HL.50489162

ISBN 9790080074350. UPC: 073999984941. 9.0x12.0x0.075 inches. Leo Weiner.

SKU: HL.50489413

UPC: 073999984538. 9.0x12.0x0.084 inches.

SKU: HL.50488954

SKU: HL.50489057

ISBN 9790080073247. UPC: 073999985047. 9.0x12.0x0.113 inches. Leo Weiner.

SKU: HL.51481626

UPC: 196288215844. 9.0x12.0x0.078 inches.

The b-minor Sonata is part of a group of six piano sonatas which, according to Haydn's own handwritten catalogue of works, was composed in 1776. The autograph has not survived, and the first edition of 1778 was not authorised. However, numerous copyist's manuscripts have survived in which Haydn had his six sonatas disseminated. The separate Urtext edition from the volumes containing Haydn's complete piano sonatas presents this transmission, which is quite typical for the composer, in a way that is optimally comprehensible for every Haydn enthusiast. The musical text, edited according to all the rules of the art on the basis of the Haydn Complete Edition, is supplemented by ergonomic fingerings by Stephen Hough – and thus offers the ideal conditions to discover this treasure among Haydn's sonatas.

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SKU: HL.49042462

ISBN 9783795794637. German - English.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.

SKU: FL.FX071434-3

A must-have for Clarinet. This Sonata in 4 movements comes from a group of 3 Sonatas for wind instruments (oboe, clarinet and bassoon) composed in May and june 1921. They are the last in the catalogue of Saint-Saens' works. In this third movement, you should contrast the registers as if they are separate instruments responding to each other. Your bass quasi funebre should be ample and sonorous, though without acidity, whilst for your treble you should look for a very gentle flute sound, distant and without vibrato.

This series proposes the very best of classical pieces for clarinet, revised by great teachers and concertists, at reduced price.