Matériel : Octavo
SKU: CA.2728919
ISBN 9790007201074. Key: C major. Language: Latin.
In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region.The Salzburg Cathedral seems an obvious choice, which the solemn orchestration with trumpets and timpani would support. Score and parts available separately - see item CA.2728900.
SKU: CA.964420
ISBN 9790007143497. Text language: Latin.
The aged Simeon takes the new-born Jesus in his arms, recognises his significance and celebrates this moment in a paean of praise as the fulfilment of his life. In Matsushita's motet this song of praise, the nunc dimittis, stands at the centre of the composition. Here, the triad of C-F sharp-G, used for the word hodie - today at the beginning, symbolically combines with a Gregorian-like motif, revolving around the central note of B flat in whole-tone movement, and which is used to represent the Virgin Mary. The work ends with a mystical wash of sound, a whole-tone cluster which emerges from the aleatorically repeated basic motifs of the work, and fades away to nothing.
SKU: HL.14016339
ISBN 9788759863183.
Unkn own Italian Cathedral Music of the early 16th Century.
SKU: HL.14032506
Latin.
Tomas Luis de Victoria (1548-1611) was one of the last representatives of the 'prima prattica', the polyphonic style which was dominant in the period music history has labelled the 'renaissance'. Vol. 3 of these 52 motets for mixed voice choirs.
SKU: HL.48188844
Lassusde Officium Purificatione Pj504 Beatae Mariae Virginis 4 Part.
SKU: CA.2334300
ISBN 9790007129446. Language: Latin.
SKU: CA.9121012
ISBN 9790007233952. Language: Latin.
Score available separately - see item CA.9121000.
SKU: CA.9121000
ISBN 9790007115753. Language: Latin.
SKU: CA.9121009
ISBN 9790007233945. Language: Latin.
SKU: HL.14037582
Sollemnitas in conceptione immaculata beatae Mariae virginis. Feast of the Immaculate Conception of the Blessed Virgin Mary. Text in Latin.
SKU: CA.9121011
ISBN 9790007115777. Language: Latin.
SKU: CA.9121005
ISBN 9790007115760. Language: Latin.
SKU: PR.312416250
UPC: 680160049929.
SKU: BR.EOS-8024-23
ISBN 9790004789506. 8.5 x 11.5 inches.
Monteverdi' s Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publication of sacred music, entitled: Of the most blessed virgin a Mass for six voices for church choirs, and Vespers for more voices with several sacred concertos suitable for princely chapels or apartments. By the time this publication appeared, Monteverdi had been in the service of the Gonzaga court at MantUrauffuhrung for at least 18 years, and he was seeking a change of employment, so that the dedication of the volume to the reigning pope, Paul V, may be interpreted as a form of self-advertisement. Originally issued as an Urtext study score, the edition is based closely on the extant printed source, the set of partbooks published at Venice in 1610, and retains the original note values, key and mensuration signatures.
SKU: BR.EOS-8024-16
ISBN 9790004789469. 8.5 x 11.5 inches.
SKU: BR.EOS-8024-15
ISBN 9790004789452. 8.5 x 11.5 inches.
SKU: FG.55009-399-7
ISBN 979-0-55009-399-7.
This is a modern performing edition of the Mass to the Blessed Virgin by Josquin. In the 16th century, this was the best known mass by the most celebrated composer of the day. It is a troped mass, with textual additions to the Gloria making it appropriate for a Marian service. It is also varied in style and demonstrates a mastery which is exemplary of Josquin's late works. Published in the Fazer Editions of Early Music series - a choral series under the editorial supervision of Paul Hillier, founder and artistic director of the renowned Hilliard Ensemble. Although each title in this series is the result of careful scholarly research and is a reliable source for musicologists, the series' main purpose is to make practical performing editions available to choirs and other vocal ensembles. The original C clefs have been replaced by G and F clefs and the note values adapted to conform to modern practice. All the works in the series are intended for mixed voices. Each title includes a lengthy introduction in English and notes on the editorial principles. Where necessary, an English translation of the text and a guide to pronunciation are provided.