Barrios Mangore Agustin - Guitar Works V 4 - Guitar

Par BARRIOS MANGORE AGUSTIN. La Catedral is one of Barrios-Mangore's great masterpieces, originally written in 1914 in a 2-movement form: Andante Religioso and Allegro Solemne. The inspiration for these movements came from an experience Barrios has in the Cathedral of San Jose in Montevideo, Uruguay. Guitar solo. / Répertoire d'Examen / Répertoire / Guitare

Par BARRIOS MANGORE AGUSTIN. / Niveau : Intermédiaire / Recueil / Guitare Seule

Twenty pieces, including: Vidalita * Capricho Espaol * Serenata Morisca * Tango No. 2.

In the music of Agustin Barrios Mangore we find truly inspired creativity combined with a total technical dominio of the guitar's harmonic capabilities. His knowledge of harmonic science enabled hi to compose in several styles: baroque classic romantic and descriptive. He composed preludes studies suites waltzes mazurkas taratellas and romanzas as well as many onomatopoetic works describing physical objects or historical/cultural themes. One can appreciate in Barrios Mangore a logical expansion of techniques defined by masters such as Sor and Tarrega carried to an even higher level of expressiveness and technical expertise. The legacy of his genius is a priceless onefor all lovers of the guitar. Richard Stover

A range of fabulous educational and concert guitar music by the UK's top guitar composers educators and performers.Rush originally started out as a study for the right hand thumb. The piece opens in five with a darting weaving bass melody and harmonic language similar to the Cuban feel of Leo Brouwer's first study. As the piece progresses I played around with some poly-rhythms and syncopations in 3/4 time with a Venezuelan flavour similar to the music of Antonio Lauro.The title Metropolis was created like many of my pieces retrospectively. It was suggested to me by Mark Eden and resonated with much of what I felt the piece conveyed essentially the non-stop hustle and bustle of a musical 'city' where influences combine from many different ages and musical cultures. The initial ideas for the piece came from trying to formulate a study for the left hand where the 4th finger jumps from the first string to the lower bass strings. As is often the case on finishing the piece I now hear many things which although not used consciously have emerged in the music to remind me of music I have listened to or studied in the past.At various points a musical quote taken from the end of the first movement of La Catedral by the Paraguayan guitarist and composer Agustin Barrios Mangore appears which I have syncopated and used as a musical junction with the music taking a different direction each time it appears.Towards the end of the piece the performer combines left hand hammered chords with right hand finger clicks and tamboura creating a visual juggling effect when performed. Something resembling the sound of a siren can then be discerned before the piece moves into the closing E major section. I did most of the work for the final version of this piece in the autumn of 2005 just after the birth of my second daughter!I think the music reflects something of the pace of my life around then!Birds Flew Over The Spire is a short lyrical piece which was also