Band Today, Part 3

Wer nur den lieben Gott lässt walten-Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ?Trostlied? literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach?s use of the melody for one of his own chorals. In Jan de Haan?s arrangement the choral is heard twice once alternating with the original motif from the introduction and a second time without interruption reflecting the composer?s original intention - a song of consolation.

When the group Steppenwolf made this a huge hit back in 1968 they probably did not foresee that it would also be a hit with young concert bands today. This rockin' arrangement is sure to liven up your next concert and motivate your players.

From their appearance in the movie Swingers to a performance during the Super Bowl Big Bad Voodoo Daddy is the definitive jump swing band today! You'll generate some real excitement with this hot title!

Wer nur den lieben Gott lässt walten-Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ?Trostlied? literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach?s use of the melody for one of his own chorals. In Jan de Haan?s arrangement the choral is heard twice once alternating with the original motif from the introduction and a second time without interruption reflecting the composer?s original intention - a song of consolation.

The Odyssee tells the story of Odysseus the undaunted hero. In times long ago the blind poet Homer wrote this famous epic. The 'Odyssey' follows the 'Iliad' the story of the bloody war between the Greek and the Trojans. This battle endsafter ten years thanks to the Odysseys famous trick. the Trojan Horse. The Odyssey is not a war epic but a story about perseverance loyalty adventure and the survival instinct of its ingenious hero. In The Odyssey Homer describes howOdysseus the king of Ithaca had to endure another ten years of affliction after the ten years of war in Troy before he could finally return to his home land. During those years his wife Penelope had to try and keep her many admirers away.These men not only wanted het hand but also the kingship. To prove her husbands worth she played a trick: 'As soon as I have finished weaving this shroud for my father-in-law Laertes I will choose one of you to become my husband' she promisedthem. But during the night she secretly loosened what she had woven during the day prolonging the time until Odysseus would finally return. After twenty long years when he finally stood at the door she wondered: Is this really my husband? Ishe an imposter? Cunningly she asked him to move the bed because only she and her husband know that the bed was immovable and was build around an old three trunk! Odysseus was deeply moved: this really was his wife his Penelope! Nearly threethousands years later the loyalty and strength of this character and all the dangerous adventures that Odysseus survived thanks to courage and intelligence still moves us today. Odyssee by Jan Bosveld is not just an adventure story butrather a characteristic piece in which memories of Homers story can be heard. The composition opens with a firm stirring theme describing our hero Odysseus in detail: This man is not to be taken lightly. The further development of thisshort introduction completes this character sketch: trustworthy perseverant and a genius. After that we can picture Odysseus on the lonely beach of Ogygia. Do the trumpets depict his memories of the war of Troy? Does he think of his wife as werecognise the weaving loom of Penelope in the murmuring eighth? In the solemn plaintive part that follows we can imagine Penelope feeling lonely sitting in the womens room with her servants.One of the girls plays the harp but that does notclear the sombre atmosphere. Then we can imagine seeing the sorceress Circe who changed Odysseus men into swine. After she gives a simple magic sign something follows that reminds us of the sound of pigs grunting. Then the Odysseus theme resounds:the hero comes to savi his comrades. Assisted by Hermes he forces Circe to lift the spell. The piece ends the same way as it began with an animated theme: Odysseus is still the same undefeated and not to be taken lighty!

Concert March-Dedicated to the brave men and women of the armed forces the stately tempo and moderate duration of this one keep it within reach of every Grade 1 band. Interesting harmonization and lots of attention to dynamics and articulations make it a good choice for the final piece at your young band’s first festival appearance. You may also wish to consider HONOR AND GLORY for an elementary or Jr. High massed band festival for many of these same reasons.It’s advisable to expose even your youngest students to the works of many different composers. Always creative the music of Carmine Pastore is welcome in the repertoire of bands at every level. Add Pastore to your youngband library today!

A touching and intense memoriam piece the mechanics are on the easy side of Grade 4 but the demand for tone quality and control in tenuto passages and long slurred phrases calls for the best of musicianship from any group. The 'Adagio e Rubato' tempo indication invites the kind of wonderfully expressive ensemble playing that should probably make up a larger part of band literature than it does today. Over a quiet unifying heartbeat from the timpani the band explores the emotions felt after a tragic personal loss. A soaring F Horn solo (cued in Trumpet. and Alto Saxophone) leads poignantly toward a gentle Orchestra Bells and Wind Chime ending.

In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane? and both versions remain a 'must? for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane? from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.- First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano- Includes Jelly D'Aranyi's fingering / Harmonie

(Suite of Shaped Note Tunes for Band)-Shaped note singing is an early American tradition handed down from colonial times and still thrives today thanks in part to the well-known book The Sacred Harp. (Songs from this book were featured in the 2003 motionpicture Cold Mountain.) In creating this distinctive and attractive setting for band Johnnie Vinson uses the following traditional shaped note songs: The Morning Trumpet Hallelujah I'm Going Home andWarrenton. Dur: 8:15

Giulio Caccini (ca. 1550 - 1618) also known as Giulio Romano was an Italian composer singer and lute player and is regarded as the founder of opera. Today Caccini’s music is receiving attention again being performed by world stars such as Andrea Bocelli and Inessa Galante. In this arrangement Ave Maria the solo part can be taken by several instruments or even a vocal soloist. The percussion of course is ad libitum.

This book contains dazzling new Choral versions of five chart-topping pop songs. The arrangements are by Vocal coach and Choral director Mark De-Lisser and are recorded by ACM Gospel Choir. These crowd-pleasing songs have been selected for their positive lyrics and overall heart-warming feel, making them a joy to sing and listen to. Arranged for SAT Choir with the occasional solo part, this pack includes two CDs with performance backing tracks, full demonstrations and individual rehearsal tracks of each Vocal line recorded by members of ACM Gospel Choir. The scores feature Piano parts and chord symbols for band accompaniment. Helpful hints for performing each piece are also included in this book, giving you everything you need to learn these well-loved songs. / Choeur SAT Et Piano

The foreboding and powerful character of this piece will captivate your beginning band. Like a soundtrack for the kinds of books that are so popular with young readers today “Endeavor” will inspire your musician'simaginations and raise the group to a higher level of performance. Includes an optional advanced percussion part for drummers who need more challenge.

This book contains sumptuous new Choral versions of seven chart-topping pop songs. The arrangements are by renowned Vocal Coach and Choral Director Mark De-Lisser and are recorded by ACM Gospel Choir. The fourth pop repertoire book in the popular Sing Out! series brings you uplifting songs with positive lyrics. With such feel-good hits as Happy by Pharrell Williams Magic by Coldplay You Gotta Be by Des’ree and more this Choral collection will delight and inspire both the singers and listeners alike. Arranged for SAT Choir with the occasional solo part this pack includes a download card with performancebacking tracks full demonstrations and individual rehearsal tracks of each Vocal line recorded by members of ACM Gospel Choir. The scores feature Piano parts and chord symbols for band accompaniment. Helpful hints for performing each piece are also included in this book giving you everything you need to learn these well-loved songs. If this all sounds too good to be true it isn't! Watch Mark De-Lisser himself explaining why you need to check out the Sing Out! Series straight away:  

Recorded by Pat Benatar in 1981 this monster hit remains popular today thanks in part to such diverse covers as Glee John Mellencamp Kelly Clarkson and the movie Pitch Perfect. It's one of the best sports and arena tunes of all time!