Bach J. S. - Complete Works For Lute Vol.5

Description Bach Lute Suites For Guitar Edited and fingered by Jerry Willard. The complete works for lute solo by Johann Sebastian Bach, newly transcribed and annotated. Songlist Fuge Prelude Prelude, Fuge And Allegro Suite I Suite II Suite III Suite IV

Arias with 1 or 2 flutes obbligato (with the complete vocal part)-Arias with 1 or 2 Flutes obbligato (with the complete vocal part).Selected movements from secular cantatas from St Matthew Passion Mass in B minor and the Lutheran Mass in A major. This volume presents for the first time all those arias from the oratorios Passions Masses and sacred and secular cantatas of Johann Sebastian Bach that contain obbligato parts for one or two Flutes. The musical text has been adopted from the “ Urtext ” of the New Bach Edition. Music and words are inseparable in Bach’s works. Therefore as an aid to the interpretation of these Flute solos our richly annotated collection offers notonly Flute part but also the complete vocal part for each movement. In this way the edition not only represents a novel form of Orchestral studies it also opens up an important area of the Flute repertoire. Contents:Kantate 45. Es ist dir gesagt Mensch was gut ist. Nr. 5 Alt-Arie: Wer Gott bekenntKantate 55. Ich armer Mensch ich Sündenknecht. Nr. 3 Tenor-Arie: Erbarme dichKantate 79. Gott der Herr ist Sonn und Schild. Nr. 2 Alt-Arie: Gott ist unsre Sonn und SchildKantate 180. Schmücke dich o liebe Seel. Nr. 2 Tenor-Arie: Ermuntre dich dein Heiland kommtKantate 94. Was frag ich nach der Welt. Nr. 4 Alt-Arie: Betörte Welt betörte WeltKantate 110. Unser Mund sei voll Lachens. Nr. 2 Tenor-Arie: Ihr Gedanken und ihr Sinnen (2 Flöten)Kantate 78. Jesu der du meine Seel. Nr. 4 Tenor-Arie: Das Blut so meine Schuld durchstreichtKantate 100. Was Gott tut das ist wohlgetan. Nr. 3 Sopran-Arie (Vers): Was Gott tut das ist wohlgetanKantate 96. Herr Christ der einge Gottessohn. Nr. 3 Tenor-Arie: Ach ziehe die Seele mit Seilen der LiebeKantate 102. Herr deine Augen sehen nach dem Glauben. Nr. 5 Tenor-Arie: Erschrecke doch du allzu sichre SeeleKantate 113. Herr Jesu Christ du höchstes Gut. Nr. 5 Tenor-Arie: Jesus nimmt die Sünder anKantate 99. Was Gott tut das ist wohlgetan. Nr. 3 Tenor-Arie: Erschüttre dich nur nicht verzagte SeeleKantate 114. Ach lieben Christen seid getrost. Nr. 2 Tenor-Arie: Wo wird in diesem JammertaleKantate 130. Herr Gott

Tonalité : D-Dur - Fk 15C (Br Wfb C 15). Par BACH WILHELM FRIEDEMANN. With the first appearance of this three-movement concerto for flute, 2 violins, viola and basso continuo, Wilhelm Friedemann Bach’s only surviving flute concerto is made accessible to a wider musical audience. The transparent delicacy of the composition is visible in the orchestral movement. Almost continuously written in 3 parts the concerto clearly bears the individual artistic traits of the eldest of Bach’s sons. The critical edition is based on the only known source, from the library of the ‘Berliner Singakademie’, will be contained in volume IV/2 of the complete edition of Wilhelm Friedemann Bach’s works./ Répertoire / Flûte Traversière, 2 Violons, Alto, Violoncelle ou

Tonalité : D-Dur - Fk 15C (Br Wfb C 15). Par BACH WILHELM FRIEDEMANN. With the first appearance of this three-movement concerto for flute, 2 violins, viola and basso continuo, Wilhelm Friedemann Bach’s only surviving flute concerto is made accessible to a wider musical audience. The transparent delicacy of the composition is visible in the orchestral movement. Almost continuously written in 3 parts the concerto clearly bears the individual artistic traits of the eldest of Bach’s sons. The critical edition is based on the only known source, from the library of the ‘Berliner Singakademie’, will be contained in volume IV/2 of the complete edition of Wilhelm Friedemann Bach’s works./ Répertoire / Flûte Traversière, 2 Violons, Alto, Violoncelle ou

Tonalité : D-Dur - Fk 15C (Br Wfb C 15). Par BACH WILHELM FRIEDEMANN. With the first appearance of this three-movement concerto for flute, 2 violins, viola and basso continuo, Wilhelm Friedemann Bach’s only surviving flute concerto is made accessible to a wider musical audience. The transparent delicacy of the composition is visible in the orchestral movement. Almost continuously written in 3 parts the concerto clearly bears the individual artistic traits of the eldest of Bach’s sons. The critical edition is based on the only known source, from the library of the ‘Berliner Singakademie’, will be contained in volume IV/2 of the complete edition of Wilhelm Friedemann Bach’s works./ Répertoire / Flûte Traversière, 2 Violons, Alto, Violoncelle ou

Tonalité : D-Dur - Fk 15C (Br Wfb C 15). Par BACH WILHELM FRIEDEMANN. With the first appearance of this three-movement concerto for flute, 2 violins, viola and basso continuo, Wilhelm Friedemann Bach’s only surviving flute concerto is made accessible to a wider musical audience. The transparent delicacy of the composition is visible in the orchestral movement. Almost continuously written in 3 parts the concerto clearly bears the individual artistic traits of the eldest of Bach’s sons. The critical edition is based on the only known source, from the library of the ‘Berliner Singakademie’, will be contained in volume IV/2 of the complete edition of Wilhelm Friedemann Bach’s works./ Répertoire / Flûte Traversière, 2 Violons, Alto, Violoncelle ou

Grand choix de belles pièces, difficile de trouver un grand nombre ailleurs. Inclus sont clavecin toccatas, Capriccio sur le départ de son frère bien-aimé, Aria variata 'alla Maniera Italiana 'et les 6 Petits Préludes, ainsi que de nombreuses compositions moins connues - plus de 40 en tout. Autorité Breitkopf and Härtel édition.Réimpression de sélections de Werke Johann Sebastian Bach, Série 3, 36, 42, 43, et 44, Breitkopf and Härtel, Leipzig, 1890, 1894 et 1897. / Piano

Prelude, Fugue and Allegro BWV 998. Baroque Lute version
Edition de Hopkinson Smith