SKU: DB.01-00424
ISBN 9790012196983.
Mein Zugang war ein ,,spielerischer: ich spielte mehrmals am Tag Mozarts Sonatensatz am Klavier und beobachtete, welche Elemente und Tonfolgen im Gedachtnis haften blieben. Diesen inneren und sehr personlichen Ausschwingvorgang (Decay) Mozart'scher Musik, der sich wie von selbst einstellt, wenn man die Musik - und zwar immer nur Phrasen davon, niemals ganze Werke - nicht mehr aus dem Kopf bringt, habe ich als Anstoss zur Komposition genommen. Und so wie sich im Laufe von Tagen ein ,,Nachklang ergeben hat, hat sich auch ein ,,Einschwingvorgang (Attack) herausgebildet. Beide Stuck sind daher attacca mit Mozarts Sonatensatz verbunden und beziehen ihre Gestalt sehr direkt aus dem kompositorischen Originalmaterial, ohne jedoch ins horbar ,,zitathafte abzugleiten. (Helmut Schmidinger).
SKU: HL.276700
UPC: 888506020216. 6.0x9.25x4.109 inches.
The original Hotone Nano Legacy Series Amplifier Heads have grown to such demand that it onlymade sense to combine two of them into a single convenient floor-based stompbox design withincreased power, and let it form the core of your live or studio guitar setup... The Nano Legacy Floor Series features two portable dual-channel floor amplifier models: BritWind and Mojo Attack. The BritWind houses the sound characteristics of Hotone's British Invasion (inspired by the legendary Vox® AC30*) and Purple Wind (inspired by legendary Marshall® PlexiSuper Lead 1959*) Nano Legacy Series amp heads on separate channels. In the same fashion, the Mojo Attack joins those of the Mojo Diamond (inspired by legendary Fender Tweed®*) and Heart Attack (inspired by legendary Mesa/Boogie® Rectifier®*) amps. Beyond combining two Nano Legacy Series amps in one, the Nano Legacy Floor Series amps feature increased power (75 watts each), as well as enhanced sound quality and dynamic range. In addition, these amps offer extended onboard functions and effects, including independent volume/gain/3-band EQ, a clean boost (up to +12dB), reverb, an FX Loop, a single speaker output for use with 4-16omega cabinets, and a switchable cabinet simulator on its Line and XLR outputs. Fusing legendary guitar tone with convenience and portability, the Hotone Nano Legacy Floor Seriesamplifiers ensure you're always ready to perform or record. Simply connect one to a cabinet, mixer orinterface, and you're ready to rock! Features: • Portable dual-channel floor amplifier • 75 watts • Nano Legacy Series preamp tone with enhanced sound quality and dynamic range • BritWind: Dual-channel design combines two Nano Legacy Series amplifiers in one: -CH A: Hotone British Invasion, inspired by legendary Vox® AC30* -CH B: Hotone Purple Wind, inspired by legendary Marshall® Plexi Super Lead 1959* • Mojo Attack: Dual-channel design combines two Nano Legacy Series amplifiers in one: -CH A: Hotone Mojo Diamond, inspired by legendary Fender Tweed®* -CH B: Hotone Heart Attack, inspired by legendary Mesa/Boogie® Rectifier®* • High-quality tone with independent volume, gain and 3-band EQ • Built-in boost provides up to +12dB of clean volume boost • Onboard reverb with clear, natural decay • FX Loop for integrating external effects • Single speaker output for use with 4-16omega cabinets • Line and XLR outputs with switchable cabinet simulator • Powered by 18-20V DC (center positive) adapter included * VOX AC30 is an amplifier model of Korg Inc. * Marshall® Plexi Super Lead 1959 is an amplifier model of Marshall Amplification plc. * Fender Tweed® is an amplifier model of Fender Musical Instruments Corporation. * Mesa Boogie® Rectifier® is an amplifier model of Mesa/Boogie Ltd.
SKU: HL.276699
UPC: 888506020209. 6.0x9.25x4.285 inches.
SKU: PR.114417700
ISBN 9781491108000. UPC: 680160636259. 9x12 inches.
To mark its 50th anniversary, the Flute Society of Washington commissioned Daniel Dorff to compose a celebratory work for large flute ensemble, to premiere en masse at its 2016 convention. Dorff responded with Fireworks, a 5-minute dazzler scored for 2 piccolos, 4 C flutes, 2 altos, 2 basses, and 1 contrabass. In describing performance of Fireworks, Dorff says: Real pyrotechnic fireworks typically shoot upward quickly and neatly, pop at the top, and then cascade downward slowly in a beautifully out-of-sync descent. Fireworks has many passages musically depicting this crisp upward whoosh exploding into downward sprinkles, often punctuated by a pop at the top.PERFORMANCE SUGGESTIONS1) FIREWORKS may be performed by any size ensemble ranging from 11 soloists up to a large festival choir. It may be preferable to keep the piccolos at one player per part even when the other parts have multiple players.2) Real pyrotechnic fireworks typically shoot upward quickly and neatly, pop at the top, and then cascade downward slowly in a beautifully out-of-sync descent. FIREWORKS has many passages musically depicting this crisp upward whoosh exploding into downward sprinkles, often punctuated by a pop at the top.3) All dynamics are relative to the whole blend, and some performance situations may require attention and adjustments to keep the balance as notated.4) The “puh” effect with x-shaped noteheads in the Bass and Contrabass parts is a beatbox technique sounding similar to pizzicato. There is naturally-produced flute pitch along with the percussive attack.5) “Like tolling bells” (bar 191 onward) indicates a rapid decay of each note, like church bells.This will help the antiphonal echo beginning in bar 195, and the seating placement may also enhance the antiphonal effect.
SKU: HL.1117985
UPC: 847986000859. 8.25x10.0x7.25 inches.
Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Exceptional sound for bass drums and other bass-heavy instruments The DTP 640 REX is a dual-capsule microphone specifically designed to capture the sound of your drums and percussion instruments. It features two phase-aligned capsules, a condenser and a dynamic one. Both capsules can be adjusted to emphasize your sound for studio and live applications. Dual-capsule bass drum microphone The DTP 640 REX features two phase-aligned microphones in a single housing. The dynamic side ensures accurate attack reproduction of the bass drum, while the condenser element captures more of the body resonance and decay. Each element has a dedicated output. This enables you to shape the bass drum sound in unique ways. Three switchable sound characteristics =//= Both elements with neutral frequency response. +//= Dynamic element boosts frequencies between 3 and 5 kHz; condenser stays neutral. +//+ Dynamic boosts the range of 3-5 kHz, condenser boosts frequencies 70-150 Hz to deliver full-bodied sound. Great on all kinds of bass-heavy instruments With the DTP 640 REX you get massive yet clear bass drum and bass recordings, in the studio and on stage. Both capsules, dynamic and condenser, are specifically designed to replicate low frequencies with precision and punch.
