Anyone Can Play Mandolin -: Mandolin: Instrumental Tutor

Just like Book 1 Book 2 of The Hal Leonard Mandolin Method is designed for anyone just learning to play mandolin. This comprehensive and easy-to-use beginner's guide includes many fun songs of different styles to learn and play. Topics covered include: modes and scales · time signatures · transposing · fretboard positions · solos and duets · styles spanning blues bluegrass Celtic ragtime and more! Book/online audio edition is also available separately.

Arranged For Mandolin. This book contains the first three of J. S. Bach's solo violin Sonatas and Partitas arranged for mandolin. The goal of the material is to make learning these challenging pieces easier. Mandolin tablature is included throughout the book. Mandolinists who have little or no experience reading standard notation will find this to be an essential learning tool. For good reason, there has been widespread interest in learning these pieces in the mandolin community. The pieces were originally written for violin. As a result, Bach's use of string crossing patterns and open-string pedals work brilliantly on the mandolin. Also, as solo works they are a useful addition to anyone's performingrepertoire. Lastly, even if never performed, learning all or some of these is wonderful for building mandolin technique. Violinists often say that if you can play the Bach Solo Sonatas and Partitas you can play anything-the same is certainly true for mandolinists. This book contains the first three of J. S. Bach 's solo Violin Sonatas and Partitas arranged for Mandolin. The goal of the material is to make learning these challenging pieces easier. Mandolin tablature isincluded throughout the book. Mandolinists who have little or no experience reading standard notation will find this to be an essential learning tool. For good reason, there has been widespread interest in learning thesepieces in the Mandolin community. The pieces were originally written for Violin. As a result, Bach 's use of string crossing patterns and open-string pedals work brilliantly on the Mandolin. Also, as solo works theyare a useful addition to anyone's performing repertoire. Lastly, even if never performed, learning all or some of these is wonderful for building Mandolin technique. Violinists often say that if you can play the Bach SoloSonatas and Partitas you can play anything-the same is certainly true for Mandolinists./ Recueil / Mandoline

With Online Audio-This is an invaluable resource for anyone interested in Irish mandolin playing. As well as being a complete guide for the absolute beginner this book also contains a mine of information useful tips and ideas for theexperienced player. The book takes the reader from the basics of the mandolin right through to more advanced topics such as creating variations emphasis improvisation playing with other musicians practicing effectively andmuch more. All the tunes and key exercises in the book are included on the accompanying 63 track audio download available online. There is no need to read conventional music notation as all the music is written in easy-to-readmandolin tablature. However for those interested in learning about music notation there is a handy section on this subject tailored specifically to the mandolinist as well as a chapter on modes.

This book is the ideal primer for anyone wishing to participate in an 'Irish session'. This musical gathering is apparently quite different than a blues jazz or bluegrass jam session in that it is customary at Irish sessions toplay in tight unison with the other musicians adapting appropriate tempos rhythms and ornaments in an attempt to fit in with the 'groove'. The 'Irish Session Tune Book' features 300 reels hornpipes polkas slides andslip-jigs written without chord symbols for the melody instruments commonly played in Irish Sessions. The author shares a wealth of melodies collected over the past 10 years the majority learned by ear at Irish sessions: fiddle accordion tinwhistle tenor banjo mandolin bouzouki etc. Authentic ornamentation is suggested for each tune with the admonition that ornamentation may vary from region to region and chorus to chorus.