Antonio Vivaldi: Gloria

Piano Reduction. Par VIVALDI ANTONIO. Das „Gloria' RV 589 (BA 7674) ist heute eine der bekanntesten Kompositionen Vivaldis und eines der am häufigsten aufgeführten geistlichen Vokalwerke aus dem Barock. Vivaldi schrieb das „Gloria' als eigenständiges Werk - in der Art einer konzertanten Messe. Es wurde aber wohl auch im Rahmen des Gottesdienstes aufgeführt. Die Besetzung der Solisten (SSA)legt die Vermutung nahe, dass das Werk während seiner Zeit am Ospedale della Pietà entstanden ist, etwa um 1716. In den zwölf Teilen des „Gloria' zeigt Vivaldi die ganze Bandbreite seiner Meisterschaft zwischen festlichen, erhabenen Ecksätzen und zarten, durchsichtig instrumentierten Solopassagen. Ähnliches lässt sich auch über das für zwei Chöre und zwei Streichergruppen geschriebene „Kyrie' RV 587 (BA 8950) sagen, dessen Entstehungszeit nicht endgültig geklärt ist. Es ist ein reines Chorwerk ohne Solopassagen. Beide Stücke können für sich allein stehen, sie lassen sich aber auch gemeinsam als eine Art Kurzmesse kombinieren. Obwohl die Quellenlage für beide Werke durch das maßgebliche Autograph eindeutig ist, kommen die vorliegenden Editionen doch zu einigen Neubewertungen im Bereich von Phrasierung und Aufführungspraxis, die über bestehende Ausgaben hinausgehen. Die Klavierauszüge vom Herausgeber Malcolm Bruno sind leicht spielbar und bewahren den Charakter der Werke. - Zweisprachige Vorworte(dt./engl.) - Beide Stücke als Kurzmesse kombinierbar - Chorpartitur zum „Gloria' Die hervorragend aufbereitete und unschlagbar günstige Urtext-Ausgabe wird ihren Teil zur weiteren Verbreitung beider Werke beitragen.' (Kirchenmusik im Bistum Limburg 1-2012) / Répertoire / Chœur Mixte et Piano

Antonio Vivaldi's Gloria In D RV589 for soloists SATB chorus baroque Orchestra (Oboe Trumpet Bassoon Keyboard and Strings) or Keyboard.Both full and vocal scores make clear distinction between original and editorial markings. They are supplemented by a full critical apparatus and continuo realization and information on performance practice is relevant without being prescriptive.This edition is also unique in including a transcription of the 'Cum sancto spirito' from Ruggieri's Gloria which formed the basis of Vivaldi's own setting. All material is also available on hire.

Uplifting and melodic the unforgettable tunes and infectious optimism of Antonio Vivaldi’s Gloria have helped make it one of the most popular choral works in the Baroque repertoire. For this Oxford Choral Works edition the distinguished Vivaldi scholar Paul Everett has returned to the original autograph manuscripts as the most authoritative source. Also featuring a transcription of Giovanni Maria Ruggieri’s earlier work Cum Sancto Spirito upon which Vivaldi is said to have based his work. This is the Complete Vocal Score of this tremendous work and represents one of the most accurate and authoritative editions available

Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solopassages.The same mastery has also been applied to the ? Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).

Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solopassages.The same mastery has also been applied to the ? Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).

Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solopassages.The same mastery has also been applied to the ? Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).

Few baroque composers were ever able to create work as sunny as joyous as Vivaldi did in this beloved Gloria. The contrast of mood throughout the work as it moves through the drama of the Mass to its satisfying double final movement shows the composer at the height of his powers.Vivaldi composed this work in Venice in about 1715 during his fruitful time at the Ospedale della Piet . In his lifetime this priest composer and virtuoso Violinist achieved enormous musical success. Considering his great popularity in the modern era it is difficult to believe that public appreciation of his work declined after his death and that the Gloria languished undiscovered forcenturies. It wasn’t until 1957 that the restored work was heard again in its entirety. Since that time this moving and joyous Gloria has been recorded more than one hundred times and perennially appears on concert series around the world.

Vocal score of Vivaldi's Gloria for soprano and alto soloists SATB choir and orchestra. Edited by Jasmin Cameron. A well-established piece in the modern choral repertoire Vivaldi's Gloria was like much of his music ignored from his death until relatively recently.

per soprano e 3 contralti solisti, coro a 4 voci miste, 2 vl, vla e bc - edizione critica, softcover. Par VIVALDI ANTONIO. / Répertoire / Edition Critique des oeuvres de Vivaldi (Fac-simil

from Gloria-From Vivaldi's ever-loved Gloria this is the joyous opening movement and a fine choice for high concert or festival. Latin and English texts. Available: SATB SAB SSA TTBB.

from Gloria-From Vivaldi's ever-loved Gloria this is the joyous opening movement and a fine choice for high concert or festival. Latin and English texts. Available: SATB SAB SSA TTBB.

The Essential Collection continues with a folio of the greatest works by Antonio Vivaldi. The pieces include his celebrated Violin Concertos and, of course, movements from the Four Seasons, all arranged as Piano solos for you to learn and enjoy. / Classique / Partition /

TTBB-From Vivaldi's ever-loved Gloria this is the joyous opening movement and a fine choice for high concert or festival. Latin and English texts. Available: SATB SAB SSA TTBB.