Antonio Carlos Jobim - More Hits (Jazz Play-Along Volume 117)

The Girl from Ipanema | One Note Samba | Meditation | Desafinado | No More Blues. Par JOBIM ANTONIO CARLOS / WESTBY OIVIND (Arr.). Øivind Westby has written a number of excellent but demanding instrumental arrangements for Concert Band. In the present one, he has transcribed five of the most famous by Antonio Carlos Jobim. Brazilian composer Antonio Carlos Jobim (1927-1994) grew up near Ipanema, the famous beach in Rio de Janeiro. His big break through and most creative period came in the 50?s and 60?s which gave him the status as the greatest Brazilian composer of all times. Together with Stan Getz and João and Astrud Gilberto he recorded one of the best selling jazz-albums of all times, an album which feature several of his most famous compositions. His inspiration includes another Brazilian great; Pixinguinha, but also classical composers like Frederick Chopin and Claude Debussy. He died in NYC in 1994 after composing approx. 400 works. He is recognized all over the world as one of the most influential composers of the 20th century. / Date parution : 2023-10-31/ Répertoire / Concert Band

Brazilian composer pianist songwriter arranger and singer Antonio Carlos Jobim has given us many great songs but none more popular than this. As one of the most recorded songs of all time this new arrangement in a samba style is a wonderful introduction to this important composer this important style and this popular song. Accompanied by a rhythm section their parts are written out to clearly give your players--young or old--a solid foundation in this Latin style. The vocal harmonies are not too dense and will be quickly learned giving your singers an excellent opportunity to explore the style.

Paolo Bellinati presents his long-awaited solo Guitar arrangements of 10 of the 12 compositions featured on the companion online video. Written in standard notation only with brief performance notes for each piece these arrangements would best be approached by the intermediate to advanced classic Guitarist.In this collection masterful Brazilian Guitarist Paolo Bellinati has meticulously transcribed his solo Guitararrangements of ten melodies by his beloved countryman and pioneering bossa nova composer Antonio Carlos Jobim. Bellinati particularly laboured over his arrangements of Jobim's instrumentalcompositions i.e. songs without lyrics as these 'reveal a much more sophisticated Jobim closer to his favourite classical composers.The book also contains arrangements of lyrical songs of a more introspectiveand romantic character including 'Luiza' which Bellinati regards as 'The most beautiful and perfect Brazilian song ever written'. Includes access to online video.

Jazz Play-Along Vol.98. Par JOBIM ANTONIO CARLOS. À la demande populaire, ici nous avons oeuvres célèbres mondiale du maître plus grande de la Bossa Nova, joué avec goût exceptionnel et sensisitivity dans un authentique, détendu style avec une section de rythmique de la guitare acoustique cordes de nylon. Pour bossa novas avec un discrazz' saveur, check out Volume 31, Jazz Bossa Novas. / Rép International / Recueil / Tout Instrument

As it is the most commonly used instrument in Bossa Nova the Guitar stands at the very core of these 25 complete accompani­ments; they are performed in the style of legendary Bossa Nova Guitar players such as Gilberto Gil Stan Getz Joao Gilberto Baden Powell Antonio Carlos Jobim and many more. Wistfully swaying rhythms and subtle chords are adorning the pages of this coursebook - admittedly intended for learning purposes yet without ever disregarding the pleasure of playing. The approach to be followed for the interpretation of these 25 musical pieces is illustrated in detail within the three preliminary chapters of this coursebook: fingerstyle techniques rhythmsand chords specific to Bossa Nova are accurately and meticulously explained to you. In addition to this the DVD shows you all 25 musical pieces at their full length and at two different tempi: first for demonstration purposes recorded at actual playing speed then at a slower speed in order to give you the opportunity to practice and overcome the upcoming difficulties. For its part the MP3 CD allows you to practice the musical pieces by playing them along to backing tracks of a proper length - once again at two different tempi: at a slower speed for practicing and at actual speed for playing contextually appropriately. As it is the most commonly used instrument in Bossa Nova the Guitar stands at the very core of these 25 complete accompani­ments; they are performed in the style of legendary Bossa Nova Guitar players such as Gilberto Gil Stan Getz Joao Gilberto Baden Powell Antonio Carlos Jobim and many more. Wistfully swaying rhythms and subtle chords are adorning the pages of this coursebook - admittedly intended for learning purposes yet without ever disregarding the pleasure of playing.The approach to be followed for the interpretation of these 25 musical pieces is illustrated in detail within the three preliminary chapters of this coursebook: fingerstyle techniques rhythms and chords specific to Bossa Nova are accurately and meticulously explained to you.In addition to this the DVD shows you all 25 musical pieces at their full length and at two different tempi: first for demonstration purposes recorded at actual playing speed then at a slower speed in order to give you the opportunity to practice and overcome the upcoming difficulties.For its part the MP3 CD allows you to practice the musical pieces by playing them along to backing tracks of a proper length - once again at two different tempi: at a slower speed for practicing and at actual speed for playing contextually appropriately.

Brazil has produced some of the most vibrant and exciting guitar music in the instrument's history. In this lesson Rick Udler discusses and demonstrates styles techniques and rhythms of Brazil's great players. This is a uniqueopportunity for guitarists to delve into the beautiful sounds of this musical land. Rick begins by going over chords that are commonly used by Brazilian guitarists. He then teaches the accompaniment to singer/songwriterGilberto Gil's beautiful composition 'A Paz' to illustrate the use of chords with open strings. A step-by-step analysis of Bossa Nova accompaniment in the João Gilberto style follows along with suggestions on how to develop abetter feel for this sophisticated syncopated groove. The solo guitar rendition of the Antonio Carlos Jobim/Newton Mendonça classic 'One Note Samba' will be a welcome addition to many players repertoires with it'srhythmic drive and rich harmony. Samba rhythms are then explored with examples that are sure to enhance one's groove and arsenal of techniques. Rick also gives examples of inner string movement which will prove invaluable to thoselooking for ways to generate more excitement and authenticity in their comping. A sambified version of 'Happy Birthday' demonstrates how to apply these techniques to a familiar tune and make it sound fresh.And to provide an evengreater challenge for all players Rick gives a detailed analysis of his tour de force solo guitar piece 'Amigo Paulo' composed as an homage to his friend guitar legend Paulinho Nogueira (1927-2003). This tune with it's choroinfluences incorporates many of the techniques Rick learned directly from the master and is sure to provide much musical food for thought for players who are looking for innovative new colours and textures to add to their playing.

This Grammy-winning bossa nova proponent has been hailed as the ?Gershwin of Brazil.? This collection assembles 47 of his very best including many favorites previously unavailable in print! Features: Agua De Beber(Water to Drink) ? Antigua ? Bonita ? Don't Ever Go Away (Por Causa De Voce) ? The Girl from Impanema ? One Note Samba ? Quiet Nights of Quiet Stars (Corcovado) ? Sexy ? Slightly Out of Tune(Desafinado) ? Wave ? and dozens more.

No more Blues-Smooth bossa nova sophistication describe this classy chart. With its lyrical melodic style and terrific-sounding band accompaniment this is truly a standout feature for a vocal soloist.