SKU: BA.BA04051
ISBN 9790006443611. 33 x 26 cm inches. Text Language: English, German.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: ST.PE29
ISBN 9790220222795.
This volume continues the reordering of the Society's edition of Purcell's anthems, under which all the large-scale verse anthems with strings will be found in Volumes 13 (in preparation) and 14 and 17 (already published); all the verse anthems with organ in Volumes 28 (in preparation) and 29; and the stile antico anthems and the Latin motets in Volume 32 (in preparation). All eleven pieces in the present volume were probably composed for the Chapel Royal, and all appear to belong to Purcell's later years. Four of them are explicitly dated - the earliest 1687 - in an authoritative source which was not available to previous editors of the music: a score-book in the hand of the celebrated bass singer John Gostling, whose cavernous low register Purcell exploited for its dramatic effect in some of his finest compositions for the Chapel.
SKU: ST.MB91
ISBN 9790220222726.
Will iam Croft's career as the leading native-born composer of English church music was established in the period between the death of Purcell and the arrival of Handel in London. His education took place among musicians from Purcell's circle, and his style was modified by the influence of Handel's 'Utrecht' Te Deum and Jubilate of 1713. All the music in this volume was composed for various royal church services that took place between 1709 and 1720, in the Chapel Royal at St James's Palace and in St Paul's Cathedral. The contents include the Te Deum and Jubilate Deo, sung at the coronation of George I, and the anthems The Lord is a sun and a shield, O give thanks unto the Lord, and call upon his name, O give thanks unto the Lord, for he is gracious, and Rejoice in the Lord, O ye righteous. Performing material is available for rental.
SKU: ST.MB79
ISBN 9790220220340.
This fourth volume of choral music by John Blow completes the publication of his symphony anthems, also contained in volumes VII, L and LXIV, in the Musica Britannica edition. Besides the remaining Chapel Royal anthems, only two of which have previously appeared elsewhere, two occasional works, both hitherto unpublished, are also included.
SKU: ST.MB64
ISBN 9790220201301.
Nine pieces are included in this third volume of anthems for voices and orchestra by John Blow. They were composed during his first decade as a Gentleman of the Chapel Royal and reveal both his indebtedness to the influence of Pelham Humfrey, and his rapid assertion of his own manner. CONTENTS Arise, O Lord (attb, TrATB and Strings) Cry aloud, and spare not (ttb, TrATB and Strings) I will hearken (ttb, TrATB and Strings) O give thanks unto the Lord, (tratbb, TrATB and Strings) O sing unto the Lord a new song: (attb, TrATB and Strings) The kings of Tharsis (att, TrATB and Strings) The Lord is King, and hath put on glorious (ttb, TrATB and Strings) When Israel came out of Egypt (attb, TrATB and Strings) When the Lord turned against the (atbarb, TrATB and Strings).
SKU: ST.EC23
ISBN 9790220206948.
A Worcester man, Nathaniel Giles (or Gyles) held posts at St George's, Windsor, and at the Chapel Royal until his death in 1633. His anthems were widely circulated during his lifetime, but largely forgotten thereafter. Their texts are taken from the Book of Common Prayer, the Bible and psalms, and from the metrical translations of Sternhold and Hopkins.
SKU: ST.EC40
ISBN 9790220212116.
The Latin church music of Robert Parsons, Gentleman of the Chapel Royal, dates from the reigns of Mary and of her half-sister, Elizabeth who, although she insisted on her chapel services being in English, allowed the use of Latin for introits, anthems, and other peripheral choral music. Parsons, like William Byrd a Roman Catholic, showed the influence of the psalm motet and votive antiphon in his work.
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: OU.9780193952485
ISBN 9780193952485.
An exhaustive catalogue examining this celebrated set of eight part-books (1670-1695) from both bibliographical and musical standpoints. Includes a systematic catalogue.
