Matériel : Partition
SKU: WD.080689628177
UPC: 080689628177.
Hymns , and Spiritual Songs —featuring the Concord Worship Choir & Orchestra, under the direction of Pastor of Worship Jeff Lawrence, and arranged and orchestrated by Tim Paul. Seeking to create inspiring music to penetrate the hearts of every generation, Tim Paul has eloquently crafted these beautiful songs of rich legacy and grand tradition into fresh, new masterpieces of worship and praise. With prayerful consideration and inspired by the multiple generations represented in his home congregation, First Baptist Concord in Knoxville, TN, Tim felt the call to write arrangements that would infuse new energy and life to a set of familiar songs carefully selected to minister to his blended church family. Now, Word Music & Church Resources is bringing this special collection of songs from the church, straight to you and your church! It is our desire that by sharing, with churches everywhere, this new project from The Concord Worship Choir & Orchestra, that you too will be inspired and encouraged to share these powerful and moving arrangements with your choir, church and community…songs from the church, to the church! Featuring new and unique arrangements of well-known favorites such as Nothing but the Blood, Because He Lives, It Is Well, How Great Thou Art, and more, CONCORD WORSHIP SINGS is filled with vibrant and powerful moments of worship…enhanced by soloists, worship leader improvisation, and congregational participation. PLEASE NOTE: CONCORD WORSHIP SINGS features a Live Recording. As such, you may notice some bleed between the different stem groups on the Stem Mixes. Also, due to the nature of a Live Recording, the .wav files in the Stem Mixes package may not be completely isolated as they would be in a studio-recorded project.
SKU: WD.080689519178
UPC: 080689519178.
Hymns revisited. Hymns reimagined. Hymns reinvented. Hymns relived. Hymns rewritten.At this point we've seen everything done with hymns that we can possibly think of. And you may be saying the last thing you want or need is another book of hymns. And some might be inclined to agree. Except...What if, instead of working so hard to change them or improve them, we focus on revealing the true nature, power, and majesty of our favorite hymns? Rather, to be true to them, and frame them in their best light by rediscovering a fresh appreciation of their well-deserved place in our houses of worship. Let our choirs raise their voices in unbridled passion, fed by the awe-inspiring, rich, theological and doctrinal truths buried deep within these tremendous songs of the Faith. Let our spirits rise with the soaring melodies, and once again give voice to our praise of the immortal, invisible, only-wise God! And, more than anything else, let us rediscover the joy that comes when we encourage our congregations to raise our joys and triumphs high, as together the Church proclaims, Then Sings My Soul, to the greatness of our God.While each great arrangement in this book stands alone, Then Sings My Soul is designed to be presented as a through-composed worship service of hymns, scripture, and inspirational readings for Choir, Congregation, and Worship Leaders, created and orchestrated by Cliff Duren. DVD Accompaniment Track, Orchestration, and Stem Mixes available.
SKU: BT.MUSM570364459
English.
Robert Saxton 's Hortus Musicae , Book 1 was commissioned by Ian Richie for the 2013 City of London Festival with funds provided by the John S. Cohen Foundation. The first performance was given by Clare Hammond on June 24th 2013 at the church of St Mary Le Bow. The title, less 'literal' in Latin than in the vernacular, refers to the idea of an allegorical/metaphysical garden (reference to a 'real', or existing, garden might be implied by Hortus Musicus) with various facets. The titles of the individual pieces/movements, with their respective garden image, are as follows: 1) Hortus Somniorum: a fleeting vision of a 'magical' garden 2) Hortus Temporis: a reflection of/on the floralclock described by Andrew Marvell (1621-1678) in his [metaphysical] poem The Garden: How well the skilful gardener drew Of flowers and herbs this dial new Where from above the milder sun Does through a fragrant zodiac run; And, as it works, the industrious bee Computes its time as well as we. How could such sweet and wholesome hours Be reckoned but with herbs and flowers! 3) Hortus Cantus: A garden in which nature 'sings' (praises), in the manner of a 'chorale prelude' and ending with the cantus firmus transformed into bells. 4) Hortus Infinitatis: A meditative/formal garden representing Time suspended, in the form of a palindromic prolation canon combined with a harmonic ground (chaconne). 5) Saltatio Hortensis: A (summer) garden of dancing, celebratory nature. Its essence (and that of the entire cycle, both metaphorically and structurally/formally) is summed up in words spoken by Miranda in WH Auden's 1944 Tempest [Shakespeare]-inspired poem The Sea And The Mirror; So, to remember our changing garden, we Are linked as children in a circle dancing. Duration: 15 minutes.
SKU: LO.30-2400L
UPC: 000308120530.
Heral d the joy of the Christmas season with this delightful medley by Mark Hayes. Opening with bell-like chords, it quickly segues into an energetic call-and-response as all of heaven and nature sings the news. Flowing quickly and easily through a sumptuous series of key changes, the medley incorporates phrases of beloved traditional carols, including “O Sanctissima” (the Sicilian “Mariner’s Hymn”) and “In dulci jubilo” (Good Christians All, Rejoice). The festive original music returns, rising to a brilliant finish as all exclaim, “The Lord is come!” For a multi-generation celebration, children’s and/or youth choirs can sing along. Larger choirs will rejoice in Mark’s festive orchestration for woodwinds, brass and percussion. Smaller choirs will love the smaller orchestration for 2 trumpets and handbells.
SKU: CA.3913211
ISBN 9790007215897. Language: German.
This cantata has come down to us, unusually, with two sets of words. Certainly the second, and possibly also the first, is a parody. The first text is clearly intended for Easter, while the second, of a general nature, sings the praises of patience, hope, and trust in God. This extremely effective work, basically heroic in character, might well be performed along with the similarly scored setting of psalm 100, Jauchzet dem Herrn, alle Welt (CV 39.106). Score and part available separately - see item CA.3913200.
SKU: CA.3913212
ISBN 9790007215903. Language: German.
SKU: CA.3913213
ISBN 9790007215910. Language: German.
SKU: AP.1-ADV6010
ISBN 9783892215301. UPC: 805095060102. English.
It is natural as we age to contemplate the finality of passing on, if not personally, then certainly as an effect from others around you whom have left this space. Having to endure the passing of family and friends is of course very trying. This is especially true when the perception is that someone passed before their time though there are those of us who believe in fate implying that the Force works in its own mysterious way. Composers often commemorate passings with music as a means to mourn and as well to celebrate the life of an individual who meant something to them. Such is the nature of this piece. Movement 1---Past uses as source material themes I wrote for my mother Frances and father Leo when they passed; movement 2---Present centers around a choral (Prayer for Mike) I wrote for my dear friend, saxophonist Michael Brecker when he passed a few years ago. This same period also saw the passing of other friends and associates whom I had known for years, all way too premature, beginning with JF Jenny Clarke and Bob Berg, Hans Gruber, Thomas Stowsand, David Baker, James Williams, Dennis Irwin, John Stubblefield. The final movement---Future is a requiem of sorts for all of us still here. With its improvisational character, it is meant to suggest the positive implications of living life to its fullest. Titles: Past * Present * Future.
