Abendmusik

SKU: M7.DOHR-18979

ISBN 9790202039793. German.

Die Melodie zu der Kleinen Abendmusik stammt von Heinrich Isaac (um 1415-1517); der Text stammt von Paul Gerhardt (1607-1676). Das gesamte Lied hat 9 Strophen, wobei in der Kantate lediglich die Verse 1 bis 3 sowie 8 und 9 verwendet wurden. Sehr geeignet ist die Kleine Abendmusik zum Ausklang einer Kirchenmusik.Satzfolge/Be setzungVorspiel (Flöte, Tasteninstrument)Strophe 1 (Chor SAM, Orgel)Strophe 2 (Sopran solo, Alt solo, Cembalo/Orgel)Strophe 3 (Chor SAM, Flöte)Strophe 8 (Tenor solo, Violine, Violoncello)Zwischenspiel (Tasteninstrument) Strophe 9 (tutti)Für eine Aufführung sind mehrere Exemplare der Partitur (zgl. Cembalo-/Orgelstimme) notwendig.

SKU: M7.DOHR-18978

ISBN 9790202039786. German.

Die Melodie zu der Kleinen Abendmusik stammt von Heinrich Isaac (um 1415-1517); der Text stammt von Paul Gerhardt (1607-1676). Das gesamte Lied hat 9 Strophen, wobei in der Kantate lediglich die Verse 1 bis 3 sowie 8 und 9 verwendet wurden. Sehr geeignet ist die Kleine Abendmusik zum Ausklang einer Kirchenmusik. Satzfolge/Besetzung Vorspiel (Flöte, Tasteninstrument) Strophe 1 (Chor SAM, Orgel) Strophe 2 (Sopran solo, Alt solo, Cembalo/Orgel) Strophe 3 (Chor SAM, Flöte) Strophe 8 (Tenor solo, Violine, Violoncello) Zwischenspiel (Tasteninstrument) Strophe 9 (tutti) Für eine Aufführung sind mehrere Exemplare der Partitur (zgl. Cembalo-/Orgelstimme) notwendig.

SKU: M7.DOHR-18980

ISBN 9790202039809. German.

Die Melodie zu der Kleinen Abendmusik stammt von Heinrich Isaac (um 1415-1517); der Text stammt von Paul Gerhardt (1607-1676). Das gesamte Lied hat 9 Strophen, wobei in der Kantate lediglich die Verse 1 bis 3 sowie 8 und 9 verwendet wurden. Sehr geeignet ist die Kleine Abendmusik zum Ausklang einer Kirchenmusik. Satzfolge/Besetzung Vorspiel (Flöte, Tasteninstrument) Strophe 1 (Chor SAM, Orgel) Strophe 2 (Sopran solo, Alt solo, Cembalo/Orgel) Strophe 3 (Chor SAM, Flöte) Strophe 8 (Tenor solo, Violine, Violoncello) Zwischenspiel (Tasteninstrument) Strophe 9 (tutti) Für eine Aufführung sind mehrere Exemplare der Partitur (zgl. Cembalo-/Orgelstimme) notwendig.

SKU: CA.4017820

ISBN 9790007104115.

Scor e available separately - see item CA.4017800.

SKU: CA.3601900

ISBN 9790007090869. Language: German.

There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jungste Gericht, for St. Mary's Church in Lubeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source.

SKU: HL.49015089

ISBN 9790001049320. German.

SKU: CA.3601903

ISBN 9790007091644. Language: German.

There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jungste Gericht, for St. Mary's Church in Lubeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source. Score available separately - see item CA.3601900.

SKU: CA.3601912

ISBN 9790007213879. Language: German.

There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jungste Gericht, for St. Mary's Church in Lubeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source. Score and part available separately - see item CA.3601900.

SKU: CA.3601909

ISBN 9790007213855. Language: German.

There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jungste Gericht, for St. Mary's Church in Lubeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source. Score and parts available separately - see item CA.3601900.

SKU: TM.01133SC

SKU: CA.3601913

ISBN 9790007213886. Language: German.

There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jungste Gericht, for St. Mary's Church in Lubeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source. Score and part available separately - see item CA.3601900.

SKU: CA.3601949

ISBN 9790007091613. Language: German.

There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jungste Gericht, for St. Mary's Church in Lubeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source. Score and part available separately - see item CA.3601900.

SKU: PR.ZM11860

UPC: 680160647446.

SKU: HL.49031419

ISBN 9790001049351. German.

SKU: TM.01133SET

SKU: VD.ED18978

ISBN 9790202039786. 12 x 9 inches.

SKU: HL.49031416

ISBN 9790001049313. German.

SKU: CA.3601905

ISBN 9790007112608. Language: German.

There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jungste Gericht, for St. Mary's Church in Lubeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source. Score available separately - see item CA.3601900.

SKU: CA.3601919

ISBN 9790007096939. Language: German.

There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jungste Gericht, for St. Mary's Church in Lubeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source. Score and parts available separately - see item CA.3601900.

SKU: SU.50016770

Published by: Seesaw Music.

SKU: M7.VHR-2020

ISBN 9790201305417.

SKU: M7.DOHR-16388

ISBN 9790202033883. German.

Für ein Chorkonzert mit zeitgenössischer Musik innerhalb der Berliner Kirchenmusiktage entstand die Evangelienmusik vom Gleichnis vom großen Abendmahl (Lukas 14, 15-24 - Evangelium am 2. Sonntag nach Trinitatis). Nicht nur im Gottesdienst, sondern auch in jeder anderen Abendmusik ist die Evangelienmusik ein willkommener Beitrag. Die Orgel unterstützt den Chor zwar, ist aber selbstständig geführt. (Lothar Graap).