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Vous avez sélectionné:
Extreme II
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40 partitions trouvées
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Lexicon II for Brass Quintet
Lexicon II for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Contemporain
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Sy Brandon
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Lexicon II for Brass Quintet
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Sy Brandon
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.755271 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 41 pages. Sy Brandon #4355513. Published b...
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Brass Ensemble - Level 5 - SKU: A0.755271 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 41 pages. Sy Brandon #4355513. Published by Sy Brandon (A0.755271). Lexicon II is the second composition in a series that defines words through music. The first movement, Ballyhoo, means clamor or outcry. This is achieved musically through a fast tempo, wide intervals, asymetric meter, imitative sixteenth note patterns, and mild dissonance. The second movement, Clandestine, uses pyramids to disguise the melodic line and asymetrical meter to disguise the beat in order to represent the definition of characterized by, done in, or executed with secrecy or concealment, especially for purposes of subversion or deception. The brass instruments are muted throughout this movement. In order to represent Eerie, the word for the third movement, a slow tempo and sparse instrumentation are used along with dissonance, extreme dynamics, trills and glissandi. Eerie means uncanny, so as to inspire superstitious fear. The fourth movement, Amok, is filled with dissonance, counterpoint, and chromaticism in order to represent its definition; to behave uncontrollably and disruptively. Sections of order seem to break down into sections of chaos and the movement ends on an unsettled chord.
$14.99 ≈
13.98€
Extreme Warm-Ups and Chops Builders for Guitar
Extreme Warm-Ups and Chops Builders for Guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Michael J
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Extreme Warm-Ups and Chops Bui
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate-Advanced - SKU: M0.30510EB Composed by Michael J. Anthony. Scales, Arpeggios, Technique, Style. Jazz and Contemporary. E-book. Mel...
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Guitar - Intermediate-Advanced - SKU: M0.30510EB Composed by Michael J. Anthony. Scales, Arpeggios, Technique, Style. Jazz and Contemporary. E-book. Mel Bay Publications - Digital Sheet Music #30510EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30510EB). ISBN 9781619115484. 8.75x11.75 inches.In this comprehensive book jazz guitarist Michael Anthony addresses the need to build flexibility and technical proficiency in a way consistent with the melodic motifs of contemporary music. Though the warm-ups are numbered, there is no order that must be followed. The guitarist may approach them according to his or her interest and inspiration. They include: arpeggios, scale patterns, melodic minor forms, chord-melody groups, stretching and contrary motion, double-stops, octave displacement, walking bass with comping, two line phrases, 'out of the box' geometric shapes, overlapping rhythms, long arpeggios and diminished scale patterns. The finish line exemplifies arpeggios outlining I-VI-II-V7 progressions in major and minor. In the words of Michael Anthony, I find that isolation of the right and left hand is useful, but ultimately it is the timing and coordination of the two that is necessary. The benefits of these warm-ups are threefold: 1. Technical improvement. 2. Fingerboard knowledge. 3. Ear training. Written in notation and tablature.
$17.99 ≈
16.78€
Quintessence I & II - Brass Quintet
Quintessence I & II - Brass Quintet
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Phil Rawle
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Quintessence I & II - Bras
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Phillip Rawle
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 4 - SKU: A0.824731 Composed by Phil Rawle. Concert,Contemporary,Jazz. Score and parts. 31 pages. Phillip Rawle #...
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Brass Ensemble Trombone,Trumpet - Level 4 - SKU: A0.824731 Composed by Phil Rawle. Concert,Contemporary,Jazz. Score and parts. 31 pages. Phillip Rawle #6429747. Published by Phillip Rawle (A0.824731). Two brass quintets in a rich jazz ballad style. Using Two Trumpets, Two Trombones and Bass Trombone. These pieces explore the lush chord voicings that only such a close-knit group of instruments can create. Although slow, these pieces explore the whole range of all instruments and pass through some fairly extreme keys making them more of a challenge for advanced players of grade 7 upwards.
$7.50 ≈
7.00€
Quintessence I & II - String Quintet
Quintessence I & II - String Quintet
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Contemporain
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Phil Rawle
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Quintessence I & II - Stri
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Phillip Rawle
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SheetMusicPlus
String Ensemble,String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1199134 Composed by Phil Rawle. Classical,Contemporary. Score and parts. 34 pages....
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String Ensemble,String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1199134 Composed by Phil Rawle. Classical,Contemporary. Score and parts. 34 pages. Phillip Rawle #798201. Published by Phillip Rawle (A0.1199134). Two string quintets in a rich jazz ballad style. For Three violins, viola and 'cello These pieces explore the lush chord voicings that only such a close-knit group of instruments can create. Although slow, these pieces explore the whole range of all instruments and pass through some fairly extreme keys making them more of a challenge for advanced players of grade 7 and upwards.
$8.00 ≈
7.46€
Kommos (Lamentation) / "When the World Moved On" - Violin II
Kommos (Lamentation) / "When the World Moved On" - Violin II
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.1018956 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078707. Published by Benjam...
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Violin Solo - Level 4 - SKU: A0.1018956 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078707. Published by Benjamin Sajo (A0.1018956). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out. The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.26€
Quintessence I & II - Wind Quintet
Quintessence I & II - Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jazz
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Phil Rawle
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Quintessence I & II - Wind
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Phillip Rawle
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1079299 Composed by Phil Rawle. Contemporary,Jazz. 19 pages. Phi...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1079299 Composed by Phil Rawle. Contemporary,Jazz. 19 pages. Phillip Rawle #683498. Published by Phillip Rawle (A0.1079299). Two wind quintets in a rich jazz ballad style. For Flute, Oboe, Clarinet, Horn and Bassoon. These pieces explore the lush chord voicings that only such a close-knit group of instruments can create. Although slow, these pieces explore the whole range of all instruments and pass through some fairly extreme keys making them more of a challenge for advanced players of grade 7 upwards.
$5.00 ≈
4.66€
Entia Imaginaria II (for Tuba & Piano)
Entia Imaginaria II (for Tuba & Piano)
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Tuba et Piano
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AVANCÉ
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Contemporain
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Luis Cardoso
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e Sérgio Carolino (Tuba)
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Entia Imaginaria II
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Luis Cardoso
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Tuba - Level 5 - SKU: A0.934364 Composed by Luis Cardoso. Contemporary. Score and parts. 55 pages. Luis Cardos...
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Instrumental Duet Instrumental Duet,Piano,Tuba - Level 5 - SKU: A0.934364 Composed by Luis Cardoso. Contemporary. Score and parts. 55 pages. Luis Cardoso #6133679. Published by Luis Cardoso (A0.934364). Entia Imaginaria II, from the Latin imaginary beings 2 is a subject that fascinates me, especially after reading Jorge Luis Borges's Book of Imaginary Beings. I decided to dedicate some of my compositions to this issue. This is the second composition with that title. This three movements composition include: i. Basiliscus (Basilisk) - Legendary reptile reputed to be king of serpents and said to have the power to cause death with a single glance; ii. Unicornis (Unicorn) - Legendary animal that resembles a white horse with a spiraling horn projecting from its forehead. Commonly described as an extremely wild woodland creature, a symbol of purity and grace, which could only be captured by a virgin; iii. Centaurus (Cenaturo) - Member of a composite race of creatures, part human and part horse. This work was requested to be premiered by the project XL with Telmo Marques (piano) e Sérgio Carolino (Tuba). Was composed between January and March 2012.
$35.00 ≈
32.65€
Four-in-Hand Praise II
Four-in-Hand Praise II
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Sondra K
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Four-in-Hand Praise II
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Hope Publishing - Digital
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SheetMusicPlus
Handbell Solo & Duet, Handbell Small Ensemble, Quartet Handbell Quartet - SKU: H1.2372DP Arranged by Sondra K. Tucker. Handbell Quartets. Contemporary, ...
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Handbell Solo & Duet, Handbell Small Ensemble, Quartet Handbell Quartet - SKU: H1.2372DP Arranged by Sondra K. Tucker. Handbell Quartets. Contemporary, General Worship. Collection. 58 pages. Hope Publishing - Digital #2372DP. Published by Hope Publishing - Digital (H1.2372DP). Four notable praise osngs This exciting sequel to the popular first volume contains settings of four more notable praise songs arranged for handbell quartet. With no bell changes, ringers are freed from needing tables, making these arrangements extremely portable.
$24.95 ≈
23.27€
Duo Concertant, Op. 25, Theme and Variations (ii) for violin and guitar
Duo Concertant, Op. 25, Theme and Variations (ii) for violin and guitar
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Violon, Guitare (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Mauro Giuliani
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Klas Krantz
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Duo Concertant, Op. 25, Theme
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Amadeus Music
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SheetMusicPlus
Guitar,Instrumental Duet,Violin - Level 4 - SKU: A0.532148 Composed by Mauro Giuliani. Arranged by Klas Krantz. Romantic Period. 16 pages. Amadeus Music...
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Guitar,Instrumental Duet,Violin - Level 4 - SKU: A0.532148 Composed by Mauro Giuliani. Arranged by Klas Krantz. Romantic Period. 16 pages. Amadeus Music #3114615. Published by Amadeus Music (A0.532148). Score and parts (violin and guitar) included, guitar (with fingering).Mauro Giuliani (1781 - 1829) was an Italian guitarist, cellist, singer, and composer. He was a leading guitar virtuoso of the early 19th century. As a guitar composer he was very fond of the theme and variations - an extremely popular form in Vienna. He had a remarkable ability to weave a melody into a passage with musical effect while remaining true to the idiom of the instrument.
$6.95 ≈
6.48€
Partita (II)
Partita (II)
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Harpe
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AVANCÉ
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Classique
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Heinz Holliger
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Partita
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Schott Music - Digital
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SheetMusicPlus
Harp - difficult - SKU: S9.Q6154 Composed by Heinz Holliger. This edition: Sheet music. Downloadable. Duration 18' 30. Schott Music - Digital #Q6154. Pu...
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Harp - difficult - SKU: S9.Q6154 Composed by Heinz Holliger. This edition: Sheet music. Downloadable. Duration 18' 30. Schott Music - Digital #Q6154. Published by Schott Music - Digital (S9.Q6154). This piece combines the tradition in the harp repertoire of harking back to Baroque elements of form and style with selective use of sophisticated contemporary techniques. The most notable of these are the use of a bow to play the melody of the ?Aria?, while the accompaniment is plucked in the usual way, and the extremely complex ?Fughetta cromatica?, where the strings are retuned to make it possible to play unusual combinations of intervals.
$29.99 ≈
27.98€
The Joseon Symphony - II. Spring Ritual
The Joseon Symphony - II. Spring Ritual
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Orchestre
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AVANCÉ
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G
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The Joseon Symphony - II. Spri
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George Skipworth
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1105733 Composed by G.F. Skipworth. 20th Century,Classical,Film/TV,Historic,Multicultural,World. Score and Parts. 73 ...
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Full Orchestra - Level 5 - SKU: A0.1105733 Composed by G.F. Skipworth. 20th Century,Classical,Film/TV,Historic,Multicultural,World. Score and Parts. 73 pages. George Skipworth #708956. Published by George Skipworth (A0.1105733). For use in symphonic concerts, ballets, and for cinematic use. The second movement, Spring Ritual, unlike movements 1 and 2, are extremely traditional - length is slightly over 9 minutes., and difficulty is advanced.
$80.00 ≈
74.63€
Bela Bartok : Mikrokosmos, Volume II - N° 58 L' Extrême Orient
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Piano seul
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DÉBUTANT
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Classique
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Bela Bartok
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Mikrokosmos, Volume II
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Tomplay
Telechargez la partition Piano Mikrokosmos, Volume II - N° 58 L' Extrême Orient de Bartók. Partition pour Piano seul -- Classique...
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Telechargez la partition Piano Mikrokosmos, Volume II - N° 58 L' Extrême Orient de Bartók. Partition pour Piano seul -- Classique
2.99€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward ...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting go”. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my door”. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean” of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdom”. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeterna”. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen” [“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning”] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben” [“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold”]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus” [“And my soul spread its wings wide. Flew through the still country as if homeward bound.”]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed” occupation with the “old” country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomer”. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
52.23€
O Love That Will Not Let Me Go (SATB+ Piano)
O Love That Will Not Let Me Go (SATB+ Piano)
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Chorale SATB
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INTERMÉDIAIRE
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Albert L
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Joseph Pugh
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O Love That Will Not Let Me Go
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Joseph Pugh
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.855083 Composed by Albert L. Peace (1844-1912). Arranged by Joseph Pugh. Christian,Classical,Contemporary,Sacred...
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Choral Choir (SATB) - Level 3 - SKU: A0.855083 Composed by Albert L. Peace (1844-1912). Arranged by Joseph Pugh. Christian,Classical,Contemporary,Sacred,Standards. Octavo. 17 pages. Joseph Pugh #6133025. Published by Joseph Pugh (A0.855083). O Love that wilt not let me go.Dr. Matheson says this hymn was written in the Manse of my former parish (Innellan, Argyleshire) one summer evening in 1882. It was composed with extreme rapidity; it seemed to me that its construction occupied only a few minutes, and I felt myself rather in the position of one who was being dictated to than of an original artist I was suffering from extreme mental distress, and the hymn was the fruit of pain. This hymn first appeared in the Church of Scotland magazine, Life and Work, in 1883. From thence it passed into the Scottish Hymnal 1884; and there set to special music by Dr. A. L. Peace. It is a beautiful and tender hymn and worthy of extensive use--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)This SATB arrangement by Joseph Pugh is set with classical style piano accompaniment.
$12.99 ≈
12.12€
Elektra
Elektra
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Classique
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Richard Strauss
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Elektra
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Fürstner Musikverlag - Digital
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SheetMusicPlus
SKU: S9.Q49663 Tragödie in einem Aufzug von Hugo von Hofmannsthal. Composed by Richard Strauss. This edition: vocal/piano score. Performance - t...
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SKU: S9.Q49663 Tragödie in einem Aufzug von Hugo von Hofmannsthal. Composed by Richard Strauss. This edition: vocal/piano score. Performance - theater - tragedy. Downloadable, Piano reduction. Op. 58. Duration 105' 0. Fürstner Musikverlag - Digital #Q49663. Published by Fürstner Musikverlag - Digital (S9.Q49663). German.Im Jahr 2009 jährte sich die Uraufführung von Richard Strauss’ Elektra im Königlichen Opernhaus Dresden zum hundertsten Mal. Längst gilt die Oper als Meilenstein in der Musikgeschichte. Zugleich markiert ihre Ent - stehung einen Schlüsselmoment im Schaffen des Komponisten: Mit der Elektra beginnt eine der erfolgreichsten künstlerischen Partnerschaften der Geschichte. Zum ersten Mal vertonte Strauss hier ein Werk des österreichischen Librettisten und Dramatikers Hugo von Hofmannsthal. Aus ihrer kongenialen Zusammenarbeit sollte noch eine Reihe weiterer erfolgreicher Opern entstehen, darunter Der Rosenkavalier, Arabella sowie Die Frau ohne Schatten. Stärker als Sophokles akzentuiert Hofmannsthal in seiner Elektra die psychologischen Extreme, für die Strauss eine neue Tonsprache erfindet. Machtvoll sprengt seine Musik die Grenzen der Tonalität. Die für ein mit 120 Personen besetztes Orchester komponierte Musik verleiht den hysterischen Rachegelüsten der Elektra, Klytämnestras Rastlosigkeit und Chrysothemis’ Sehnsüchten gleichermaßen Ausdruck.Picc. · 3 (3. auch Picc.) · 3 (3. auch Engl. Hr.) · Heckelphon · Es-Klar. · 4 · 2 Bassetthr. · Bassklar. · 3 · Kfg. - 8 (5.-8. auch 2 Tb. in B und 2 Tb. in F) · 6 · Basstrp. · 3 · Kb.-Pos. · 0 · Kb.-Tb. - 6-8 P. (2 Spieler) S. (Glsp. · Trgl. · Beck. · Tamt. · Tamb. · kl Tr. · gr. Tr. · 2 Kast. · Rute) (3-4 Spieler) - Cel. (ad lib.) · 2 Hfn. (womöglich zu verdoppeln) - Str. (8 Vl. I · 8 Vl. II · 8 Vl. III · 6 Va. I · 6 Va. II · 6 Va. III · 6 Vc. I · 6 Vc. II · 8 Kb.).
$47.99 ≈
44.77€
Draculissimo
Draculissimo
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Enjott Schneider
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Draculissimo
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Schott Music - Digital
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SheetMusicPlus
Trumpet, trombone and chamber ensemble - difficult - SKU: S9.Q41790 Concerto grosso for trumpet, tenor trombone and chamber ensemble. Composed by...
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Trumpet, trombone and chamber ensemble - difficult - SKU: S9.Q41790 Concerto grosso for trumpet, tenor trombone and chamber ensemble. Composed by Enjott Schneider. This edition: piano reduction with solo parts. Downloadable, Piano reduction with solo parts. Duration 25 minutes. Schott Music - Digital #Q41790. Published by Schott Music - Digital (S9.Q41790). The concerto takes the historical figure of the brutal impaler Vlad Tzepesch (1431-1476) as its starting point and subsequently develops the myth into an overwrought and gruesome piece of work: 1: “Oderint dum metuant” is a raving Allegro with a Baroque ritornello structure and modern “Draculisms”. 2: “Luna su Tirgoviste” is a memoriam for the thousands of impaled victims who came to a violent end in today’s Târgoviste. 3: “Il ballo transilvano” confronts a naive waltz rhythm with aggressive polyrhythmic reinterpretations – in the manner of the stick and the carrot. 4: “Bacio di sangue” is Neo-Baroque horror music which has got out of hand, demanding extreme virtuosity from both soloists and ensemble. Enjott SchneiderBassklar. · Fg. (auch Kfg.) - S. (Crot. · Vibr. · Marimba · Röhrengl. · Trgl. · 2 Beck. · Tamt. · kl. Tr. · 2 Tomt. · gr. Tr. · Chimes· Tempelbl. · Woodbl.) (2 Spieler) - Cemb. - Str. (6 Vl. · 4 Va. I · 4 Va. II · 3 Vc. I · 3 Vc. II · 3 Kb. [Die Streicher können auch solistisch besetzt werden.]).
$39.99 ≈
37.30€
Iron Balconies and Lilies for soprano, piano and chamber ensemble
Iron Balconies and Lilies for soprano, piano and chamber ensemble
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Contemporain
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The Sea II
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Robert M
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Iron Balconies and Lilies for
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Robert M. Greenberg
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Flute,High Voice,Oboe,Piano,Viola,Violin - Level 5 - SKU: A0.987859 Composed by Robert M. Greenberg. 20th Century. Score a...
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Large Ensemble Cello,Clarinet,Flute,High Voice,Oboe,Piano,Viola,Violin - Level 5 - SKU: A0.987859 Composed by Robert M. Greenberg. 20th Century. Score and parts. 264 pages. Robert M. Greenberg #115607. Published by Robert M. Greenberg (A0.987859). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 35 minutes Year of composition: 1992 Program Note: I. A City By The Sea II. Hay Mowing III. When Grandma, May She Rest In Peace, Died IV. Longing V. Ancient Murderess Night VI. Lullaby VII. Toys VIII. Old Age IX. Rest IRON BALCONIES AND LILIES was written between December 1991 and November 1992. The nine poems of the cycle, originally in Yiddish and by various poets, speak of a woman's life at various stages, from extreme old age to youth, and back to old age. The poetry is magnificent and direct: at turns quiet, passionate, gentle, ferocious, erotic, agonized and violent. In setting these poems, I have particularly sought to capture the many images and metaphors that unite them. For example, the music representing the violent, life-giving blades (scythes) of No. 2 evoke agonized, ritualized grief in No. 3, a ghastly (and comic) celebration of death in No. 5, and ultimately, a wondrous and benign angel of death in No. 9. Over the course of the cycle, the power and singular clarity of childhood memory gives way to the quiet complexity and blurred edge of adult memory. All poems used by permission.
$44.00 ≈
41.04€
Guthrie: Sonata No. 1 for Solo Cello
Guthrie: Sonata No. 1 for Solo Cello
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Violoncelle (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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James M
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Guthrie: Sonata No. 1 for Solo
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jmsgu3
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.549259 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional,Standards. Individual part. 9 pages. Jmsgu3 ...
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Cello Solo - Level 4 - SKU: A0.549259 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional,Standards. Individual part. 9 pages. Jmsgu3 #3479669. Published by jmsgu3 (A0.549259). I. Moderato, II. Lento misterioso, III. Rondo Spirito The Moderato unfolds in the standard sonata-allegro form. It explores some divergent elements: a lyrical Dorian principal theme, a terse Phrygian subordinate theme subjected to extreme compression in an asymmetrical meter, and a brief closing theme - again in Dorian. The development section presents fragmented variations of the themes and a new theme essentially extracted from the transition. The recapitulation proceeds as usual, with the secondary theme appearing in tonic - in this case, G Dorian. The principal theme's final statements appear in the closing theme's rhythm. A coda based on a fragment of the closing theme ends the movement. The Lento misterioso is an elegiac ternary construction that introduces quartal/quintal harmony and modal exploration. The contrasting B section involves an agitato passage that investigates Phrygian relations. The Rondo Spirito is a simple Rondo: ABACABA. The impetus of the movement derives from elements of the previous two movements: quartal/quintal harmony from the Lento and asymmetrical meter from the Moderato. Other elements appearing in this piece are cycles of thirds, modal explorations, and extended range.
$32.95 ≈
30.74€
Six Thinking Hats [3 celli]
Six Thinking Hats [3 celli]
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Trio à Cordes: 3 violoncelles
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Six Thinking Hats [3 celli]
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Juan Maria Solare
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SheetMusicPlus
String Ensemble,String Trio Cello - Level 3 - SKU: A0.596493 Composed by Juan María Solare. 20th Century,Contemporary,Instructional,Standards. Score an...
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String Ensemble,String Trio Cello - Level 3 - SKU: A0.596493 Composed by Juan María Solare. 20th Century,Contemporary,Instructional,Standards. Score and parts. 43 pages. Juan Maria Solare #3088705. Published by Juan Maria Solare (A0.596493). Six Thinking Hats for 3 violoncelli (in the first position) The title of these six pieces for cello trio refers to the theory of the Six Thinking Hats by Edward de Bono. This is a tool that provides a means for groups to think (plan and decide) together more effectively - or at least in a cohesive way. Six distinct states are identified and assigned a hat color: * Information (white hat): considering exclusively what information is available, what the facts are. * Emotions (red hat): instinctive gut reaction or statements of emotional feeling (but not without any justification) * Bad points judgment (black hat): logic applied to identifying flaws or barriers, seeking mismatch (the cons of an issue). * Good points judgment (yellow hat): logic applied to identifying benefits, seeking harmony (the pros). * Creativity (green hat): statements of provocation and investigation, seeing where a thought goes. * Thinking (blue hat) - thinking about thinking, a control instance. In my Trio, these color hats are assigned to different characters or moods. For instance the red hat is the most emotional last piece, very rhythmical. Or the black hat corresponds to a reflexive, rational piece which is not pessimistic but rather extreme reflexive, pondering. Or the blue hat, which should reflect the thinking about thinking and is therefore a canon. Technically speaking, all pieces are written for cello in the first position (sometimes extended or stretched), which makes them quite suitable for young cellists or adult beginners. The total duration of the work is about 12 minutes. The durations of the single pieces are: I = Enfática insistencia (white hat) [1'00] II = Milonga serena (yellow hat) [1'45] III = Estado de alerta (green hat) [1'45] IV = Canon arcaizante (blue hat) [4'00] V = Coral en quintas (black hat) [1'00] VI = Finale arrabbiato (red hat) [2'30] All these pieces can be performed individually. These six pieces for three cellists were composed in Bremen (and Worpswede) between 20th and 29th February 2012. They are dedicated to Juliane Dehning (who also kindly made essential suggestions about the bowings). International Standard Musical Work Code (ISWC): T-803.196.242-3 Recorded in La Rioja, Argentina by Dora Heisecke, Roque González & Mariana Alcaraz: https://www.youtube.com/watch?v=1DluACws6DE More information: http://www.juanmariasolare.com/six_thinking_hats.html
$11.00 ≈
10.26€
The Perfect End
The Perfect End
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jim Shum
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The Perfect End
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JS-MUSIC
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.820937 Composed by Jim Shum. 20th Century,Concert,Contemporary,Standards,World. Score. 5 pages. JS-MUSIC #1915827. Publis...
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Piano Solo - Level 4 - SKU: A0.820937 Composed by Jim Shum. 20th Century,Concert,Contemporary,Standards,World. Score. 5 pages. JS-MUSIC #1915827. Published by JS-MUSIC (A0.820937). Written on June 30, 2016, this is an original piano composition in a minimalist and extreme style and written at the advanced intermediate level, included in Jim's piano solo album 'Piano Sketch Book II'. The perfect end is a common ending. Jim Shum is an indie musician from Hangzhou, China. You can view the video of this piece on YouTube: https://youtu.be/l-nHWhhn3lk Jim's Youtube channel: https://www.youtube.com/channel/UCOmmDXkCR2Jxk7BG9VBDzTA
$2.99 ≈
2.79€
Emoticons III for Wind Quintet
Emoticons III for Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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Sy Brandon
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Emoticons III for Wind Quintet
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Sy Brandon
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.755253 Composed by Sy Brandon. 20th Century,Concert,Contemporary. 21 pages. Sy Brandon #3602975. ...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.755253 Composed by Sy Brandon. 20th Century,Concert,Contemporary. 21 pages. Sy Brandon #3602975. Published by Sy Brandon (A0.755253). Emoticons III is the third in a series of compositions that are designed to be aural representations of images that reflect emotions. This composition has eight short movements and is scored for wind quintet.I. Nebulous – The wandering tonality, slow tempo, frequent shifts of color, and lack of cadences gives this movement a feeling of vagueness.II. Puckish – This Allegretto movement has a playful quality that is created by staccato articulations, melodic leaps, unexpected use of rests and sudden tonality shifts to express an impish quality.III. Excited – A fast tempo and technical passages along with driving rhythms help this movement express excitement.IV. Horrified – Angular melodic lines, trills, dissonant chords, extreme ranges, and accents are all used to create this emotional representation.V. Jocular – This playful movement in an Allegretto tempo uses staccato, syncopation, meter change, dotted rhythms, and angular melodies for its laughing sounds.VI. Scattered – A Presto tempo with hemiola, staccato notes, and light scoring are used throughout this short movement that feels like it is constantly changing direction.VII. Regretful – This Lento movement has sad legato lines with unresolved dissonances at the beginning and end. The middle section creates a sense of hope but quickly returns to the sorrowful sound.VIII. Confident – This movement is in a march style with strong accents. Its clear lines and rhythms help portray strength in one’s beliefs.
$14.99 ≈
13.98€
Emoticons III for Reed Quintet
Emoticons III for Reed Quintet
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Contemporain
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Sy Brandon
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Emoticons III for Reed Quintet
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Sy Brandon
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bassoon,Clarinet,Oboe - Level 5 - SKU: A0.755261 Composed by Sy Brandon. 20th Century,Contemporary. 46...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bassoon,Clarinet,Oboe - Level 5 - SKU: A0.755261 Composed by Sy Brandon. 20th Century,Contemporary. 46 pages. Sy Brandon #3604157. Published by Sy Brandon (A0.755261). Emoticons III is the third in a series of compositions that are designed to be aural representations of images that reflect emotions. This composition has eight short movements and is scored for wind quintet. I. Nebulous – The wandering tonality, slow tempo, frequent shifts of color, and lack of cadences gives this movement a feeling of vagueness. II. Puckish – This Allegretto movement has a playful quality that is created by staccato articulations, melodic leaps, unexpected use of rests and sudden tonality shifts to express an impish quality. III. Excited – A fast tempo and technical passages along with driving rhythms help this movement express excitement. IV. Horrified – Angular melodic lines, trills, dissonant chords, extreme ranges, and accents are all used to create this emotional representation. V. Jocular – This playful movement in an Allegretto tempo uses staccato, syncopation, meter change, dotted rhythms, and angular melodies for its laughing sounds. VI. Scattered – A Presto tempo with hemiola, staccato notes, and light scoring are used throughout this short movement that feels like it is constantly changing direction. VII. Regretful – This Lento movement has sad legato lines with unresolved dissonances at the beginning and end. The middle section creates a sense of hope but quickly returns to the sorrowful sound. VIII. Confident – This movement is in a march style with strong accents. Its clear lines and rhythms help portray strength in one’s beliefs.
$14.99 ≈
13.98€
The Western New York Trombone Concerto
The Western New York Trombone Concerto
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Orchestre
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William Pagan-Perez
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The Western New York Trombone
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William Pagan-Perez
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SheetMusicPlus
Full Orchestra - SKU: A0.933829 Composed by William Pagan-Perez. Contemporary,Standards. Score and Parts. 272 pages. William Pagan-Perez #4736067. Publi...
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Full Orchestra - SKU: A0.933829 Composed by William Pagan-Perez. Contemporary,Standards. Score and Parts. 272 pages. William Pagan-Perez #4736067. Published by William Pagan-Perez (A0.933829). The Western New York Trombone Concerto (For Trombone and Symphony Orchestra) I. Arriving to Cheektowaga on 2017 II. The Lights of the Niagara Falls III. Tonawanda’s Rhapsody 2018 The Western New York Trombone Concerto was inspired in real life experiences, in the smell, the food, the scenic views, and the great personal relationships of the composer during his first year living in the City of the Good Neighbors (Buffalo, NY). More than have a traditional virtuoso solo music featuring fast and extreme technical phrases, this concerto wants to introduce the trombone as a melodic instrument for those beginner listeners that are discovering the trombone for the first time. The concerto has colorful sticky melodies and exciting rhythmic patterns to produces a great experience to the listener.
$125.00 ≈
116.60€
Joshua Fought the Battle of Jericho
Joshua Fought the Battle of Jericho
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Violon et Piano
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DÉBUTANT
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Gospel Spirituel
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African American Spiritual
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Russell K
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Joshua Fought the Battle of Je
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Russell K. Campbell II
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SheetMusicPlus
Piano,Violin - Level 1 - SKU: A0.896134 Composed by African American Spiritual. Arranged by Russell K. Campbell II. Christian,Concert,Sacred,Spiritual. ...
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Piano,Violin - Level 1 - SKU: A0.896134 Composed by African American Spiritual. Arranged by Russell K. Campbell II. Christian,Concert,Sacred,Spiritual. 6 pages. Russell K. Campbell II #4332075. Published by Russell K. Campbell II (A0.896134). This is an extremely fun piece for the beginning violinist! Since the piano score uses more complex harmonies, this violin piece for beginners is enjoyable for both the listener and the player. .
$4.99 ≈
4.65€
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26
Extreme II
