1960s Jazz Play-Along

SKU: HL.275651

ISBN 9781540026385. UPC: 888680744694. 9.0x12.0x0.13 inches. Book with Online Media.

Today's best way to practice jazz! Accurate, easy-to-read lead sheets and professional, customizable audio tracks accessed online for 10 songs. The interactive, online audio interface includes: tempo control; looping; buttons to turn each instrument on or off; lead sheet with follow-along marker; and melody performed by a saxophone or trumpet on the head in and head out. The full stereo tracks can also be downloaded and played off-line. Separate lead sheets are included for C, B-flat, E-flat and Bass Clef instruments. This volume includes 10 songs: Ceora * Dat Dere * Dolphin Dance * Equinox * Jeannine * Recorda Me * Stolen Moments * Tom Thumb * Up Jumped Spring * Windows.

SKU: BT.CMP-0371-00-400

ISBN 9789043109758. English.

Jazz-Rock was born in the USA in the late 1960s. With its roots solidy in RandB and rock, it venture boldly into the harmonic complexities of jazz. Since then it has been used by pop musicians throughout the world. This book contains eight pieces in a variety of pop styles from hip hop to blues. The play-along CD allows you to perform the pieces with your own live pop group.

Jazzrock heeft vele facetten, vormen en kleuren - die uit de rhythm and blues, de rock-'n-roll en de jazz stammen. Jazz-Rock in the USA is een geweldig leuk boek met cd, waarop een swingende band voor de passende begeleiding zorgt.

Jazz-Rock hat viele Facetten, Farben und Formen, die aus dem Rhythm and Blues, dem Rock �??n�?? Roll und dem Jazz stammen. Einige verwendete James L. Hosay in seinen Stücken in dem Album Jazz-Rock in the USA. Ein tolles Buch mit einer CD, auf der eine jazz-rockige Band für die passende Begleitung sorgt.

Avec Jazz Rock in the USA, vous apprendrez non seulement maîtriser les éléments et gestes techniques essentiels des différents styles de la musique pop, mais vous serez également initié aux finesses de l�??improvisation jazz.

Le registrazioni di una vera band live sul CD propongono dapprima la versione integrale del brano, per poi lasciare la sola base su cui interpretare il solo. Con Jazz-Rock in the USA e Jazz-Rock and RandB vi sentirete finalmente parte di una vera band musicale.

SKU: XC.VJE2204FS

12 x 9 inches.

Inspired by the crossover titles from the classic Blue Note era of the 1960s, composer and educator Peter Sciaino has come up with a unique latin-rock chart that has a great Bass groove and an infectious rhythmic drive. There is a lot of interplay between the wind sections and some interesting harmonic twists along the way. Solo space is for Alto Sax 1 and Trumpet 2. The shout chorus features several layers of sound that build to a dramatic conclusion.

SKU: XC.VJE2204

12 x 9 inches.

Inspired by the crossover titles from the classic Blue Note era of the 1960s, composer and educator Peter Sciaino has come up with a unique latin-rock chart that has a great Bass groove and an infectious rhythmic drive. There is a lot of interplay between the wind sections and some interesting harmonic twists along the way. Solo space is for Alto Sax 1 and Trumpet 2. The shout chorus features several layers of sound that build to a dramatic conclusion.

SKU: HL.48025367

UPC: 196288194286.

Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the “École de Paris”. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the “Association of Young Polish Musicians”, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de'l’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak's enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year.

SKU: HL.48025368

UPC: 196288194293.

Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the “École de Paris”. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the “Association of Young Polish Musicians”, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de l’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak's enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year.