/ Flûte Traversière
SKU: HL.50511771
ISBN 9790080144770. UPC: 888680917272. 9.0x12.0x0.253 inches. Hungarian, English, German, French. Janos Bali.
An ABRSM syllabus title, 2014-21, Grade 6. Although the recorder was a popular instrument in France at the beginning of the 18th century, relatively few original French pieces for recorder have survived. One reason for this is that the repertoire of the recorder players of that time was largely taken from the flute literature, the pieces being transposed a third higher because of the difference in pitch between the flute and the recorder. Six of the seven suites in this volume - works by Caix d.Hervelois, Dornel, Pierre Philidor, Hotteterre, Naudot and de la Barre - are indeed flute music transposed in accordance with the custom of the period, one suite, however, is an original work for recorder by Dieupart written for the B flat descant recorder and transposed for the C descant recorder in use today. In selecting the works our aim was to provide a stylistic panorama of the French music of the period, featuring the various types of suite.
SKU: BT.DOW-02527-404
ISBN 9789043162418. English-German-French.
This edition presents one of the most important chamber works of the 18th century for recorder: the Sonata for Treble (Alto) Recorder and Basso continuo from Der getreue Music-Meister, TWV 41:B3 in B flat major. It allows you to work through the piece systematically and at different tempi with accompaniment. The recordings begin with the concert version of each piece, following which you will hear the harpsichord accompaniment at slow and medium tempo to help you practise. Having mastered these slower versions, youââ¬â¢ll now be ready to play with basso continuo accompaniment at the original tempo. All of the versions were recorded live. Mit dieser Ausgabe präsentieren wir Ihnen eines der wohl bedeutendsten Kammermusikwerke des 18. Jahrhunderts für Blockflöte: die Sonate für Altblockflöte und Basso continuo aus Der getreue Music-Meister, TWV 41:B3 in B-Dur von Georg Philipp Telemann. Diese Ausgabe ermöglicht es Ihnen, das Werk systematisch und in verschiedenen Tempi mit Begleitung zu erarbeiten. Sie hören zunächst die Konzertversion eines jeden Stückes (Blockflöte und Basso continuo). Zum ÃÅben folgt nun im langsamen und mittleren Tempo die Cembalobegleitung; anschließend können Sie sich im Originaltempo von der Continuogruppe begleiten lassen. Alle eingespielten Versionen wurden live aufgenommen. Cette édition présente lââ¬â¢une des plus célèbres à âuvres pour fl te bec du répertoire de musique de chambre du 18e siècle : la sonate pour fl te bec alto et basse continue tirée de Der getreue Music-Meister, TWV 41:B3 en Si bémol majeur. Les playbacks vous permettent de travailler lââ¬â¢Ã â uvre systématiquement trois tempos différents avec un accompagnement professionnel. Chaque playback fait dââ¬â¢abord entendre la version de concert dââ¬â¢un morceau (fl te bec et basse continue). Mais vous y trouverez également un accompagnement de clavecin pour travailler un tempo lent puis un autre un tempo intermédiaire. Une fois un morceau maîtrisé, vous pourrez le jouer au tempo dââ¬â¢origine avec lââ¬â¢accompag nement de la basse continue. Toutes les versions ont été enregistrées en live. .
SKU: HL.49003829
ISBN 9790001038348. UPC: 073999854268. 11.0x7.5x0.09 inches.
SKU: GI.G-M585
English.
This major band method by James O. Frosethhas it all:* Artist performers set musical standards in sound with more than 80 great performanceson CD for every instrument, and one CD lasts for the entire book! Performers include Michael Henoch (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser (Cleveland State University), Brian Bowman (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs (Plymouth Symphony Orchestra).* Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles.* Music of other times includes 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll.* The repertoire and recorded contexts are motivating, informative, and entirely musical.* Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture.* A unique Rhythmic Pattern Dictionary allows students to “look it up†and “listen up.â€* An individualized format allows students to progress at different rates with a “themeand-variation †format.* Ear training and improvisation are integral parts of the lesson format.* A 550+ page teacher's resource edition and musical score provides options galore, including a double CD with “listen and play†exercises for group instruction, supplementary exercises for technical development, and resource material for improvisation and composition. All the resources needed for teaching to the National Standards for Music are provided. (Coordinates with rhythm flashcards)* Book 2 features innovative but optional use of world percussion instruments, as developed by percussion educator Steve Houghton.
SKU: FZ.50501
ISBN 9782841691692. 17.00 x 24.00 cm inches.
Delve into the memory of music with the Mnemosis collection from Anne Fuzeau Classique. The recorder enjoyed its golden age from the late 17th century to the first half of the 18th century. Not only was the instrument part of the orchestra of kings and the theatre companies of major town in Europe, but it also contributed to the enjoyment of small, intimate performed in the Chateaux and residences of the flourishing bourgeoisie who were eager to listen to music. it is mainly for this public that an enormous number of scores were printed in order to satisfy the growing circles of music lovers. Everything was printed, from erudite to fashionable music, from church to chamber music, to please all tastes and styles. until now, no bibliography of music for the flute, printed during the period when this instrument enjoyed so much popularity, has been published. This bibliography helps to identify over one thousand titles of works composed directly or indirectly for the recorder. this work makes it possible to locate and, therefore, learn all about a vast musical repertory that has been lying dormant on the shelves of librairies, just wainting to be discovered. Summary: Introduction. Liste des abreviations. Liste des bibliotheques avec leur abreviations. A : Oeuvres pour la flute a bec. B : Oeuvres qui peuvent aussi se jouer sur la flute a bec. C : Recueils. D : Oeuvre didactiques. Index par instrument. Bibliographie.
SKU: HL.49013785
UPC: 073999629149. 9.0x12.0x0.095 inches.
For descant recorder, strings and basso continuo. For descant recorder, strings and basso continuo. With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thoroughly edited scores follow essentially the first edition printed by John Walsh in London in 1729. Baston was regarded as an excellent recorder and flute player who worked with London opera orchestras in the early 18th century. His easy concertos anticipating the elegant melody of the early classical period enjoy great popularity representing a rewarding task for music school orchestras and advanced recorder players.
SKU: HL.49011396
ISBN 9790001099813. UPC: 073999740660. 9.0x12.0x0.168 inches.
This work of the composer and theatre music director from Berlin, probably created at the end of the 18th century, consists of three movements and bears the characteristic features of the Berlin School. It is a representative large-scale concertante work.
SKU: HL.50602096
ISBN 9781540062307. UPC: 888680961305.
The composer wrote of his work as follows: In the music of Hungary, folk songs are manifestly of great importance, on the other hand our ancient airs and dances play a modest role. For this work I have been influenced by dances of the 17th century, written by unknown amateurs in a relatively simple style. Most of these dances were recorded between the 14th and 18th centuries under the usual form of tablature notation. My interest in this music was first captured in the 1940s. I was so fascinated that I decided to give these melodies new life. I fitted the little eight-bar dances together into ternary and rondo forms, and leaning on early Baroque harmony and counterpoint, I attempted a reminiscence of that atmosphere of the provincial Hungarian Baroque.
SKU: HL.50602108
ISBN 9781540064202. UPC: 888680964627.
SKU: HL.49001913
ISBN 9790220100048. UPC: 842819105473.
The thoroughly edited scores follow essentially the first edition printed by John Walsh in London in 1729. Baston was regarded as an excellent recorder and flute player who worked with London opera orchestras in the early 18th century. His easy concertos anticipating the elegant melody of the early classical period enjoy great popularity representing a rewarding task for music school orchestras and advanced recorder players.