101 Jazz Songs for Tenor Sax

- 14 much-loved jazz songs- Easy arrangements for tenor saxophone and piano- CD of play-along tracksThis edition brings together 14 of the best-loved jazz standards, arranged for tenor saxophone and piano by Dirko Juchem. Great for lessons, performance or simply playing at home for fun with the backing tracks on the accompanying CD. / Saxophone Tenor

Designed to teach jazz basics to students with 1-2 years playing experience (but no prior experience playing jazz) Essential Elements for Jazz Ensemble is great for individual or classroom use. · Teaches the basics of swing style in a step-by-step approach using well-known songs · Improvisation made easy starting with simple two-measure phrases · Scales and basic theory introduced in an easy-to-understand format · Play-along tracks for every exercise included · Seven full band arrangements · Sample solos · Jazz history and people Book also includes My EE Library* ( myeelibrary.com ) - Instant Stream/Download/Audio CDs* *Internet access required for My EE Library (book includes instructions to order free opt. CD-ROM)

Performed by Tom Fischer tenor saxAccompaniment: Tim Laughlin's New Orleans All-StarsMany people consider New Orleans the birthplace of jazz. After all Louis Armstrong was born and played there as well asJoseph ?King? Oliver the Dodds Brothers Sidney Bechet and a roster of players to fill not one but many all-star bands. Louis Prima was a ?child of the Crescent City? as is Harry Connick and WyntonMarsalis. The whole Marsalis clan was raised there and are all acknowledged jazz masters so its reputation as the seminal jazz town has long been acknowledged. We assembled a band of New Orleans' best players for our times veterans all of many street parades and steamboat gigs and asked them to put together a typical program of New Orleans Classics. Under the direction of Tim Laughlin clarinetist supreme and led by Connie Jones Jr. one of thegreat hornmen of this city which boasts so many great players they put together an album of must-hear must-have songs that every traditional jazz player cherishes. Hear them now in these perfect renditions. Then join the band onyour own instrument be it clarinet trumpet trombone tenor piano bass or drums as they swing through the French Quarter of New Orleans.Includes newly engraved solo charts printed on acid-free ivory paper; andtwo compact discs featuring complete versions of each tune plus a recording of the accompaniments minus the soloist. Also includes slow-tempo versions of most up-tempo pieces for practice purposes.

For Tenor Horn & Piano-These 'Footie Songs' are flexible and can be played as solo or duet accompanied by either jazz piano (pull-out part) or our CD backing tracks (free with the book). Includes 'Rhythm & Beat' workshop study section.Tenor Horn played by Lisa Ridgway on the CD.

You Raise Me Up is part of the wonderful Young Jazz Ensemble series designed for developing Jazz groups and young players of grade 2 standard. The full instrumentation for a large brass band is provided though this flexible ensemble is versatile enough to be played by smaller groups as are further optional parts to extend or alter the arrangement to suit. A smash hit on either side of the Atlantic performed by vocal star Josh Groban and Westlife and also sung as a touching tribute to the NASA space shuttle Columbia astronauts this uplifting melody has arranged for the young Jazz ensemble. Featuring a tenor sax solo with modest brass ranges thisn straighteigth-note chart will come together. This chart builds in intensity with modulations from F to G to A-Flat. This is a must have enjoyable and entertaining edition. This fabulous package also contains a CD including all the songs from the series played by professional musicians allowing yiou to hear how each arrangement should sound.

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar.

Dirko Juchem a fait un nom comme saxophoniste, professeur de saxophone et auteur spécialiste au niveau national et international depuis de nombreuses années.Son son saxophone et un large éventail de styles sont bien en demande : il a joué avec des artistes allemands et internationaux connus comme les Rolf Zuckowski, Barbara Dennerlein, Thomas Anders, Anne Haigis, Harald Juhnke, Werner Pe, Sara K. ainsi qu'avec des musiciens de Jethro Tull, de Jazz-Kantine ou de la bande de Mike Oldfield. Hormis les nombreux concerts et productions avec d'autres artistes et les bandes, il joue encore et encore avec ses propres programmes - solo, en duo ou avec un ensemble de la bande. Jusqu'à présent, il a joué dans plus de 100 CD et productions LP et ses tournées lui ont pris autant que Los Angeles et Taiwan.Having enseigne à différentes écoles de musique comme un professeur de saxophone et donné des cours à la Bundesakademie de Remscheid comme conférencier invité, il sait que les problèmes des saxophonistes de l'expérience de première main.En outre, Dirko Juchem est th... / Saxophone Tenor

Big Band-Version des Songs Nobody's Perfect (M. Reinecke) von Mary Roos. Arrangement: Franz Gerstbrein. Partitur und Stimmen. Besetzung: Partitur Altsax 1+2 Tenorsax 1+2 Baritonsax Trompete 1-4 Posaune 1-4 Gesang Gitarre Klavier Bass Schlagzeug.

Par GORDON ANDREW D.. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt. Andrew's idea for thisbook is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they havelearnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. / Niveau : 3 / Recueil / Piano

The Bluesier Side of Jazz for Alto Saxophone and Eb instruments by Andrew D. Gordon and Frank Villafranca was inspired by the piano students Andrew teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvisedsolo from the phrases they have learnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. The package includes: Book or PDF file 30 audio tracks to play on your CD player or computer Over 200 mp3 files Over 200 MIDI files/ Recueil / Saxophone Alto

These songs from the movie including, Think and more. / Niveau : Assez Facile / Jazz / Recueil / Saxophone Ténor et Piano