Summer Solstice
Concerto for Clarinet and Strings
by Daniel Dorff
Chamber Music - Sheet Music

Item Number: 20441652
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Instruments
Ensembles
Composers
Item Types
Musical Forms
Chamber Music Clarinet, Piano

SKU: PR.114418230

Concerto for Clarinet and Strings. Composed by Daniel Dorff. Sws both. Premiere: Arne Running clarinet, James Freeman conducting Orchestra 2001, Philadelphia PA. Contemporary. Set of Score and Parts. With Standard notation. Composed 1986, 1993. 28+12 pages. Duration 19 minutes. Theodore Presser Company #114-41823. Published by Theodore Presser Company (PR.114418230).

ISBN 9781491109939. UPC: 680160640713. 9x12 inches.

Summer Solstice is a 19-minute concerto in three movements, composed for solo clarinet with a colorfully-textured string orchestra. The piano reduction is comfortably voiced for recital use. Dorff's joy in writing for his own instrument is readily heard in the warm cantabile writing and gracefully idiomatic passagework. Drawing inspiration from the elegance of Mozart's concerto and the rhythmic grit of Copland's, Dorff's concerto is a true hybrid of jazz-inspired language with classical form and counterpoint. The Philadelphia Inquirer has written, "Summer Solstice is light without being insubstantial, melodic without being obvious. It has an invariably American sound." Orchestral score and parts are available on rental. Full score is also available for sale as study score (416-41604) or large score (416-41604L)._____________________________________Text from the scanned back cover:Summer Solstice (Concerto for Clarinet and Strings)The Philadelphia Inquirer has written “Summer Solstice is light without being insubstantial, melodic without being obvious. It has an invariably American sound.” SUMMER SOLSTICE is a 19-minute concerto in three movements, composed for solo clarinet with a colorfully-textured string orchestra; the piano reduction is comfortably voiced for recital use. Dorff’s joy in writing for his own instrument is readily heard in the warm cantabile writing and gracefully idiomatic passagework. Drawing inspiration from the elegance of Mozart’s concerto and the rhythmic grit of Copland’s, Dorff’s concerto is a true hybrid of jazz-inspired language with classical form and counterpoint.