Guthrie: The Liturgical Organbook Complete
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SKU: A0.1319568
Composed by Traditional. Arranged by James M. Guthrie. Christian,Easter,Holiday,Religious,Standards. Individual part. 71 pages. Jmsgu3 #908128. Published by jmsgu3 (A0.1319568).The Liturgical Organbook, Volume 1 - Contents:
Deo gracias 1: Free harmonic treatment a3, cantus in soprano
Deo gracias 2: Free counterpoint a3, cantus in middle voice
Dickenson College 1: Bicinium, cantus in bass, coda a4
Dickenson College 2: Free harmonization a4, cantus in soprano
Dickenson College 3: Bicinium, cantus in bass
Down Ampney 1: Free harmonization a4
Down Ampney 2: Free counterpoint a3, cantus in soprano
Down Ampney 3: Cantus in canon at the octave, free middle voice
Down Ampney 4: Cantus in canon by inversion at the fourth, free middle voice
Down Ampney 5: Cantus in retrograde (soprano) and augmentation (tenor), free bass and alto
Down Ampney 6: Free counterpoint a3, cantus in alto
Down Ampney 7: Free counterpoint a3, augmented cantus in pedal
Down Ampney 8: Quodlibet: Down Ampney in bass, Lauda anima in soprano, free middle voice
Down Ampney 9: Fugue a4 with 5th voice added at last subject entrance
The Liturgical Organbook, Volume 2 - Contents:
Dundee 1: Free harmonization a3, cantus in soprano
Dundee 2: Free contrapuntal introduction a4, followed by an augmented statement of cantus in soprano
Dundee 3: Bicinium, cantus in bass
Dundee 4: Canonic treatment of fauxbourdon at the octave with free middle voice
Dundee 5: Free counterpoint a3, cantus in soprano
Dundee 6: Free counterpoint a3, cantus in middle voice
Dundee 7: Fugato a3
Dundee 8: Bicinium, cantus in bass
Easter Hymn 1: Free harmonization a4
Easter Hymn 2: Free harmonization a3
Easter Hymn: Interlude
Easter Hymn 3: Fugato a3
Erhalt uns, Herr: Free harmonization
Gopsal 1: Bicinium, cantus in bass
Gopsal 2: Free harmonization
Gopsal 3: Free harmonization
In Babilone 1: Free harmonization a4
In Babilone 2:
Interlude
In Babilone 3: Fugato a3
The Liturgical Organbook, Volume 3 - Contents
Lauda anima 1: Free harmonization a4
Lauda anima 2: Free counterpoint with cantus exchange between soprano and alto
Lauda anima 3: Free counterpoint a3, cantus in alto
Lauda anima 4: Free counterpoint a4, followed by an augmented statement of the cantus in the soprano
Lauda anima 5: Free counterpoint a4, cantus in tenor
Lauda anima 6: Fughetta
Southwell 1: Canon a3, at the octave with free middle voice
Southwell 2: Fugato a3
Southwell 3: Free counterpoint a4, followed by an augmented statement of the cantus in the soprano
Stuttgart 1: Free counterpoint a3, cantus in soprano
Stuttgart 2: Free counterpoint a3, cantus in soprano, triple meter
Wachet auf 1: Free exchange of cantus
Wachet auf 2: Free counterpoint a3, cantus in soprano
Wer nur den lieben Gott 1: Free harmonization a3, cantus in soprano
Wer nur den lieben Gott 2: Free harmonization, a3.
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