Neumann Tlm 107 Microphone Studio 5 Directivités Noir

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Instrument : MICROPHONE
Department : Condenser - Static Microphones
Sub-department : Large diaphragm microphone

Brand : Neumann
Acheter Neumann
Description from Woodbrass
Multi-faceted versatility, no-compromise sound and innovative operation: With five directional characteristics and a novel operating concept, this standard-setting large-diaphragm microphone provides sound without any coloration. Featuring equally impressive level stability and low self-noise, it captures everything from the softest whisper to thundering drums. For studio, broadcasting and demanding home recording applications. Classic proportions combined with attractive styling and fresh ideas the TLM 107 perfectly embodies the Neumann philosophy: Innovation based on tradition. Far from evoking vintage or retro nostalgia, the standard-setting TLM 107 represents an impressive, modern studio microphone. Its extensive performance spectrum and high-precision reproduction, very close to the original, make the TLM 107 universally applicable, opening up previously unknown design freedom possibilities in mixing and post-production. Neumann Engineering The newly developed sound transducer, inspired by one of Neumann s top-of-the-line microphones, the D-01, is impressive with its outstanding impulse fidelity. The great consistency of the five polar patterns, omnidirectional, cardioid and figure-8, with the intermediate patterns wide-angle cardioid and hypercardioid, is also unusual for a large-diaphragm capsule. The TLM 107 provides optimal sound not only for the cardioid setting; it also ensures maximum precision over the entire frequency range for all of the other directional characteristics. The sound always remains balanced, with an almost linear reproduction up to 8 kHz, and a slight boost in the highest frequencies that lends presence and freshness to the voice. Here particular attention has been paid to the natural reproduction of speech sounds, especially the critical s sound. The grille is acoustically optimized for low sensitivity to pop sounds. In addition, the sound transducer is edge-terminated, with both diaphragms at ground voltage. Specifically, this ensures considerably reduced sensitivity to dust and humidity. No-Compromise Sound Design Transformerless circuitry permits a high degree of linearity and a large dynamic range. The self-noise of only 10 dB-A is practically inaudible, while at the same time, the TLM 107 features high level stability. The maximum sound pressure level of 141 dB SPL can be increased to 153 dB SPL via pre-attenuation (Pad). This enables the TLM 107 to transmit the sound of even the loudest instruments without distortion. The Low Cut settings of Linear, 40 Hz, and 100 Hz are precisely adapted to practical recording situations. Without side effects, the 40 Hz setting cuts interference noise below the range of fundamental tones (where 41 Hz is the frequency of the double bass open E string), while the 100 Hz setting is optimized for speech and vocals (where 100 Hz corresponds to the lowest notes of a baritone). Innovative Operating Concept For the first time, all of the microphone switch functions are controlled intuitively via a navigation switch. A visual highlight is the illuminated pattern display in the chrome ring, while the Pad and Low Cut status is displayed by LEDs to the left and right of the switch. In order not to distract singers, the switch and display are located on the back of the microphone. After 15 seconds, the displays are turned off automatically. Delivery Package The TLM 107 is available in the colors Black. A stand mount (SG 2) is included. Acoustical operating principle Pressure gradient transducer Directional pattern Omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 Frequency range 20 Hz ... 20 kHz Sensitivity at 1 kHz into 1 kohm 11 mV/Pa Rated impedance 50 ohms Rated load impedance 1 kohms Equivalent noise level, CCIR1) 22 dB Equivalent noise level, A-weighted1) 10 dB-A Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) 72 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) 88 dB Maximum SPL for THD 0.5%2) 141 dB with preattenuation -6 dB 147 dB with preattenuation -12 dB 153 dB Max. output voltage for THD > 0.5 % 10 dBu Power Supply (IEC 61938) P48 Current consumption 3.2 mA Required connector XLR 3 F Weight 445 g Diameter 64 mm Length 145 mm OPTIONS : Suspension élastique : EA4 (nickel : 008641, Black : 008642) Pince de fixation (fournie) : SG 2 (008636) Alimentation fantôme sur pile : BS 48i (006494) Alimentation fantôme double sur pile : BS 48i-2 (006496) Alimentation fantôme double : N 248 (008537
1259.00€
Ships in : delivery in 14-30 days

Content :

Microphone à large diaphragme avec 5 directivités (omni, cardioïde large, cardioïde, hypercardioïde, bi-directionnelle)
Bouton de navigation avec affichage lumineux à LED pour le diagramme polaire, pré-atténuateur et filtre coupe-bas
Caractéristiques sonores : reproduction transparente et naturelle de la voix, réponse transitoire exceptionnelle
Son équilibré sur les 5 réglages de directivité

Applications conseillées
Chant et parole avec gestion optimisée des sifflantes
Microphone principal en enregistrements d'orchestre ou microphone d appoint particulièrement conseillé pour les cordes, les bois et les cuivres
Enregistrement de niveaux de pression acoustique (SPL) extrêmes (batterie et percussions, ampli de guitare, etc.)
Broadcast (fictions radio, post-synchronisation), production de bande-son pour le cinéma et les jeux, studios d'enregistrement professionnels, home studio"

OPTIONS :
Suspension élastique : EA4 (nickel : 008641, Black : 008642)
Pince de fixation (fournie) : SG 2 (008636)
Alimentation fantôme sur pile : BS 48i (006494)
Alimentation fantôme double sur pile : BS 48i-2 (006496)
Alimentation fantôme double : N 248 (008537)"
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