Wolfgang Amadeus Mozart : Serenade in C minor for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons

Some of Mozart's most enduring and popular music was composed for relatively minor occasions ? parties weddings and more ? including these multi-movement instrumental pieces. 'Eine kleine Nachtmusik ' K.525 'Posthorn' Serenade K.320 Serenade in E-flat Major K.375 Serenade in B-flat K.361/370a Serenade in D Major K.203/189b and more. Reprint of selections from Series 9 10 and 13 from Wolfgang Amadeus Mozart's Werke Breitkopf

Certains de la musique la plus durable et populaire de Mozart a été composée pour des occasions relativement mineurs - fêtes, mariages, et bien plus encore - y compris ces mouvements multi-pièces instrumentales. 'Eine kleine Nachtmusik', K.525, 'Posthorn' Serenade, K.320, la Sérénade en mi bémol majeur, K.375, la Sérénade en si bémol, K.361/370a, Sérénade en ré majeur, K.203 / 189 B, et plus encore.Réimpression de sélections de la série 9, 10, et 13 de Wolfgang Amadeus Mozart, Werke, Breitkopf and Härtel, Leipzig, 1880-1881. / Orchestre

E-Z Play Today Volume 180-Wolfgang Amadeus Mozart's musical genius is adapted here in 20 classical favorites presented in our patented E-Z Play® Today notation. Includes: 'Ave Verum Corpus' 'Eine Kleine Nachtmusik' 'German Dance in C Major' 'Minuet' 'Piano Concerto No. 21 in C Major' 'Symphony No. 40 in G Minor' 'Turkish Rondo' and more.

By Wolfgang Amadeus Mozart. Edited by Otto Von Irmer; Karl Marguerre. For Instrument. Score; Set of Parts. KV 439b/1. Published by Baerenreiter-Ausgaben (German import). (BA1437)

Leichte Bearbeitungen für Klavier - Die Komponistenserie für Kinder-Little Amadeus & Friends - die Komponistenserie für Kinder - stellt berühmte Komponisten und deren Werke vor.Dieses Spielheft ist dem großartigen Wunderkind und Musikgenie der Wiener Klassik - Wolfgang Amadeus Mozart (1756-1791) - gewidmet. Er tritt hier selbst auf und erzählt in einer spannenden Geschichte aus seinem Leben.Daran anschließend folgen zwanzig seiner beliebtesten Werke in leichten Bearbeitungen für Klavier. Und wiederum ist es der Komponist der hier viele interessante Tipps und Informationen zu seinen Kompositionen beisteuert. Am Schluss gibt es noch ein Mozart-Quiz in dem das erlernte Wissen lustig abgefragt wird. Auf derbeiliegenden CD sind alle Musikbeispiele im Original zu hören. Mit vielen Bilder zum Ausmalen.Aus dem Inhalt:Mozart - Mein LebenKlaviermusikMenuett G-Dur KV 1 e+f (Trio)Menuett F-Dur KV 2 Ah vous dirai-je maman KV 265 Thema Alla turca aus der Klaviersonate A-Dur KV 331 3. SatzKlaviersonate C-Dur KV 545 (1.-3. Satz )Konzerte Klavierkonzert Nr. 21 C-Dur KV 467 2. SatzViolinkonzert G-Dur KV 216 3. SatzKlarinettenkonzert A-Dur KV 622 2. SatzOrchesterwerke Eine kleine Nachtmusik Serenade Nr. 13 G-Dur KV 525 (1.-4. Satz)Sinfonien Sinfonie Nr. 40 g-Moll KV 550 1. SatzKammermusik & Lieder Klarinetten-Quintett A-Dur KV 581 4. Satz Sehnsucht nach dem Frühling KV 596Opern & Singspiele Nun vergiss leises Flehn süßes Kosen (Die Hochzeit des Figaro KV 492) Der Vogelfänger bin ich ja (Die Zauberflöte KV 620)Kirchenmusik Lacrimosa aus dem Requiem d-Moll KV 626Mozart-Quiz

La Sérénade ' petite musique de nuit ' en sol majeur est une des oeuvres les plus célèbres et populaires de Wolfgang Amadeus Mozart et une oeuvres de musique ' classique ' du tout. Tout sur le ' kleine Nachtmusik ' semble simple, divertissant u / 2 Violons, Alto, Violoncelle Et Contrebasse/2 Cors, 2 Hautbois, 2 Clarinettes En Sib Et 2 Bassons

Eine Kleine Nachtmusik the Serenade in G K.525 by Wolfgang Amadeus Mozart is presented here in an easy piano arrangment. About as popular and frequently performed as any piece of chamber music it is a must-have for the beginning piano player.

Par MOZART WOLFGANG AMADEUS. Mozart composed his two “Lodron Serenades” for open-air performances on the name day of Countess Antonia Lodron in June 1776 and 1777. Their bright “al fresco” character is immediately recognisable. Alfred Einstein considered these two divertimentos to be “among the purest, gayest, most satisfying, and most perfect that ever assumed musical form”. For both works Mozart chose an ensemble of two horns, two violins, viola and bass instruments. However, the second Lodron Serenade, the Divertimento in B-flat major K. 287, stands out from this sextet format by assigning a remarkably virtuosic solo role to the first violin, from the richly diverse opening movement to the finale with its almost ironic recitative and an exhilarating passage on the folk song “D’Bäurin hat d’Katz verlorn”. Mozart himself played first violin in the 1777 performance. Later he wrote, “They all opened their eyes! I played as though I were the finest fiddler in all Europe”./ Répertoire / 2 Cors, 2 Violons, Alto et Contrebasse

Par MOZART WOLFGANG AMADEUS / ROSSINI GIOACCHINO. / Répertoire / Flûte à Bec Soprano

Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin andthe organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. / Mottet / Répertoire / Choeur SATB, 2 Cors, Violon Solo, 2 Violons, Alto,

Motette. Par MOZART WOLFGANG AMADEUS. Motet of an unknown arranger [ca. 1820], based on th Adagio of the Serenade KV 361 [Gran Partita]. The motet Quis te comprehendat, K-Anhang 110, is based on the Adagio in Mozart’s Wind Serenade K. 361, the “Gran Partita. ” The arrangement of this instrumental movement with the addition of a four-part choir deserves to be regarded as a successful example of the practice of parody, on a higher level than many less accomplished arrangements of the period. As in most of those cases the identity of the arranger is unknown, but his sensitive treatment of the original points to a gifted musician. Characteristic accompanying figures are given to the strings, while the solo violin andthe organ appear melodically. The homophonic choral setting, whose Latin words are a religious song of praise with no specific liturgical connection, is based on the works harmonic substance. The vocal parts follow the framework and compactly fill out the accompanying instrumental writing. / Mottet / Répertoire / Choeur SATB, 2 Cors, Violon Solo, 2 Violons, Alto,