Format : Vocal Score
SKU: HL.14005417
ISBN 9780711995505. UPC: 884088440169. 9x12 inches.
The Fall of Lucifer was commissioned for the Silver Jubilee of the Tilford Bach Festival with funds provided by the Arts Council of Great Britain. The first performance was given on 13 May 1977. This work is a setting of the first play of the Chester Mystery Cycle, a cycle of 25 plays dating from the late 14th century. Arranged for Solo Bass (Baritone), Countertenor, Tenor and mixed voice choir SATB. Includes piano accompanimnet. Duration 26 minutes.
SKU: CA.5199050
ISBN 9790007188481. Language: German/English. Text: van Swieten, Gottfried.
With this arrangement it is possible to present the work in a performance space of limited size. Haydn's original orchestration is filled with vivid tone painting and this reduced version represents Haydn's score using accurate colors for the obligato melodies and appropriate instrumental voices for the colla parte passages. It follows the format and content of the critical edition by Carus (ed. W. Gersthofer) and may be used together with the other materials from Carus 51.990 (choral and vocal scores, string parts). Modern performances of Creation use sometimes 50-60 players. It is hoped that the present reduction will make this beautiful work available to smaller groups, smaller performance venues, and groups with smaller budgets. Score available separately - see item CA.5199000.
SKU: CA.5199002
ISBN M-007-24967-0. German/English. Text: von Swieten, Gottfried.
The primary source on which the new Carus Urtext edition is based is the first edition of the score from 1800. Contrary to normal custom, Haydn published the score himself in order to avoid unauthorized publications and to present an optimally designed edition from an authentic hand. With this original document, which has been compared with additional relevant sources, Carus now offers a musical text based on the latest musicological findings. The critical report provides all of the important data concerning the edition in a compact form suitable for practical use [practical performance]. A detailed foreword offers insight into the genesis of the work, its construction and reception and illuminates compositional and theological and spiritual-historical aspects. In addition to the score, with singing texts in two languages (G. van Swieten's original German and English text), in the interest of legibility, vocal and choral scores will be offered in two separate editions (German or English). This work is now available in carus music, the choir app. Score available separately - see item CA.5199000.
SKU: TM.07214SC
Transposed: Cl 1+2, Hn 1+2, Tpt 1+2, Tbn 1+2. Chorus in English or German; English is handwritten only. Chorus sold as individual Soprano, Alto, Tenor, or Bass parts; Chorus does not contain all voices together. Not scored for cem. Vocal Score I ed. by Vincent Novello = English Only. Vocal Score II = German or English. Clothbound score.
SKU: TM.07214SET
SKU: HL.49003227
ISBN 9790220117572. UPC: 073999772593. 8.25x11.75x0.154 inches. Latin.
4 Men's Voices (ATTBar), 2 Violas, Violoncello and Double-Bass (ad lib.).
SKU: HL.14021023
ISBN 9780711969292. UPC: 884088439910. 9.0x12.0x0.375 inches.
A substantial work for four soli, SATB chorus and orchestra, using text from the translation of Stephen Mitchell's The Book Of Job. Like Vaughan Williams in his Job: A Masque for Dancing, Davies was inspired in part by William Blake's 21 engravings for the Book of Job. His oratorio, however, is less dependent on find parallels for Blake's visual details, given the direct poetry in David Lemon's adaptation of the Stephen Mitchell translation from the biblical original, it is hardly surprising that the spotlight should be so much on Job's suffering litany. The baritone has the lion's share of the setting, though the other soloists occasionally reinforce his plea and chorale-like episodes universalize his predicament. Davies frames with work with two seminal plainsong-like passages; there is also plenty of dramatic contrast both within Job's monologues and in the vivid orchestral writing for the smarmy Comforters, the initially shrill God who finally appears out of a dazzling orchestral whirlwind and the animal life he uses to illustrate the wonders of creation to a humbled Job. Commissioned by the University of British Colombia, it was first performed in May 1997 by Valdine Anderson (soprano), Linda Maguire (mezzo soprano), Paul Moore (tenor) and Kevin McMillan (baritone) with the Vancouver Bach Choir and the CBC Vancouver Orchestra, conducted by the composer. Vocal score with piano reduction of the orchestral score. Duration c. 70mins.
SKU: OU.9780193416307
ISBN 9780193416307.
For SATB, optional congregation, and organ Setting words by the medieval monk Notker Balbulus in a translation by J.M. Neale, Rutter creates an uplifting song of praise. Gentle organ arpeggios are set skilfully against carefully wrought choral lines, leading to a dramatic finale. Creation's Alleluia is suitable for any worship service.
SKU: OU.9780193512191
ISBN 9780193512191. 10 x 7 inches.
For SATB double choir unaccompanied This optimistic and affirmatory anthem sets a useful service text of general thanksgiving from the Book of Common Prayer. Chilcott makes full use of the imitation and antiphonal effects that these forces enable, while keeping the vocal lines well within the capabilities of most choirs.
SKU: BA.BA10051-51
ISBN 9790006543113. 32.5 x 25.5 cm inches. Language: German/English. Preface: Matthias Wendt.
The solo cantataJauchzet Gott in allen Landen, written around 1730 for the 15th Sunday after Trinity, is one of Bach's best-known cantatas. The scoring for solo soprano, trumpet, strings and continuo is unique amongst Bach's cantatas and has parallels with Italian composers of the period. The enduring popularity of the work is due to the clear and succinct formal structure and not least to the virtuoso trumpet part and soprano arias, in which the soloists can demonstrate their total mastery. The cantata is published in a vocal score based on theNew Bach Editionwith an idiomatic straightforward piano reduction by Martin Focke. - Famous work with a festive instrumental sound - Urtext based on theNew Bach Edition - Clear straightforward piano reduction
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
