Creation

Mass of Creation - Vocal Edition. (SATB Vocal Edition). By Marty Haugen. For SATB Choir and Keyboard accompaniment. Mass. Sacred. Choral parts only. Text language: English. 20 pages. Published by GIA Publications

Choral (SATB)

SKU: HL.35032437

Composed by Joel Raney. Shawnee Sacred. General Worship, Sacred. Octavo. Duration 295 seconds. Published by Shawnee Press (HL.35032437).

UPC: 888680862305. 6.75x10.5x0.026 inches. Julie I. Myers/Joel Raney. Isaiah 40:26, Psalm 19:1, Romans 1:20.

Here is an anthem with fresh perspective and innovative musical elements. Unfolding slowly, this impressionistic tone poem marries text and music with great care and elegance. The lyric comparison of creation to a sanctuary is unique but, when joined with the composer's palette of compositional colors, the result is an anthem of great scope and beauty. Praiseworthy!

SKU: HL.48181899

Composed by Pierre Gabaye. Leduc. Classical. Alphonse Leduc #AL21908. Published by Alphonse Leduc (HL.48181899).

UPC: 888680954697. 9.0x12.0x0.165 inches.

Recreation (1958) by Pierre Gabaye is a piece for Brass Quartet including a Piano: Trumpet, Horn, Trombone and Piano. Ideal for concert and recitals, this very melodious and light-hearted work lasts 12?30 minutes. The Piano part is as difficult as the Brasses, which are also really harmonious together. It is divided into three movements: I. Allegretto II. Largo III. Presto Pierre Gabaye (1930-2000) was a French musician who composed both Classical and Jazz music and won the Prix de Rome in 1956..

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

Violin 1 (solos: STB - choir: SATB - 3.2.2.2.dble bsn - 2.2.3.0. - timp - str - bc)

SKU: BR.OB-4381-15

Oratorio. Composed by Franz Joseph Haydn. Stapled. Orchester-Bibliothek (Orchestral Library).

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic spher. Oratorio/passion; Classical. Part. 32 pages. Duration 120'. Breitkopf and Haertel #OB 4381-15. Published by Breitkopf and Haertel (BR.OB-4381-15).

ISBN 9790004306802. 10 x 12.5 inches.

Following sensationally acclaimed premiere performances in Vienna, The Creation was published in several languages and by various publishing houses, including Breitkopf & Hartel in Leipzig. We now know that a continuo instrument was used for Haydn's oratorio as premiered in Vienna. The supplementary continuo part enables an historically accurate reproduction for the first time: the harpsichord (and, increasingly, the pianoforte) fulfilled the important continuo function in the orchestras of the time.

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic sphere.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705305

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Sacred vocal music, Masses, Latin. Choral Score. Duration 35 minutes. Carus Verlag #CV 27.053/05. Published by Carus Verlag (CA.2705305).

ISBN 9790007113520. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score available separately - see item CA.2705300.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705319

Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. German title: Schopfungsmesse. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 35 minutes. Carus Verlag #CV 27.053/19. Published by Carus Verlag (CA.2705319).

ISBN 9790007133887. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and parts available separately - see item CA.2705300.

Chorus (with soloists) and orchestra (solos: STB - choir: SATB - 3.2.2.2.dble bsn - 2.2.3.0. - timp - str - bc)

SKU: BR.PB-4381

Oratorio. Composed by Franz Joseph Haydn. Edited by Eusebius Mandyczewski. Choir; Softbound. Partitur-Bibliothek (Score Library).

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic spher. Oratorio/passion; Classical. Full score. 232 pages. Duration 120'. Breitkopf and Haertel #PB 4381. Published by Breitkopf and Haertel (BR.PB-4381).

ISBN 9790004203002. 9 x 12 inches.

Following sensationally acclaimed premiere performances in Vienna, The Creation was published in several languages and by various publishing houses, including Breitkopf & Hartel in Leipzig. We now know that a continuo instrument was used for Haydn's oratorio as premiered in Vienna. The supplementary continuo part enables an historically accurate reproduction for the first time: the harpsichord (and, increasingly, the pianoforte) fulfilled the important continuo function in the orchestras of the time.

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic sphere.

Double bass (solos: STB - choir: SATB - 3.2.2.2.dble bsn - 2.2.3.0. - timp - str - bc)

SKU: BR.OB-4381-27

Oratorio. Composed by Franz Joseph Haydn. Stapled. Orchester-Bibliothek (Orchestral Library).

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic spher. Oratorio/passion; Classical. Part. 28 pages. Duration 120'. Breitkopf and Haertel #OB 4381-27. Published by Breitkopf and Haertel (BR.OB-4381-27).

ISBN 9790004306840. 10 x 12.5 inches.

Following sensationally acclaimed premiere performances in Vienna, The Creation was published in several languages and by various publishing houses, including Breitkopf & Hartel in Leipzig. We now know that a continuo instrument was used for Haydn's oratorio as premiered in Vienna. The supplementary continuo part enables an historically accurate reproduction for the first time: the harpsichord (and, increasingly, the pianoforte) fulfilled the important continuo function in the orchestras of the time.

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic sphere.

SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo

SKU: CA.2705313

Schopfungsmesse. Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Luigi Gatti. Sacred music from Salzburg. Viola. Sacred vocal music, Masses, Latin. Single Part, Viola. 16 pages. Duration 35 minutes. Carus Verlag #CV 27.053/13. Published by Carus Verlag (CA.2705313).

ISBN 9790007199586. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

Woodwinds (solos: STB - choir: SATB - 3.2.2.2.dble bsn - 2.2.3.0. - timp - str - bc)

SKU: BR.OB-4381-30

Oratorio. Composed by Franz Joseph Haydn. Folder. Orchester-Bibliothek (Orchestral Library).

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic spher. Oratorio/passion; Classical. Set of parts. 174 pages. Duration 120'. Breitkopf and Haertel #OB 4381-30. Published by Breitkopf and Haertel (BR.OB-4381-30).

ISBN 9790004306857. 9 x 12 inches.

Following sensationally acclaimed premiere performances in Vienna, The Creation was published in several languages and by various publishing houses, including Breitkopf & Hartel in Leipzig. We now know that a continuo instrument was used for Haydn's oratorio as premiered in Vienna. The supplementary continuo part enables an historically accurate reproduction for the first time: the harpsichord (and, increasingly, the pianoforte) fulfilled the important continuo function in the orchestras of the time.

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic sphere.

Violin 2 (solos: STB - choir: SATB - 3.2.2.2.dble bsn - 2.2.3.0. - timp - str - bc)

SKU: BR.OB-4381-16

Oratorio. Composed by Franz Joseph Haydn. Stapled. Orchester-Bibliothek (Orchestral Library).

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic spher. Oratorio/passion; Classical. Part. 32 pages. Duration 120'. Breitkopf and Haertel #OB 4381-16. Published by Breitkopf and Haertel (BR.OB-4381-16).

ISBN 9790004306819. 10 x 12.5 inches.

Following sensationally acclaimed premiere performances in Vienna, The Creation was published in several languages and by various publishing houses, including Breitkopf & Hartel in Leipzig. We now know that a continuo instrument was used for Haydn's oratorio as premiered in Vienna. The supplementary continuo part enables an historically accurate reproduction for the first time: the harpsichord (and, increasingly, the pianoforte) fulfilled the important continuo function in the orchestras of the time.

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic sphere.

Choral (SATB Choir)

SKU: HL.35026093

Composed by Mark Patterson and Trilby Jordan. Shawnee Sacred. General Worship, Thanksgiving. Octavo. 12 pages. Shawnee Press #A7926. Published by Shawnee Press (HL.35026093).

UPC: 747510067917. 6.75x10.5 inches. Trilby Jordan/Mark Patterson.

As the title suggests, the text of this dynamic choral explores the awesome wonder of God's creation. Energy and excitement drive this rhythmic musical description of the beauty and magnificence of our world. “The Wonder of Creation” is a joyful song of praise for Thanksgiving or anytime.

Grade 4

SKU: CL.RWS-2021-00

Composed by Newton. Concert Band. RWS Symphony Band Series. Score and set of parts. Composed 2020. Duration 4 minutes, 38 seconds. RWS Music Company #RWS-2021-00. Published by RWS Music Company (CL.RWS-2021-00).

Depicting the creative work of American inventor Charles F. Kettering, Bryce Newton’s Spark of Creation portrays the relentlessly inventive nature of Kettering’s mind. After a bold and driving introduction, the piece gives way to a lush chorale, symbolic of the success and extreme merit of Kettering’s contributions to our modern society. Spark of Creation merges history, music and the curiosity of the human mind into a setting that your students and audiences will thoroughly enjoy. An outstanding selection for festivals and contests!

Arranged by Hal H. Hopson. (SATB). Scripture References: Genesis 1:1 -- Psalm 19:1-6. Creation, General Worship, God's Attributes/Character, Classics and Sacred. Print Music Single (SATB). 12 pages. Published by Hope Publishing Company.