SKU: HL.48184087
Telemann Suite En A Minor Cello & Double Bass Part.
SKU: FH.VC3
ISBN 978-1-55440-539-8.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Baroque and Classical Repertoire:Trio Sonata in D Minor (La Follia), RV 63 - Vivaldi, Antonio arr. arpad PejtsikSonata in F Major, TWV 41:F2 - Telemann, Georg Philipp arr. Kathleen Wood- First MovementSonata in D Major, HWV 371 - Handel, George Frideric- Third MovementSuite No. 3 - Caix d'Hervelois, Louis de arr. L.-R. Feuillard- Eleventh Movement: Musette (La Brantes)Ave Verum Corpus (Hail, True Body), K 618 - Mozart, Wolfgang Amadeus arr. Jason GrayConcertino No. 5 in D Major - Breval, Jean-Baptiste arr. Pierre Ruyssen- First MovementTraditional and Romantic Repertoire:Norweigian Dance, op. 35, no. 2 - Grieg, Edvard arr. Christine DonkinPrelude in B Minor, op. 28, no. 6 - Chopin, Frederic arr. Jason NobleEl cant dels ocells (Song of the Birds) - Catalan Christmas carol arr. Jason GrayOn Wings of Song, op. 34, no. 2 - Mendelssohn, FelixL'elephant (The Elephant) - Saint-Saens, CamilleStandchen (Serenade), D 957, no. 4 - Schubert, FranzRepertoire Composed After ca 1930My Blue 'Cello - Gout, AlanRondo - Matz, RudolfJust Passing By - Wedgwood, PamFuego Espanol! (Spanish Fire!) - Birston, HaroldMinuet, op. 19, no. 3 - Squire, William HenryLangsam (Slowly) - Hindemith, Paul.
SKU: FL.FX073874
Instruments:String Quartet: 2 Violins 1 Alto 1 Cello; Difficuly Level: Grade 3.
SKU: CA.3979412
ISBN 9790007216412. Key: B minor. Language: all languages.
Score and part available separately - see item CA.3979400.
SKU: HL.50488608
UPC: 073999886085. 8.25x11.75x0.215 inches.
Contents: Theme from Concerto, Op. 10, No. 4 (Vivaldi) * Theme from Divertimento No. 5 (Bononcini) * Theme from Essercizi Musici (Telemann) * Theme from Flute Sonata in B Flat (Marcello) * Theme from Flute Sonata in G (Locatelli) * Theme from Flute Sonata in G (Marcello) * Theme from Flute Sonata in F (Handel) * Theme from Flute Sonata in G (Platti) * Theme from Recorder Sonata in F (Telemann) * Theme from Sonata, Op. 4, No. 9 (Loeillet) * Themes from Concerto, Op. 10, No. 5 (Vivaldi) * Themes from Divertimento No. 2 in D (Bononcini) * Themes from Flute Sonata in G (Handel) * Themes from Flute Sonata in C (Bach) * Themes from Flute Suite in B Minor (Bach) * Themes from Sonata, Op. 1, No. 2 (Loeillet) * Themes from Sonata, Op. 27 (Boismortier).
SKU: CA.3979413
ISBN 9790007216429. Key: B minor. Language: all languages.
SKU: CA.3979414
ISBN 9790007216436. Key: B minor. Language: all languages.
SKU: CA.3979419
ISBN 9790007144203. Key: B minor. Language: all languages.
Score and parts available separately - see item CA.3979400.
SKU: HL.49011511
ISBN 9790200212549.
SKU: BR.EOS-882-26
ISBN 9790004785614. 8.5 x 11.5 inches.
SKU: HL.49011290
ISBN 9790001120500. UPC: 842819103561. 9.0x12.0x0.287 inches.
Georg Philipp Telemann gave more consideration to amateur musicians than any of the other great composers of this day. One of the many works he wrote specifically for amateurs is the collection presented here 'A Second Set of Seven times Seven plus One Minuet' by Melante (i.e. Telemann). These are extremely attractive, technically not too demanding pieces for domestic music making. They are also ideal for teaching with their short, clearly structured movements which introduce a comparatively wide range of key signatures (including E flat major, F minor, A major and B minor). The pieces are ideally suited to introduce young players to the musical language of the High Baroque and the technical demands (arppegiated triads, wide leaps, trills) typical for this period. The bass line may be reinforced by a cello or gamba, bassoon or bass recorder (the basso part is only available separately).
SKU: HL.49041213
ISBN 9790001120524. UPC: 841886034044. 9.0x12.0x0.075 inches.
Georg Philipp Telemann gave more consideration to amateur musicians than any of the other great composers of this day. One of the many works he wrote specifically for amateurs is the collection presented here 'A Second Set of Seven times Seven plus One Minuet' by Melante (i.e. Telemann). These are extremely attractive, technically not too demanding pieces for domestic music making. They arealso ideal for teaching with their short, clearly structured movements which introduce a comparatively wide range of key signatures (including E flat major, F minor, A major and B minor). The pieces are ideally suited to introduce young players to the musical language of the High Baroque and the technical demands (arppegiated triads, wide leaps, trills) typical for this period. The bass line may be reinforced by a cello or gamba, bassoon or bass recorder (the basso part is only available separately).
SKU: AP.36-52703203
ISBN 9781628761566. UPC: 746241213853. English.
Collected Quartets Vol. 2 is perfect for weddings, receptions, or any chamber setting. Titles include selections from Bach Orchestral Suite No. 1; Corelli Sonata de Chiesa (Op. 3 No. 2); Couperin Les Rozeaux and Allemande; Genimiani Concerto Grosso in G minor; Handel Sonata in G minor; Scarlatti Quartetto in F Major; Tartini Sonata in D Major; and Telemann Sonata in C minor. Intermediate Level.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.49010347
ISBN 9790200207552. UPC: 888680949273. 5.25x7.5x0.235 inches.
Contents: Suite for Two Oboes and Strings in B Major * Quartet for Violin, Flute, Cello and Basso Continuo in E minor * Concerto for Two Horns and Strings in E-lat Major * Trio for Two Flutes and Continuo in D Major * Solo for Oboe and Continuo in G minor.
SKU: CF.YAS13F
ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major.
IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels