Suite in h (Suite in B minor)

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition French Suites BWV 812-817 qui a été écrite pourPiano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 72. / Piano / Partition

Suites Nos. 5 6 7 and 8-The Eight Great Suites is perhaps Handel's best-known and finest collection of keyboard works. Each of the four suites included here is written in full. This edition includes an informative introduction and a textual notes section. Selections from this volume are featured in the ABRSM Grade 7 Harpsichord and Grade 8 Piano syllabi.

The Suite #2 In B Minor is one of Bach's best known works. Close attention has been given here to authenticity and detailed performance notes are included. The accompaniment has been arranged specifically for piano rather than simply as an orchestral reduction, without sacrificing any essential elements. Edited by Trevor Wye, piano arrangement by Robert Scott. / Flûte Traversière

Rooted in the Norwegian Folk tradition the piano music of Edvard Grieg offers spirited rhythms novel harmonies and a refined lyrical sense. Included in this volume are the perennial favorites Peer Gynt Suites Nos. 1 and 2 in Grieg's own piano arrangement and the Holberg Suite as well as a rich selection of other pieces.Reproduced from authoritative editions published by C.F. Peters.

für Altblockflöte oder Querflöte (Oboe Violine) und Basso continuo-The playing score and parts for Jacques Hotterre's Suite In E Minor Op. No.2 for Treble Recorder (or Flute Violin or Oboe) and Basso Continuo edited by Hugo Ruf. Edition no.: HM 198.

J. S. Bach's French Overture In B Minor BWV 831 was published along with the Italian Concerto as the second half of the Clavier-Übung II in 1735. This suite in B minor was originally scored fortwo-manual Harpsichord and is the longest Keyboard suite ever composed by Bach with eleven movements.An earlier version of this work exists in the key of C minor (BWV 831a); the work was transposed into B minorto complete the cycle of tonalities in Parts One and Two of the Clavier-Übung.The term overture refers to the fact that this suite starts with an overture movement replacing the allemande found in Bach's otherKeyboard suites. There are optional dance movements both before and after the Sarabande and another unusual aspect of this work is the inclusion of an extra movement after the Gigue. This is an 'echo' a piece meant to exploit theterraced loud and soft dynamics of the two-manual Harpsichord. Other movements also have dynamic indications (piano and forte) which are not often found in Keyboard suites of the Baroque period.This Henle Urtext Editiondoes not include fingering.

J.S. Bach’s four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suitesnow presents the Urtext as found in the “New Bach Edition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. Urtext editions of these important works. Newly engraved parts and fully realized continuo. For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included. Full scores study scores & performance material available for sale

Near-complete collection of this great English composerâ??s keyboard compositions including the eight suites the core of his keyboard works. Also included are many miscellaneous one-movement pieces: airs trumpet tunes (for harpsichord solo) grounds preludes dances etc. Edited with a preface by noted music scholar William Barclay Squire.

A Centenary Tribute to Holst's First Suite in Eb-En 1909 Gustav Holst composa une œuvre audacieuse et novatrice la Première Suite en Mib Majeur op. 28 n°1 (First Suite in Eb major Op. 28 No. 1) une suite exclusivement écrite pour instruments à vent. À l?occasion du centenaire de cette pièce devenue un classique du répertoire pour Orchestre d?Harmonie Jacob de Haan a composé la Memorial Suite en Ut mineur. Cette composition en quatre mouvements fait référence aux qualités stylistiques de l?œuvre de Holst tout en s?appuyant sur le langage sonore et l?écriture caractéristiques du style de Jacob de Haan. Le résultat est original.Comme Gustav Holst Jacob de Haan a choisi d?ouvrir sasuite avec une chaconne une forme de variation contrapuntique (à l?origine une danse espagnole à trois temps) dans laquelle un thème revient de façon récurrente accompagné à chaque fois par un nouveau contre-chant. Ce thème ostinato est utilisé de différentes manières tout au long des quatre mouvements assurant ainsi l?unité de l?œuvre. Le second mouvement est un scherzo. Par sa progression et son caractère il s?apparente à l?intermezzo central de la suite de Holst. Le troisième mouvement Song Without Words (Chanson sans paroles) porte le même titre que le second mouvement de la Deuxième Suite en Fa op. 28 n° 2 (Second Suite in F Op. 28 No. 1) composée par Holst en 1911. À mi-chemin de ce mouvement très expressif apparaît un solo de saxophone alto. Jacob de Haan conclut son œuvre par une Marche comme le fit jadis Gustav Holst.

Treasury of piano music by great Norwegian composer, including the perennial favorites, Peer Gynt Suites Nos. 1 and 2 and the Holberg Suite, as well as a rich selection of other pieces: Vier Stucke, Op. 1, Humoresker, Op. 6, Sonata in E Minor, Op. 7, and many others. Content : Four Pieces [Vier Stücke], Op. 1 (dedicated to E. F. Wenzel) I. Allegro con leggerezza II. Non Allegro e molto espressivo III. Mazurka IV. Allegretto con moto Poetic Tone-Pictures [Poetiske tonebilleder], Op. 3 (dedicated to Benjamin Feddersen) I. Allegro, ma non troppo II. Allegro cantabile III. Con moto IV. Andante con sentimento V. Allegro moderato VI Allegro scherzando Humoresques [Humoresker], Op. 6 (dedicated to Rikard Nordraak) I. Tempo di Valse II. Tempo di Menuetto ed energico III. Allegretto con grazia IV. Allegro alla burla Sonata in E Minor, Op. 7 (dedicated to Niels W. Gade) Allegro moderato Andante molto Alla Menuetto, ma pocco più lento Finale Concerto in A Minor, Op. 16, Arranged for Solo Piano (dedicated to Edmund Neupert) Allegro molto moderato Adagio Allegro moderato e molto marcato Four Album Leaves [Fire albumblade], Op. 28 (dedicated to Minna Petersen) I. Allegro con moto II. Allegretto espressivo III. Vivace IV. Andantino serioso Two Elegiac Melodies [Zwei elegische Melodien], Op. 34 (dedicated to Heinrich von Herzogenberg; arrangement of a work for string orchestra based on the songs Op. 33, nos. 3 and 2) I. Heart's Wounds [Herzwunden] II. Last Spring [Letzter Frühling] From Holberg's Time [Fra Holbergs tid; Holberg Suite], Op. 40 (dedicated to Erika Lie-Nissen) I. Praeludium II. Sarabande III. Gavotte IV. Air V. Rigaudon Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (I), Op. 41 I. Lullaby [Wiegenlied] II. Little Haakon [Klein Haakon] III. I Love Thee [Ich liebe dich] IV. She Is So White [Wenn einst sie lag an meiner Brust/Sie ist so weiss] V. The Princess [Die Prinzessin] VI. To Springtime [An den Lenz] Peer Gynt Suite No. 1, Op. 46 (arrangement of orchestral work) I. Morning Mood [Morgenstimmung] II. Åse's Death [Åses Tod] III. Anitra's Dance [Anitras Tanz] IV. In the Hall of the Mountain King [In der Halle des Bergkönigs] Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (II), Op. 52 I. A Mother's Grief [Mutterschmerz] II. The First Meeting [Erstes Begegnen] III. The Poet's Heart [Des Dichters Herz] IV. Solvejg's Song [Solvejgs Lied] V. Love [Liebe] VI. The Old Mother [Die alte Mutter] Two Melodies [Zwei Melodien], Op. 53 (dedicated to Franz Neruda; arrangement of a work for string orchestra based on the songs Op. 33, no. 12, and Op. 21, no I. Norwegian [Norwegisch] II. The First Meeting [Erstes Begegnen] Peer Gynt Suite No.2, Op 55 (arrangement of orchestral work) I. Ingrid's Lament [Ingrids Klage] II. Arabian Dance [Arabischer Tanz] III. Peer Gynt's Return Home [Peer Gynts Heimkehr] IV. Solvejg's Song [Solvejgs Lied] Moods [Stimmungen], Op. 73 I. Resignation II. Scherzo-Impromptu III. Night Ride [Natligtridt] IV. Folksong [Folketone] V. Study [Studie] (Hommage à Chopin) VI. Students' Serenade [Studenternes serenade] VII. The Mountaineer's Song [Lual?t] Nordraak's Funeral March [Sörgemarsch over Rikard Nordraak], WoOp. Three Piano Pieces [Drei Klavierstückel], WoOp. I. White Clouds [Hvide skyer] II. Gnomes' Tune [Tusselsl?t] III. The Dance Goes On [Dansen går]

All six of J.S. Bach's essential suites for unaccompanied Cello are arranged here for Bass Guitar in standard notation and tablature.Includes: Suite No. 1 in G Major BWV 1007 • Suite No. 2 in D Minor BWV 1008 • Suite No. 3 in C Major BWV 1009 • Suite No. 4 in Eb Major BWV 1010 • Suite No. 5 in C Minor BWV 1011 • Suite No. 6 in D Major BWV 1012.

Concerto in the Old Style Concerto in A Minor (18th century style)-Now available for the very first time the reduction for violin and piano of Ottorino Respighi’s Concerto all’antica originally composed for violin and orchestra.Composed in 1908 Respighi’s Concerto all’antica reflects one of the most characteristic artistic aspects of this composer namely his love for ancient music. This can also be seen in those of his works that adopt the toccata and concertoforms (Toccata for piano and orchestra Concerto a cinque) as well as his use of the late Renaissance/Baroque style for the three suites in his Antiche danze ed arie per liuto or in his Uccelli. We find it again in hisSuites per istrumenti ad arco (1902) and his Concerto all’antica for violin (1908) here provided.

Bach’s Suite No.2 In B Minor BWV 1067 is one of the four surviving orchestral suites or Ouvertures - that is dance suites in the French style – as he would have named them. The second suite for Flute Strings and Basso Continuo is a beautiful work comprising 8 short movements and is arranged here for Flute with Piano Accompaniment by Erich List and Johannes Weyrauch. This Urtext edition provides you with an accurate realisation of the composer’s original intentions (for the Flute part that is) and thoroughly detailed editorial markings and suggestions.Just when you thought this edition provides you with enough it alsocomes with an accompanying CD which contains a recording of the orchestral part giving the flautist the opportunity the play with a proper orchestral accompaniment. Therefore you have the choice of practicing and performing this suite with either a piano or recorded orchestral accompaniment.

Bach’s Suite No.2 In B Minor BWV 1067 is one of the four surviving orchestral suites or Ouvertures - that is dance suites in the French style – as he would have named them. The second suite for Flute Strings and Basso Continuo is a beautiful work comprising 8 short movements and is arranged here for Flute with Piano Accompaniment by Erich List and Johannes Weyrauch. This Urtext edition provides you with an accurate realisation of the composer’s original intentions (for the Flute part that is) and thoroughly detailed editorial markings and suggestions.

for Flute and Harpsichord obbligato (Piano)-The B Minor Suite has a special place among the four extant Orchestral suites by Johann Sebastian Bach (BWV 1066-1069) for two reasons: it is the only suite that calls for only one wind instrument and the only one with extensive solo passages for one instrument. Since moreover it is essentially Bach's only composition for solo Flute with Orchestra it enjoys great favour among flutists.A proper string ensemble is not always at one's disposal. Therefore an arrangement {or Flute and Obbligato Harpsichord has been prepared similar to one Bach himself might have written. The aim here has been to do nothing thatBach himself would not have done yet to refrain from doing everything of which he was capable.