Stefan Grossman: Folk Blues Fingerstyle Guitar: Guitar: Instrumental Album

In this double DVD set Stefan Grossman teaches a wide array of folk blues arrangements. You will study playing in various tunings i.e. Standard Dropped D DADGAD Open D and Open C tunings.The songs range from popular bluesand rags to old-time mountain ballads.All are taught phrase by phrase and the movements of both the left and right hands are clearly illustrated on the split screens.A detailed tab/music booklet is included as PDF files oneach DVD as well as printed format.As an extra bonus original old recordings from the 1920s and 1930s are included so that you can hear the roots from where these tunes derived.

A three volume DVD collection taught by Stefan Grossman.In this three lesson DVD series Stefan Grossman explores the world of country blues guitar. It is a fascinating and challenging study that covers blues folk and ragtimearrangements in the keys of A C D E and G. Each tune is discussed and taught phrase by phrase and played split screen so that you can clearly see what each hand is doing.You will learn about the playing styles and techniquesof legendary blues guitarists as Rev. Gary Davis Frank Stokes Blind Blake Blind Boy Fuller Mance Lipscomb Lightnin' Hopkins Mississippi John Hurt Willie Brown Robert Johnson Sam McGee Lonnie Johnson and ElizabethCotten.A detailed 56 page PDF is included with this collection.

Dans cette leçon, double DVD de plus de 4 heures d'enseignement, Ernie Hawkins enseigne une dizaine de solos Big Bill de plus grands guitaristes et les arrangements. Chaque morceau est enseigné phrase par phrase, puis utilise l'écran partagé afin que vous puissiez étudier attentivement ce que chaque main est fait.Détaillées onglet / musique livrets sont inclus sous forme de fichiers PDF sur les deux DVD. On y trouve aussi des images rares de Big Bill, ainsi que des titres bonus audio d'enregistrements Big Bill de des airs sur cette leçon.Big Bill Broonzy (26 Juin, 1903 - Août 15, 1958) était un chanteur américain de blues incroyable, compositeur et guitariste. Sa carrière a commencé dans les années 1920 quand il a joué le country blues au public la plupart du temps noirs. A travers les années 1930 et 1940 il a réussi à naviguer d'une transition dans le style d'un son plus urbain de blues populaire auprès du public blanc. Dans les années 1950 un retour à ses traditionnelles folk-blues des racines fait de lui un des figures de proue du renouveau folk américain émergent de la musique et une star internationale. Il était l'un des bluesmen premiers à en tournée en Europe et ses performances et les dossiers ont influencé guitares folk de John Renbourn, Martin Carthy, Stefan Grossman et Davey Graham au rock guitaristes comme Eric Clapton (qui a enregistré plusieurs chansons Big Bill sur son CD Unplugged) à Ron Wood des Rolling Stones qui a dit: '. aléatoire Guitare Big Bill était l'un des premiers morceaux que j'ai appris à jouer, mais même à ce jour je ne peux pas jouer tout à fait raison' / Guitare

'C'est la quatrième collaboration enregistrées entre les guitaristes acoustiques John Renbourn et Stefan Grossman, a enregistré en 1987 et produit par Jones de Led Zeppelin John Paul. Comme sur ses trois prédécesseurs, l'appel se trouve dans le contraste entre Renbourn le style folklorique traditionnelle britannique et Grossman tendances du jazz et du folk-blues. Idéalement, comme sur 'Rites of Passage' et 'Gardien de la vigne,' Renbourn se concentre sur un réseau complexe, folk-modèle basé sur ce que Grossman décore avec des embellissements bluesy. les deux ont un intérêt déjà exprimé dans l'adaptation classiques du jazz à leur approche à deux guitares, et ils le font ici sur la norme 'Round About Midnight', puis rappelle ses travaux antérieurs sur des airs par le regretté Charles Mingus avec le lugubre 'Adieu à M. Mingus. Depuis qu'ils jouent différemment, leurs lignes de guitare peuvent être identifiés et appréciés séparément, même quand ils sont entremêlement '' -. All Music Guide De nombreux guitaristes acoustiques sans doute avoir un certain degré de familiarité avec l'oeuvre de John Renbourn et Stefan Grossman, mais pour l'inconnu, voici un bref historique: Dans les années 1970 Stefan effectue régulièrement des tournées, parfois sur double-factures avec Renbourn. Le destin est intervenu lorsque, par erreur, un promoteur, il a été annoncé que ces deux légendes en le making-serait l'exécution des duos de guitare. Bien qu'ils n'avaient pas travaillé en tant que duo avant, les guitaristes ont décidé de lui donner un aller, et les graines ont été plantées pour une série d'albums en duo fantastiques. Le jeu sur cet album ainsi que sous le volcan et leur premier album éponyme, est un melting-pot fascinant de styles européens et américains de musique, et la paire atteint un son aussi élégant que c'est vaste. Bien que leurs contributions individuelles au monde de la guitare avait été lourde avant leur partenariat, ces albums en duo servent à prendre à la fois 'guitaristes jouant à de nouveaux sommets, et leurs compositions durables continuent à sonner frais aujourd'hui.' / Guitare / Partition Cd

For Fingerstyle Guitar. Par GROSSMAN STEFAN. As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation. The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry. / Date parution : 2022-01-14/ Recueil / Guitare

Ton Van Bergeyk launched his career as a musician during the late 1960s playing blues Harp and Ukulele in a duo setting, but he then switched to the acoustic Guitar and quickly learned and mastered the instrument using fingerstyle techniques. He started to transcribe and arrange classic ragtime compositions for fingerpicking Guitar and was discovered by Stefan Grossman during a tour in Holland. Stefan produced Ton's first solo album, Famous Ragtime Guitar Solos, in 1973. This contained 14 of Ton's arrangements of classic ragtime pieces and became a best seller. In 1975, Ton's second solo album, Guitar Instrumentals To Tickle Your Fingers, was released containing transcriptions and arrangements of novelty rags, early jazz and popular tunes of the 1930s and 1940s. In 1980, Ton's third solo album was released and continued his exploration of arrangements for solo fingerpicking Guitar, this time with a repertoire covering jazz, blues, contemporary pop and country and even Mexican folklore. This album was titled Lulu's Back In Town, Hot Guitar Solos. Ton also participated in several anthology projects, i.e. Novelty Guitar Instrumentals, I Got Rhythm, Masters of Ragtime Guitar, The Entertainer and How To Play Ragtime Guitar. All of Ton's albums are available as CDs as well as direct downloads from Stefan Grossman's Guitar Workshop, (www.guitarvideos.com) and include tab PDF booklets on the CDs. Ton recorded the audio lesson series Fingerstyle Jazz Guitar to teach phrase by phrase and measure by measure some of his most requested arrangements. This volume presents his renditions of Jelly Roll Morton's Kansas City Stomp and King Porter Stomp, the classic American Songbook tunes If I Had You, Moonlight Serenade / Niveau : Facile / Tablatures / Guitare Tablatures

Rev. Gary Davis is the real thing. The authentic blind-seer. He is a genius with a brightly burning spirit enormous musical intelligence technical brilliance an encyclopedic memory driving passion deep faith araunchy and gracious sense of humor. A mystic. He is an icon of the style of Guitar he was born into known today as the Piedmont blues. Through players of the first half of the twentieth century like Alfred Shultz Mose Ranger Merle Travis and Chet Atkins this is the signature American fingerpicking style that would so deeply inform the country folk blues and even rock and roll of our day.Rev. Davis (1896-1972) was born black indeep poverty in South Carolina blind from an early age. He overcame these longest of odds to become world famous a giant of American music. He brought together black and white styles country gospel folk themes blues jazz ragtime minstrel songs dance tunes and popular song. He developed his own brilliant fingerpicking style that was deep economical and adaptable enough to easily cover all these genres. Supporting all his creativity was anunshakable faith that pulled him through the obscurity the bitter hard times and crushing poverty he would endure until the folk music awakening of the fifties and sixties caught up to him.Ernie Hawkins has transcribed 13of Rev. Davis' best known blues and ragtime arrangements. Tunes such as Candyman Cocaine Blues Hesitation Blues Baby Let Me Lay It on You Spoonful and Delia are included alongside the ragtimeinstrumental tour de forces of Slow Drag (Cincinnati Flow Rag) and Make Believe Stunt (Maple Leaf Rag).The playing of Rev. Davis has influenced generations of Guitar players from Blind Boy Fullerto Dave Van Ronk Bob Dylan David Bromberg Ry Cooder Jorma Kaukonen Bob Weir Stefan Grossman and Woody Mann. His tunes have been recorded by a host of today's finest rock musicians: The Grateful Dead Hot Tuna Bob Dylan