Solo Blues Guitar

Dans cette série de leçons audio, Stefan Grossman enseigne six fingerpicking solos de guitare blues. Les trois disques compacts en vedette instruction note par note, phrase par phrase, de la musique en vedette dans le livre. En plus de l'instruction pour les arrangements de l'hommage à Lonnie Johnson (en Drop D tuning) et de la ville de Dollar qui apparaissent dans le livre, une leçon comprend deux pistes spéciales de Lonnie Johnson effectuant deux airs. Leçon deux enseigne Yazoo bassin Boogie Drop D tuning et religieux Trainfare Blues à réglage standard. Leçon trois présente Blues pour la Mann et Jump du citron, hommages aux deux hommes de grand blues. Tous dans la notation et tablature. / Guitare (Fingerpick) / 32 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Par SOKOLOW FRED. A must for any contemporary blues guitarists. Contains 12 great 'down home' blues solos, each inspired by an original blues guitar giant like Blind Lemon Jefferson on Robert Johnson. Each solo contain comments about the styles and trademark lick of the blues legends. In notation and tablature. Audio available online. / Niveau : Débutant à Intermédiaire / Blues - Solos / Tablatures / Guitare Tablatures

The Art Of Blues Guitar Improvising. Par BARRETT DAVID. Blues Guitar Method Level 2, within the School of the Blues Lesson Series®, is about learning the art of improvising. Areas covered are: Tools for Improvising (Scales and Arpeggios) - Soloing Concepts (Question and Answer Phrasing and Chord Tone Approach Construction) - Pickups, Intros, Turnarounds and Endings - and Bar Solo and Analysis. This is an essential study for all players of the blues. This series is designed for students of other instruments to play together. If you have friends that play harmonica, keyboard, bass or drums, tell them about this series so that you can play together. This book is accompanied by a CD recording of all examples (played by author John Garcia) along with the background music. For all skill level players. Book is in standard notation and TAB. / Niveau : Tous Niveaux / Blues - Methods / Méthode / Guitare

Par SILVERMAN JERRY. This is a great resource for the guitarist interested in blues. Jerry Silverman has picked out 31 all time favorite blues classics. Each songs is presented in two ways: First with the melody line, lyrics and chords and with a written fingerpicking accompaniment part - secondly as a fingerpicking blues guitar solo in notation and tablature. / Niveau : Débutant à Intermédiaire / Blues - Songbooks / Tablatures / Guitare Tablatures

Par BECK JOE. Guitar legend Joe Beck lays out his concepts for solo jazz guitar in this educational and performance DVD. Using the tunes Ghost of a Chance, Come Rain or Come Shine, I Got Rhythm, Video Blues and East of the Sun. Joe demonstrates these concepts: Harmonizing melodies Voice leading Contrary Motion Chord Substitutions Cadences Pedal Tones and more A candid interview also sheds light on some of Joe Beck's musical and professional philosophies. This DVD provides an opportunity for guitarists to learn the tricks of the trade from someone who has done it all. / Niveau : Débutant à Intermédiaire / Jazz - Improvisation / Accessoire / Guitare

Par WOODY MANN. Chefs-d'oeuvre de la guitare Blues de pays de jouer à des Blind Blake, Bo Carter, Scrapper Blackwell, le Révérend Gary Davis, Blind Boy Fuller, Tommy Johnson, Big Bill Broonzy et Josh White. Enseigné par Woody Mann. Cette série de leçons présente de la musique d'une grande variété de grands du blues et est une excellente série de vous familiariser avec des techniques et des styles de blues de pays différents. Pour les étudiants intermédiaires à avancé. livre de tab/musique de 32 pages. / Niveau : Intermédiaire / Blues - Solos / Recueil / Guitare

Bien qu'initialement considéré comme un instrument de rythme, la guitare a développé une voix solo tous ses propres au monde de Bluegrass - une voix qui est révélé par Scott Nygaard dans ce didacticiel de DVD. Tunes et solos traditionnellement exécutées sur le violon ont été adaptés par une génération de guitaristes comme base pour leurs propres solos dans le son de la musique Bluegrass. Le style est un mélange organique des airs de violon, banjo techniques tels que crosspicking et le Blues. Dans ce DVD, célèbre guitariste Scott Nygaard guides vous par le biais du violon Old-Time tune Little Billy Wilson, un arrangement de cueillette à la Croix de Home Sweet Home, un solo mélodique sur la chanson de blues Trouble dans l'esprit et vous montre comment combiner ces influences lors de la création d'un solo sur une musique bluegrass tune comme East Virginia Blues. Techniques Crosspick, violon et blues sont rigoureusement examinées et expliqués, vous donner la meilleure base possible pour développer votre propre Bluegrass solo sonore. / Guitare

The composer says: For years, my fellow guitarists have been asking me to compose a solo classical guitar piece that reflects that most American of musical styles?the blues. Their prodding was the motivation for Periwinkle Memories; the inspiration for the piece, however, really came from a maestro of extraordinary skill, and a teacher of even more extraordinary patience, Elias Barreiro, my guitar teacher at the University of New Orleans. I have always tried to emulate in my performances the beauty of his interpretations, and to fuse in my compositions the power and emotion of the blues. The name, Periwinkle Memories was a serendipity. I was struck by the light purplish-blue hue of the periwinkle, and soon learned the history of the funnel-shaped flower (Vinca minor.) Though it now grows wild in parts of the United States it is native to Australia, some consider it an invasive weed, most admire its extraordinary beauty. Common herbicides won?t kill it. The periwinkle is too vigorous and hardy for that. And now it is not merely a begrudged part of the American landscape, it is a vibrant part of the American landscape, elegant, stubborn, and nearly native. Like the blues. And like that young recalcitrant student Maestro Barreiro worked so hard to mold so many years ago. Ogden Nash said, ?One man?s remorse is another man?s reminiscence.? Periwinkle Memories is a celebration of Maestro Barreiro, and of both facets of that adage in me. Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bes

A partir de ground zero, Fred Sokolow vous apprend comment accompagner vous-même tout en chantant le blues. Vous apprendrez à jouer des mélodies et solo dans plusieurs clés, tout au long du cou. Ce livre aidera à construire la Fondation pour votre compréhension des techniques de la guitare blues et des styles pour guitare électrique et acoustique. Aborde la forme simple blues E, G et C, élargissant progressivement sur des concepts. Comprend les simple première position blues échelles nécessaires pour isolation (fingerpicking et flatpicking) dans les clés de E, G et les chansons de c. et les solos sont présentés dans la notation standard et tablature avec des paroles. Comprend 3 CD / Guitare (Fingerpick) / 48 pages / niveau : Débutant / Partition/3-Cd Set - Format: 11,75 X 8,75

John Fahey a été un pionnier dans la composition et en organisant des solos de guitare dans les ajustements apportés ouvertes. Dans cette série de leçon pour le guitariste intermédiaire, John enseigne une grande variété de techniques, de textures musicales et de styles. Le livre comprend la notation et la tablature pour les leçons plus 3 disques compacts, mettant en vedette instruction phrase par phrase. UNE leçon: G Open tuning : sur le versant ensoleillé de l'océan, étape deux espagnol et il est venu sur a minuit clair. .Louis Blues joué dans un réglage d a chuté. LECON deux : Dans cette leçon, John explore les possibilités de jouer dans un open tuning C. L'Union Pacific a une qualité de blues distinctes, Requiem pour John Hurt a un ' orientale ' se sentir. Simplicité crée souvent beauté et John fait cela avec sa version d'Auld Lang Syne. Leçon 3: Cette leçon se concentre sur la guitare slide de John jouer. Gwine Steamboat Round The Bend joué dans g ouvert démontrant de nombreuses idées de techniques uniques de John. Le chant de Noël Silent Night est présenté dans le style de la diapositive. John... / Guitare (Fingerpick) / 56 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Par CHRISTIANSEN MIKE. This book will take you from basic concepts in blues guitar through performance level blues solos and techniques. Chapters include: Notation and Tablature, Time Values, Strumming, Blues Techniques, The Blues Progression, Open String Power Chords, Barre Chords, Blues Turnarounds, Blues Fill-Ins, The Blues Scale/Improvising, Double Stops and Fingerpicking Blues Solos. This text is supplemented by a stereo compact disc. / Niveau : Débutant à Intermédiaire / Blues - Methods / Tablatures / Guitare Tablatures Flatpick et Fingerpick

Par ROOKSBY RIKKY. The user-friendly CD and Book package, packed with riffs, licks and tricks you can learn now ...and easily incorporate into your own playing style. Playing good blues solos depends on musical understanding. Unlike other books, Fast Forward Blues Guitar will show you what and how to play. Hear what can be done with only five notes. Learn the all-important secret of mixing scales - the way the pros do. Play as you learn with the pro-quality CD backing tracks. / Niveau : Elémentaire / Méthode en anglais / Méthode / Guitare Tablatures

The Ultimate Guitar Lesson Book-With the Play Like series you'll study the trademark styles of some of the world's greatest artists so that you can learn to replicate their unique sound. This volume focuses on blues Guitar royal Freddie King. Play Like Freddie King is a book/audio teaching method that provides a detailed analysis of King's gear tone techniques styles songs licks riffs and much more. You'll learn everything you need to know about King's legendary Guitar playing from his early '60s Guitar instrumental hits to his '70s blues-funk excursions and beyond. The book includes access to audio tracks online for download orstreaming using the unique code inside the book. It also includes Playback+ a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys pan left or right. Songs include: Going Down I'm Tore Down Remington Ride San-Ho-Zay The Stumble and more.

Dans cette leçon, double DVD de plus de 4 heures d'enseignement, Ernie Hawkins enseigne une dizaine de solos Big Bill de plus grands guitaristes et les arrangements. Chaque morceau est enseigné phrase par phrase, puis utilise l'écran partagé afin que vous puissiez étudier attentivement ce que chaque main est fait.Détaillées onglet / musique livrets sont inclus sous forme de fichiers PDF sur les deux DVD. On y trouve aussi des images rares de Big Bill, ainsi que des titres bonus audio d'enregistrements Big Bill de des airs sur cette leçon.Big Bill Broonzy (26 Juin, 1903 - Août 15, 1958) était un chanteur américain de blues incroyable, compositeur et guitariste. Sa carrière a commencé dans les années 1920 quand il a joué le country blues au public la plupart du temps noirs. A travers les années 1930 et 1940 il a réussi à naviguer d'une transition dans le style d'un son plus urbain de blues populaire auprès du public blanc. Dans les années 1950 un retour à ses traditionnelles folk-blues des racines fait de lui un des figures de proue du renouveau folk américain émergent de la musique et une star internationale. Il était l'un des bluesmen premiers à en tournée en Europe et ses performances et les dossiers ont influencé guitares folk de John Renbourn, Martin Carthy, Stefan Grossman et Davey Graham au rock guitaristes comme Eric Clapton (qui a enregistré plusieurs chansons Big Bill sur son CD Unplugged) à Ron Wood des Rolling Stones qui a dit: '. aléatoire Guitare Big Bill était l'un des premiers morceaux que j'ai appris à jouer, mais même à ce jour je ne peux pas jouer tout à fait raison' / Guitare

Guitarist educator and historian Stefan Grossman was a student of acoustic blues and gospel singer/guitarist Rev. Gary Davis. Beginning when he was 15 Stefan studied with Davis on weekends spending eight to ten hours at his house in Harlem absorbing all he could. While studying with Rev. Davis he met and studied with other country blues guitarists: Mississippi John Hurt Son House Skip James Mance Lipscomb and Fred McDowell.In the early 1960s Stefan formed the Even Dozen Jug Band (which also included such future luminaries as John Sebastian Steve Katz Maria Muldaur and David Grisman). In 1966 he worked with the alternate rock band the Fugs beforemoving to Great Britain in 1967. In 1969 he co-founded Kicking Mule Records with Ed Denson a label that showcased acoustic fingerstyle guitar. Many of these albums that Stefan produced during this period are finally being re-released on CD on his own label.From 1967 to 1987 Stefan Grossman lived in Great Britain and Italy and toured worldwide. He performed and recorded with John Renbourn for 15 years and they produced four albums together.Stefan's solo discography goes all the way back to 1966 when he recorded How to Play Blues Guitar with Rory Block (now released as Country Blues Guitar SGGW103). Since that time he has recorded over 30 solo albums and has written numerous books highlighting the playing of legendary bluesmen from the 1920s and 1930s.Nowadays Stefan divides his time between the USA and England. He continues to do concerts and workshops worldwide and remains one of the world's foremost authorities on acoustic blues guitar. The Guitar Artistry of Stefan Grossman brings together performances from 1965 to today. He performs solo with the Even Dozen Jog Band with John Renbourn as well as Duck Baker. In between the music Stefan weaves together the story behind his playing.An 87 page PDF booklet is included on the DVD. This details