Format : Score
SKU: HL.48011915
UPC: 073999119152.
Full Scores.
SKU: HL.4008218
UPC: 196288139096. 9.0x12.0 inches.
While composing Serenata, Jan Van der Roost didn't focus too much on virtuosity, acrobatics or spectacle. Instead, he wanted to let the solo instrument shine as a melodic and expressive voice. And indeed: the warm sound of the euphonium touches the heart of the audience straight away in the first section with a melodious theme. Then follows a rigaudon, a noble and elegant dance from the Renaissance era. Despite the fact that some of the variations on the main theme require some technique and agility, the overall character mostly remains songful. The composition as a whole builds further on these two musical ingredients, but thanks to a clever alternation of melodic and technical passages, it offers a nice stylistic diversity to the listeners. The band is definitely not 'just accompanying' but fully participates and begins a dialogue with the soloist: both musical partners have their say. The end is more spectacular and sonorous, giving an extra boost of energy to the soloist as well as the band in a grand finale!
SKU: CF.FPS171F
ISBN 9781491163979. UPC: 680160922765.
Serenata is a first-year band piece with a Latin dance flavor. It is an excellent study in independent part-playing for young bands. Balance is crucial among the following parts:1. Percussion must be steady and not overpowering. The cowbell should be played with a mallet or stick that will prevent its sound from being dominant in the percussion section.2. The bass line will require a delicate staccato articulation.3. Clarinets and horns must play the ostinato beginning at m. 5 in two- or four-measure phrases. This line must always feel unbroken.4. Trumpets must also use a delicate staccato at m. 17. Straight mutes are a nice touch if the section is big enough. Cup mutes are even better. A small trumpet section may play open.5. Flutes and alto saxes should always play legato when carrying the melody.The contrasting middle section, beginning at m. 28, should be articulated smoothly by the whole band. The alternating melodic lines should have tonal contrast, but should be the same dynamically. The bass line should fade into the background at this point.A first-year band can play Serenata for their Spring Concert.Thank you for choosing this selection. I hope you and your students find it instructive and enjoyable.
SKU: HL.14043336
ISBN 9788759831670.
Serenata Italiana, by Anders Koppel, was composed in 2014 and is for 2 Trumpets and Organ.
SKU: PR.816600040
UPC: 680160600045. 5.5x5 inches.
This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.
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CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.
SKU: SU.92070270
2222; 2200; timp, perc, pno; stgs Duration: 15' Full Score & Parts: available on rental Composed: 2004 Published by: Subito Music Publishing Performance materials available on rental only:.
SKU: HL.14006404
UPC: 888680073169. 10.25x13.25x0.951 inches.
Contents: Sonata No. 1 for Violin and Piano, Op.9; Sonata No. 2 for Violin and Piano, Op.35; Fantasy Pieces for Oboe and Piano, Op.2; Canto Serioso; Serenata in vano; Quintet for Flute, Oboe, Clarinet, French Horn, and Bassoon, Op.43; Three Pieces for Langeleik; Allegretto for two Recorders.
SKU: PR.415411160
UPC: 680160090259.
SKU: CA.5023500
ISBN 9790007087524.
SKU: BP.HB631
Written for 4 to 7 octave handbell choir with 4 to 7 octaves of handchimes, percussion and C intruments. Not for the faint of heart, Sandra Eithun's original composition is sure to add a Spanish flair to any occasion! Driving accompaniments and contrasting rhythms propel the piece forward, and bold harmony choices maintain interest throughout. The mood is only enhanced by the inclusion of the percussion section and the lush countermelodies of the two C instruments. A rollicking good time!
SKU: KU.GM-91P
SKU: ND.OGWK128-FSC
SKU: HL.49044989
SKU: CA.320410
ISBN 9790007156770. Key: C major. Language: Spanish. Text: Walsh, Maria Elena. Text: Maria Elena Walsh.
Melody from Argentina.
SKU: KU.OCT-10137
Key: D major.
SKU: CF.CY3254F
ISBN 9780825876059. UPC: 798408076054. 8.5 x 11 inches.
SKU: BR.MR-2239B
ISBN 9790004488478. 9 x 12 inches.
There are two known manuscript sources for the present edition of this sinfonia avanti l'opera. In the Dean and Chapter Library of Durham Cathedral it appears as the twelfth, and last, piece in a collection of late seventeenth-century Italian instrumental music. No composer is given and identification was only possible following the discovery, in 1993, of a concordant source in the Biblioteca Estense, Modena, where the work appears as the sinfonia to Perti's opera L'Inganno scoperto per Vendetta, first performed in Venice as part of the 1690/1 season.It is sometimes hard to ascertain the original functional purpose behind many of the trumpet works written by composers of the Bolognese school as it would appear that some were used as sonate da chiesa, to celebrate mass in the basilica of San Petronio, Bologna, whilst also serving as operatic sinfonie. To confuse the issue further, there are several instances of composers 'borrowing' each other's works: for example, it has recently been discovered that the Torelli trumpet sinfonia a 4 catalogued as G4 in Giegling was used as the overture to Perti's opera Nerone fatto Cesare (1693). So far as the present edition is concerned, however, stylistic considerations would appear to confirm that the work is indeed by Perti and that it was originally conceived as the overture to L'Inganno scoperto per Vendetta. A couple of clues hint at a secular raison d'etre: the Durham source is marked Serenatto (presumably a corruption of serenata, a term often used in lieu of sinfonia) and the last movement of the Modena source is marked Menuet, a term more often associated with sonate da camera than with works of ecclesiastical provenance.Both the Modena and Durham sources for the present edition are virtually note-perfect and occasional inaccuracies were easily corrected by comparing the sources with each other and with the part-books in Durham. Whilst the Modena source lacks the second violin part in the outer movements it contains fuller dynamic markings and tempi indications than the Durham source and these have been followed in the present edition with no editorial additions. Notation has been modernised and, in the piano reduction edition, right-hand arpeggio-figurations rendered more pianistic. Parts are provided for trumpet in D and B flat. I am grateful to the Dean and Chapter of Durham and to the Biblioteca Estense, Modena, for providing microfilm of the manuscripts. I should also record my thanks to Keith Wright for realising the figured-bass which appears in the full-score edition.Mark Latham, Brancepeth Castle, June 1997.