Library Of Guitar Classics 2

A compendium of the world's best loved guitar classics - a history of music for the classical guitar with works from the 14th Century to the present.

Learn essential Classical Guitar techniques with Danny Gill. This superb Classical Guitar tutorial is designed for the beginner to intermediate player looking to develop their finger style Guitar techniques from basic ideas to more challenging pieces. Not only will you develop your finger independence through a variety of practical exercises, you will also learn such classical favourites as Greensleeves and Bach's Bouree In E Minor. A must for anyone interested in solo Guitar! / Guitare / Dvd

Apprenez à jouer le Caprice No24 de Paganini sur une guitare électrique avec Dnny Gill! Ce morceau a souvent été décrit comme l'un des morceaux les plus durs qui n'ait jamais été écrit. La musique a été arrangée de manière experte pour guitare électrique afin de founir une richesse de mélodie, d'harmonie et des licks. Bien qu'il ne convienne pas aux coeurs tendres, ce morceau si vous le réussissez ne fera pas seulement de vous un joueur encore meilleur, mais l'un des meilleurs techniciens du monde. / Guitare / niveau : Débutant/Intermédiaire / Dvd

The composer says: For years, my fellow guitarists have been asking me to compose a solo classical guitar piece that reflects that most American of musical styles?the blues. Their prodding was the motivation for Periwinkle Memories; the inspiration for the piece, however, really came from a maestro of extraordinary skill, and a teacher of even more extraordinary patience, Elias Barreiro, my guitar teacher at the University of New Orleans. I have always tried to emulate in my performances the beauty of his interpretations, and to fuse in my compositions the power and emotion of the blues. The name, Periwinkle Memories was a serendipity. I was struck by the light purplish-blue hue of the periwinkle, and soon learned the history of the funnel-shaped flower (Vinca minor.) Though it now grows wild in parts of the United States it is native to Australia, some consider it an invasive weed, most admire its extraordinary beauty. Common herbicides won?t kill it. The periwinkle is too vigorous and hardy for that. And now it is not merely a begrudged part of the American landscape, it is a vibrant part of the American landscape, elegant, stubborn, and nearly native. Like the blues. And like that young recalcitrant student Maestro Barreiro worked so hard to mold so many years ago. Ogden Nash said, ?One man?s remorse is another man?s reminiscence.? Periwinkle Memories is a celebration of Maestro Barreiro, and of both facets of that adage in me. Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bes

Here?s yet another book that should be in every serious classical and flamenco guitarist?s library; this time Ioannis Anastassakis (The Art of Rasguedo) eliminates the guesswork on how to practice and perform the tremolotechnique. The book addresses over 70 different approaches and methods to practice the tremolo with unprecedented advice from some of the greatest classical and flamenco guitarists including: Andrés Segovia John Williams SharonIsbin Christopher Parkening Pepe Romero Scott Tennant David Russell Narciso Yepes Stanley Yates Stepan Rak Juan Serrano Manolo Sanlucar Manolo Franco José Antonio Rodriguez Paco Serrano and many more. Characteristically Anastassakis presents an exhaustive analysis of the different tremolo patterns: 4-note 5-note 5-note extended melody tremolo 6-note tremolo 8-note tremolo and continuous extended tremolo. A comprehensivebibliography of classical and flamenco guitar pieces that utilize traditional and/or extended tremolo techniques is also included. Written in standard notation and tablature.

Nestor Ausqui hails from the picturesque Argentinian city of Santa Fe: a robust and vibrant city catering to the arts and culture, most notably music. Definitive de Falla is Ausqui's second book from Mel Bay Publications, following the release of the Nestor Ausqui Collection (MB99894EB). This book and accompanying audio represent an important collection in the classical guitar genre. Guitarists from around the world will enjoy Ausqui's faithful attention to detail in the transcriptions, making this book an excellent addition to any guitarist's library. Includes access to online audio.

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.

2-DVD Set-Learn five country guitar tracks note-for-note with Lee Hodgson! This superb DVD will teach you five classic tracks from two country guitar legends ? Johnny Cash and Gram Parsons. Songs include: Folsom Prison Blues ? IGot Stripes ? I Walk the Line ? Luxury Liner ? Tennessee Flat Top Box. Lee Hodgson is a versatile studio musician and vastly experienced stage performer. He is also a regularly featured columnist and transcriber forboth Guitarist and Guitar Techniques magazine.

Upon its first publication in 1995, Pumping Nylon became an instant classic and a must-have technique handbook for all classical guitarists---and many guitarists of other styles as well. This complete edition includes additional early intermediate through advanced repertoire. Scott Tennant's encouraging style, sense of humor, and unique approach to technical training helped Pumping Nylon gain countless devotees throughout the world. At the heart of Pumping Nylon is the famous Daily Warm-Up Routine, which includes 11 clever, helpful exercises to get both hands in shape and ready to play while also improving your technical skills. These invaluable technique lessons are supplemented by Giuliani's 120 Right-Hand Studies, Tarrega arpeggio studies, and music examples from Bach, Turina, and Rodrigo. In addition, original compositions by guitar luminaries Brian Head and Andrew York reinforce the material while also providing concert-worthy repertoire. This second edition of Pumping Nylon Complete incorporates even more great material with new pieces by Evan Hirschelman, Guiliani's Left Hand Studies, Op. 1, and new technical exercises in tremolo and balancing chord voicings. The music engravings have been improved for easier readability, and a brand-new correlating video, available to download or stream, has been included. If Pumping Nylon Complete is already in your library, it's time to upgrade to this second edition, which is even better than the original. If you are just now discovering Scott Tennant's masterpiece, this is a great opportunity to jump on board and start enjoying this classic. Your practice routine and technical prowess will improve, and you'll have fun as you learn. Complete Second Edition Features* All of the original complete edition content, including easy to advanced repertoire * Three new performance pieces * Giuliani's Left-Hand Studies, Op. 1 * New lessons and exercises * Improved music engravings * An updated, high-definition video to stream or download / Guitare Classique

Par FALLA MANUEL DE. Nestor Ausqui hails from the picturesque Argentinian city of Santa Fe: a robust and vibrant city catering to the arts and culture, most notably music. Definitive de Falla is Ausqui's second book from Mel Bay Publications, following the release of the Nestor Ausqui Collection (MB99894EB). This book and accompanying audio represent an important collection in the classical guitar genre. Guitarists from around the world will enjoy Ausqui's faithful attention to detail in the transcriptions, making this book an excellent addition to any guitarist's library. Includes access to online audio./ Répertoire / Guitare Classique

Learn To Play-Released on February 10 1978 Van Halen exploded on to the music scene with their self titled debut that would not only shake up rock and roll but the world of Guitar forever.Selling more than ten million copies worldwide Van Halen contains many of the bands signature tracks including ?Runnin? with the Devil? ?Ain?t Talkin? ?Bout Love? and Eddie Van Halen?s solo Guitar masterpiece ?Eruption.?LickLibrary veteran and Van Halen fanatic Jamie Humphries teaches you to play the following:? Runnin? With The Devil?Eruption? You Really Got Me? Ain?t Talkin? ?Bout Love? I?m The One? Jamie?s Cryin?? Atomic Punk? Feel Your Love Tonight? Little Dreamer? Ice Cream Man? On FireA must-have for all Van Halen fans get your tapping finger ready for this incredible course!

Caprice numéro 5 du apprendre à jouer Paganini à la guitare électrique avec Andy James - un défi enrichissant pour tout guitariste. Les 24 Caprices ont souvent été saluées comme certaines des pièces musicales plus ambitieux jamais écrits. Nous avons pris cette musique et il traduit à la guitare électrique pour fournir une foule de mélodie, d'harmonie et de tueur licks de guitare ! Mais pas pour les velléitaire, remplissant ces pièces volonté non seulement vous faire un meilleur joueur, mais vous mettra aussi là-bas avec certains des meilleurs techniciens dans le monde. / Guitare

Week 5-This course is designed to focus your practice towards realistic goals achievable in six weeks. Each week provides you with techniques concepts and licks to help you play and understand country Guitar at a manageable pace. Three licks in the style of a featured artist are taught each week to help you towards playing in real musical situations and develop your ear for the differences between players.Week five includes: Learn a classic country boogie blues muted bass lines introduction to dominant 7th arpeggios combining chords and licks using arpeggios to create cool licks three licks in the style of Danny Gatton.