Essential Baroque Guitar

Century Spain. Par KOONCE FRANK. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. * A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. * A companion volume to The Baroque Guitar in Spain and the New World (MB21122). * Intended to help bridge the gap between scholarly editions and performance editions. * An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open firststring as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuelathat were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions byproviding a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. A 188-page anthology, edited for modern guitar, from the seven books forvihuela that were published in Spain between 1536 and 1576 A companion volume to The Baroque Guitar in Spain and the New World (MB21122) Intended to help bridge the gap between scholarly editions and performance editions Anintroduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. / Niveau : Intermédiaire / Tablatures / Guitare Tablatures

A very representative collection of music from the Renaissance and Baroque periods skillfully adapted for solo guitar from lute and piano works. This book contains well-recognized pieces by master composers many of which havealready become essential repertoire for the classical guitar. Compiled with the performance skills of the beginner guitarist in mind this collection also fulfills repertoire requirements of the student guitarist as well asproviding valuable exercises in sight-reading in standard notation for the more intermediate and advanced performers.

A comprehensive volume of musical selections from the masters of the Baroque period. Pieces selected for this book required little alteration from their original manuscripts and preserve their composers' original intent.Left-hand fingerings have been included extensively right-hand fingerings are left up to the performer. Requirements for altered tunings and suggestions for capo use are indicated at the beginning of each piece whereapplicable. Contains suggested barres natural harmonics and ornamentations. Written in standard notation. An excellent collection for the library of any classic Guitarist.

Book With Online Audio and Video-Co-authored by William Bay and Michael Christiansen Mastering The Guitar is an innovative exciting new way to learn the Guitar. This extremely comprehensive method applies theinternationally acclaimed Mel Bay teaching concept to the vast array of musical styles and techniques found in today's music. Written in notation and tablature it covers Guitar solo and accompaniment styles ranging from Celtic toClassic to Cajun; from Flamenco to fiddle tunes to rock; from Baroque to blues to bluegrass; and from Latin to jazz to Reggae. A special feature of this method is that it teaches both flatpicking and fingerstyle solo andaccompaniment techniques.The two books in level 1 present essential foundational studies for contemporary Guitar performance. Book 1A covers the keys of C Am G and Em in great depth presenting over 155 solos andduets and more than 140 scale and picking studies chord etudes and accompaniment pieces. Book 1B covers the keys of D A E F Dm and Bf. In addition Book 1B has over 130 solos and duets and over 40 comprehensive scale andpicking studies. Numerous chord progression studies and chord accompaniment pieces and etudes are also included.A Technique Studies book is available which will bring an added level of flatpicking and fingerpickingexcellence to each key presented in Book 1A and Book 1B. The advanced levels of this method introduce a creative and unique approach to learning and mastering the higher positions on the Guitar fingerboard. Mastering The Guitar 1A comes with audio examples and videos to download online.