Guitarists face a sometimes overwhelming number of choices as to where to play a given note or phrase and what fingering to use. While a given fingering for a scale or phrase may be possible it may not be practical. In this book jazz guitarist Jimmy Bruno lays out six fingerings for the major scales which he has found to be the most efficient in his thirty years of professional playing. These patterns are then used to derive fingerings for the dorianmode mixolydian mode natural minor harmonic minor and melodic minor scales. Illustrations are provided in notation and tablature with fretboard diagrams aiding visualization. By using these fingerings consistently theguitarist will eliminate all unnecessary fingerings and remove a major obstacle to his or her development as a musician.
