Format : Part
SKU: CA.624500
ISBN 9790007011956.
SKU: CA.970200
ISBN 9790007087739.
SKU: HL.14002966
ISBN 9780711986176. 11.75x8.5x0.094 inches.
This collection of Chorales contains all the melodies used by Bach in the Organ works. Each is given with the first verse of the German Hymn and an English translation. Edited by Sir Ivor Atkins.
SKU: CA.1490100
ISBN 9790007031381.
SKU: MB.30667M
ISBN 9781513463971. 8.75 x 11.75 inches.
Johann Sebastian Bachâ??s arrangements of the â??69 Sacred Songsâ? from the Musical Hymnal by Georg Christian Schemelli (Leipzig, 1736) have long been part of the German language vocal concert repertoire and a mainstay in vocal pedagogy. Originally, only these 69 of the 954 hymns in the collection were published with a single bass line as the accompaniment. Bachâ??s contribution was to specify harmonies to be played over those same bass lines by adding figured bass numbers and symbols beneath each note.
A figured bass line can easily be turned into a relatively simple guitar accompaniment or a more elaborate setting, offering a range of possibilities that make working with this music both interesting and rewarding for the guitarist. While other period and modern editions of the â??69 Sacred Songsâ? offer accompaniments for keyboard instruments, this Mel Bay publication features intermediate to advanced transcriptions exclusively for the guitar.
Best suited to college-level players or advanced aficionados, this special Mel Bay Publications edition includes the vocal line with German lyrics and the guitar accompaniment transcribed from Bachâ??s figured bass lines. Written in guitar-friendly keys, 29 of the transcriptions employ a capo to achieve the original key designed for high voices. Without the capo, these same arrangements would be suitable to be sung by lower voices. The remaining 40 hymns are in their original guitar-friendly keys and so do not require a capo.
This volume contains accompaniment settings of all 69 of the sacred songs and arias for which Bach wrote figured bass annotation. For performance variety and convenience, this book includes â??Scores in their Original Keys,â? and stand-alone â??Guitar Accompaniment,â? and â??Bass Parts.
SKU: BA.BA08075
ISBN 9790006488452. 29 x 21 cm inches.
From the collection Choralgesange and the motet Jesu, meine Freude BWV 227.
SKU: M7.HDM-857268
ISBN 9783896152688.
Die Klavierlandschaft in den Kirchen und Freikirchen hat sich in den letzten Jahren sehr positiv entwickelt. Dies geschah besonders durch gute Vorbilder in der Band- und Solistenszene. Viele dieser bekannten Pianisten arbeiteten für dieses Buch, damit es für alle Klavierspieler eine wahre Freude ist, daraus zu spielen.
SKU: CY.CC3161
ISBN 9790530111307. 8.5 x 11 in inches.
Jesu, meine Freude was composed sometime between 1723 and 1727, most likely for the St. Thomas Church in Leipzig. It is the longest and most musically complex of Bach's six motets, originally for 5-part choir comprising eleven movements. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble of eleven movements is about 19 minutes in length. Because of its length, it is possible to divide the music into three sections and perform each section separately. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.
SKU: HL.50336970
ISBN 9781423441922. UPC: 073999557084. 9x12 inches. Niesberger.
Contents: Canzona in D Minor • Christ Lag in Todesbanden • Doric Toccata & Fugue • Herzlich Thut Mich Verlang • In Dulci Jubilo • Jesu, Meine Freude (My Joy) • Liebster Jesu Wir Sind Hier • Passacaglia & Fugat C Minor • Pastorale • Prelude & Fugue in A Minor • Prelude & Fugue in C • Prelude & Fugue in E Flat • Prelude & Fugue in E Minor • Prelude & Fugue in G Minor • Prelude & Fugue in G Minor • Sleepers, Awake (Wachet Auf) • Sonata II • Toccata & Fugue in D Minor.
SKU: BR.CHB-5302-02
ISBN 9790004412220. 7.5 x 10.5 inches.
Johann Friedrich Doles was the indirect successor of J.S. Bach as Thomaskantor in Leipzig. He must have been familiar with Bachs setting of Jesu, meine Freude BWV 227 when he wrote his Motet on this piece around 1775, since there are several stylistic parallels with its great precursor. Typical for Doless chorale motet is the fifth strophe (see example) with its sleek and elegant alternation between solo and tutti sections, whereby the composer and Thomaskantor probably only had eight able singers for the tutti in Leipzig around 1780, as Doles himself laments. The late 18th century was simply not the golden age of the Thomasschule! Doless motet fell into oblivion and was long held to be lost. This first edition supplements the publications from the late Baroque and early Classical eras (Graun, Bortnyansky a.o.) which were released in recent years in Breitkopfs Choral Library.
SKU: CA.3122793
Key: E minor. German. Text: Johann Frank.
For many choral singers Jesu, meine Freude is not just a motet by Bach, but the motet par excellence. Bach's motets as a whole have to be described as exceptional works, but even amongst these this is an exceptional work which is out of the ordinary not only in terms of its length. The formal conception, with its alternating chorale and Bible verses in 11 sections in a symmetrical structure, is also unique. The motet was very probably composed for a funeral, but no further details about this are known. By comparison, there are clear indications that the motet, as we now know it, was probably not composed in one go, but was composed over a long period of time. Score available separately - see item CA.3122700.
