Bach: Chorale zum EG und GL

for Sight-Singing and Performance-As a follow-up to his popular 31 Bach Chorales for Sight-Singing and Performance (HL 08743236) here is a collection of 30 more! Each chorale includes English and German texts along with pedagogical suggestions to help yoursingers build skills and develop musical literacy. A great tool for school church and community groups. For chorale titles click on “songlist”.

The treasured Bach chorale prelude set for brass quintet and voices. Available: SATB Unison/2-Part Instrumental Pak ShowTrax Cassette. Performance Time: Approx. 3:10.

Arr. Elliot Del Borgo. Par BACH JOHANN SEBASTIAN. Based on JS Bach’s chorale ‘Sleepers Awake’ this very dignified work presents the chorale and then in turn an exciting treatment of reworked fragments of the melody in a colourful and contemporary harmonic setting. / Niveau : 2.5 / Pièce de concert / Répertoire / Concert Band

43-A collection of over seventy chorale preludes originally composed by Marcel Dupre as preparatory material for those about to tackle the formidable J.S. Bach chorale preludes. However this collection of fine Organ works offers a world of performance material; an excellent repertoire that will bring pleasure not only to the Organist but to all lovers of devout Organ works. A superb introduction to the techniques required to play Bach and an equally superb performance anthology.

This Collection of Chorales harmonized by Bach contains it is believed all those that he arranged for four voices excluding of course the elaborate settings for Chorus and Orchestra. There are also included two for five voices and some to which it has been necessary in order to complete the harmony to add a few small notes representing instrumental parts.

Par CURNOW JAMES. A wonderful teaching piece and the ideal young band festival work, BACH VARIANTS (six melodic variations on the Bach chorale AWAKE MY HEART AND SING) should be a staple of every young band library. Chorale style playing does so much for the young band's intonation, tone quality and phrasing. Including this one in your next festival program is certain to reap great rewards by honing your group's ability to make quality sound. Even bands which normally play music of higher grade levels will find a valuable experience in James Curnow's BACH VARIANTS. Be sure to add this one to your repertoire. / Niveau : 2 / Hymnes et chorals / Répertoire / Fanfare

A wonderful teaching piece and the ideal young band festival work BACH VARIANTS (six melodic variations on the Bach chorale AWAKE MY HEART AND SING) should be a staple of every young band library. Chorale style playing does so much for the young band's intonation tone quality and phrasing. Including this one in your next festival program is certain to reap great rewards by honing your group's ability to make quality sound. Even bands which normally play music of higher grade levels will find a valuable experience in James Curnow's BACH VARIANTS. Be sure to add this one to your repertoire.

Cantata for the 1st Sunday after Trinity (composed for June 11 1724)-O Ewigkeit du Donnerwort BWV 20Cantata for the 1st Sunday after Trinity composed for June 11 1724Johann Sebastian Bach opened the second year of his Leipzig church compositions on 11 June 1724 with a performance of the cantata ?O Ewigkeit du Donnerwort?.The work is based on a church hymn by Johann Rist that depicts in riveting language the terrors of the Last Judgment and the torments of Hell followed by an admonition to live a life pleasing to God. The poem inspired Bach to write one of his most impressive church compositions altogether.This remarkably extensive score with twelve sheets sheds particularly instructiveand detailed light on Bach's creative process. The Bach Archive Leipzig acquired this priceless manuscript at the end of 2016 making it possible for the first time to reunite the original performance material and the handwritten score of a Bach chorale cantata.Our facsimile edition complements the edition of BWV 20 presented by James Webster almost 50 years ago in volume I/15 of the ?New Bach Edition?.- Autograph score combined with the original parts- Two facsimile fascicles in four-colour reproduction (24 + 64 pp.) each in a facsimile dustcover and one volume of commentary (German/English 16 pp.) all combined in a slipcase- Series Documenta musicologica II/52- Limited edition of 250 copies- With a Commentary by Peter Wollny (Ger/Engl)