Hymns For The Master (Piano)

Level 4-BigTime Piano: Hymns is a collection of favourite hymns and spirituals arranged for solo Piano by Nancy and Randall Faber. For the intermediate pianist this collection of books provides a diverse selection of supplementary repertoire to any teaching method. Keys include C G F and D along with D minor.

Moments Of Meditation For Solo Piano-Titles include: Open My Eyes That I May See; On Jordan’s Stormy Banks; Poor Wayfaring Stranger; Sweet By and By; Savior Like a Shepherd Lead Us; Nearer My God to Thee; Nothing but the Blood; and It Came Upon the Midnight Clear; as well as some rare arrangements of specialized hymns like The King Shall Come; Prayer Is the Soul’s Sincere Desire; Ring Out Wild Bells and Into the Woods My Master Went.

The Phillip Keveren Series-15 beloved songs of faith masterfully presented in a classical style for easy piano by Phillip Keveren. Includes: Abide with Me · Be Thou My Vision · Crown Him with Many Crowns · Eternal Father Strong to Save · Immortal Invisible · A Mighty Fortress Is Our God · Nothing but the Blood · Praise God from Whom All Blessings Flow · 'Tis So Sweet to Trust in Jesus · Were You There? · and more.

Par BRUCKNER ANTON. Great art in small forms ? Bruckner's smaller sacred works reveal a more personal side to the master symphonist and creator of large-scale orchestral masses. Throughout his life, Bruckner?s deep faith and dedication to the Catholic liturgy inspired him to write church music in smaller forms suitable for performance at Sunday services or in sacred concerts. The long phrases and shimmering sounds of Locus iste, the chromatic modulations and thrilling climaxes in Christus factus est (1884) and in Virga Jesse (1885), or the use of church modes in almost all the motets present a range of fascinating challenges to any choir.In addition to the well-known motets, the choral collection includes smaller sacred works such as short mass settings (a cappella or with organ) and simple liturgical songs and hymns, some with organ or occasionally with trombones. In addition, the volume presents two somewhat longer works from Bruckner?s youth: a Magnificat and a setting of Psalm 23, both with piano accompaniment.The Choral Collection Bruckner. Sacred Choral Music is an expanded new edition of the successful choral collection Anton Bruckner für Gottesdienst und Konzert (Sacred works for worship and concert, Carus 2.065).A detailed preface and several indexes supplement the musical scores in the editionCHORLEITUNG with information on the works and their liturgical usability. An affordable volume (editionCHOR) is also available for purchase, as well as separate editions in print and digital form.?,New expanded volume featuring 39 sacred choral works at all levels of difficulty?,For use both in worship and in concert / Date parution : 2023-06-01/ Répertoire / SATB et Piano

Jazz Play-Along Volume 157-For use with all B-flat E-flat C and Bass clef instruments the Jazz Play-Along Series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets melody cues and other split-track choices on theincluded CD this first-of-its-kind package helps you master improvisation while playing some of the greatest tunes of all time. FOR STUDY each tune includes a split track with: • Melody cue with proper style and inflection• Professional rhythm tracks • Choruses for soloing • Removable bass part • Removable piano part. FOR PERFORMANCE each tune also has: • An additional full stereo accompaniment track (no melody) •Additional choruses for soloing.10 timeless hymns in jazzy settings: Battle Hymn of the Republic • Fairest Lord Jesus • For the Beauty of the Earth • Give Me That Old Time Religion • In the Garden• Jesus Loves Me • Just a Closer Walk with Thee • Nearer My God To Thee • Savior Like a Shepherd Lead Us • What a Friend We Have in Jesus.

Par MIDDLETON OWEN. Composer/arranger Owen Middleton delivers the goods in these intermediate-level, idiomatic arrangements of 21 traditional hymns and patriotic songs for solo classic guitar. The book includes optional parts for cello and flute in supporting and lead roles. Written in standard notation only, a few tunes feature altered tunings. Light left-hand fingering is provided for the more challenging passages as well as access to online audio for each piece.Middleton?s years of experience as a choral singer and composer for the guitar and piano shine through in these tasteful settings; his awareness of voice-leading concepts, inner parts, and basslines often gives these time-honored melodies a modern twist. / Date parution : 2022-07-20/ Recueil / Guitare

Instrumental Play-Along-15 inspirational favourites including: All Hail the Power of Jesus' Name; Amazing Grace; Crown Him with Many Crowns; Joyful Joyful We Adore Thee; This Is My Father's World; When I Survey the Wondrous Cross and more.Coming with a CD of professionally recorded backing tracks the books in this series are ideal for practice and performance. A Piano accompaniment edition is also available for when a pianist is available (HL00841239).

Instrumental Play-Along-15 inspirational favourites including: All Hail the Power of Jesus' Name; Amazing Grace; Crown Him with Many Crowns; Joyful Joyful We Adore Thee; This Is My Father's World; When I Survey the Wondrous Cross and more.Coming with a CD of professionally recorded backing tracks the books in this series are ideal for practice and performance. A Piano accompaniment edition is also available for when a pianist is available (HL00841239).

Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie