Hymns for the Master: Piano: Instrumental Album

Level 4-BigTime Piano: Hymns is a collection of favourite hymns and spirituals arranged for solo Piano by Nancy and Randall Faber. For the intermediate pianist this collection of books provides a diverse selection of supplementary repertoire to any teaching method. Keys include C G F and D along with D minor.

The Phillip Keveren Series-15 beloved songs of faith masterfully presented in a classical style for easy piano by Phillip Keveren. Includes: Abide with Me · Be Thou My Vision · Crown Him with Many Crowns · Eternal Father Strong to Save · Immortal Invisible · A Mighty Fortress Is Our God · Nothing but the Blood · Praise God from Whom All Blessings Flow · 'Tis So Sweet to Trust in Jesus · Were You There? · and more.

Jazz Play-Along Volume 157-For use with all B-flat E-flat C and Bass clef instruments the Jazz Play-Along Series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets melody cues and other split-track choices on theincluded CD this first-of-its-kind package helps you master improvisation while playing some of the greatest tunes of all time. FOR STUDY each tune includes a split track with: • Melody cue with proper style and inflection• Professional rhythm tracks • Choruses for soloing • Removable bass part • Removable piano part. FOR PERFORMANCE each tune also has: • An additional full stereo accompaniment track (no melody) •Additional choruses for soloing.10 timeless hymns in jazzy settings: Battle Hymn of the Republic • Fairest Lord Jesus • For the Beauty of the Earth • Give Me That Old Time Religion • In the Garden• Jesus Loves Me • Just a Closer Walk with Thee • Nearer My God To Thee • Savior Like a Shepherd Lead Us • What a Friend We Have in Jesus.

Instrumental Play-Along-15 inspirational favourites including: All Hail the Power of Jesus' Name; Amazing Grace; Crown Him with Many Crowns; Joyful Joyful We Adore Thee; This Is My Father's World; When I Survey the Wondrous Cross and more.Coming with a CD of professionally recorded backing tracks the books in this series are ideal for practice and performance. A Piano accompaniment edition is also available for when a pianist is available (HL00841239).

Instrumental Play-Along-15 inspirational favourites including: All Hail the Power of Jesus' Name; Amazing Grace; Crown Him with Many Crowns; Joyful Joyful We Adore Thee; This Is My Father's World; When I Survey the Wondrous Cross and more.Coming with a CD of professionally recorded backing tracks the books in this series are ideal for practice and performance. A Piano accompaniment edition is also available for when a pianist is available (HL00841239).

Instrumental Play-Along-15 inspirational favourites including: All Hail the Power of Jesus' Name; Amazing Grace; Crown Him with Many Crowns; Joyful Joyful We Adore Thee; This Is My Father's World; When I Survey the Wondrous Cross and more.Coming with a CD of professionally recorded backing tracks the books in this series are ideal for practice and performance. A Piano accompaniment edition is also available for when a pianist is available (HL00841239).

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie