| Four Elizabethan Dances:
Brass Ensemble Brass Quartet: 2 trumpets, 2 trombones Stainer and Bell 4.75 GBP - Sold by Musicroom UK |
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| The Renaissance Recorder
- Treble Recorder And
Piano Descent (Soprano) Recorder, Piano Boosey and Hawkes
A Selection of Renaissance Tunes Instrument : treble recorder and piano Nombre ...(+)
A Selection of Renaissance Tunes Instrument : treble recorder and piano Nombre de Pages : 56 Steven Rosenberg writes in the preface: This book is intended to give recorder players a repertoire of solo pieces from the Renaissance. Solo literature for the recorder is often dominated by music of the baroque era, while the music of Renaissance is primarily preformed by consorts. I hope that this collection will expand the solo repertoire by bringing to recorder players some of the most beautiful melodies of this period. I have performed all of these pieces in public and have taken care only to include music that is of performance quality. Some of the pieces are grouped in suites, but you should feel free to play them in the order of your choice. For those of you equally at home on descant (soprano) and treble (alto), fell free to intersperse pieces from the companion book for descant recorder. The edition is part of the ABRSM Summer 2006 syllabus (grades 1-3) and the Trinity syllabus 2007 (grade 6). Content : Four Elizabethan Masque Dances: 1. The Fairy Masque (Johnson) - Four Elizabethan Masque Dances: 2. Wilson's Love (Anon) - Four Elizabethan Masque Dances: 3. The Witches - Second Dance (Anon) - Four Elizabethan Masque Dances: 4. The King's Mistress (Anon) - Three English Country Dances from John Playford's Dancing Master: 1. The Merry Milkmaids - Three English Country Dances from John Playford's Dancing Master: 2. Dissembling Love (or The Lost Heart) - Three English Country Dances from John Playford's Dancing Master: 3. Newcastle - Two Country Dances from John Playford collection: 1. Bellamira - Two Country Dances from John Playford collection: 2. Pell-mell - Allemande (1) (Susato) - Allemande (2) (Susato) - Lady Bannings Almand (Sturte) - Le coeur est bon (Susato) - Pass et medio (Susato) - Pavane Mille regretz (Susato) - Recercada quinta (Ortiz) - Recercada segunda (Ortiz) - Recercada segunda sobre 'O Felici Occhi Miei' (Ortiz) - Ronde Mon amy (Susato) - Ronde III (Susato) - Ronde IV (Susato) - Ronde V (Susato) - Ronde VI (Susato) - The Leaves be Green (Phalese) - What if a Day (Dowland) - Woodycock (Anon)
14.80 EUR - Sold by Woodbrass Pre-shipment lead time: On order |
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| James Curnow: Four
Colonial Country Dances:
Concert Band: Score Concert band Curnow Music
Throughout the colonial period in America country dancing was the principal rec...(+)
Throughout the colonial period in America country dancing was the principal recreation of all social classes. Americans had inherited this tendency from Elizabethan England and many continental Europeans also took up English country dancing as their own. Four Colonial Country Dances feature country dance tunes that were indigenous to New England and particularly to the Boston area.
26.99 GBP - Sold by Musicroom UK |
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| James Curnow: Four
Colonial Country Dances:
Concert Band: Score &
Parts Concert band Curnow Music
Throughout the colonial period in America country dancing was the principal rec...(+)
Throughout the colonial period in America country dancing was the principal recreation of all social classes. Americans had inherited this tendency from Elizabethan England and many continental Europeans also took up English country dancing as their own. Four Colonial Country Dances feature country dance tunes that were indigenous to New England and particularly to the Boston area.
168.99 GBP - Sold by Musicroom UK |
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| James Curnow: Four
Colonial Country Dances:
Concert Band: Score &
Parts Concert band [Score and Parts] Curnow Music
Throughout the colonial period in America country dancing was the principal rec...(+)
Throughout the colonial period in America country dancing was the principal recreation of all social classes. Americans had inherited this tendency from Elizabethan England and many continental Europeans also took up English country dancing as their own. Four Colonial Country Dances feature country dance tunes that were indigenous to New England and particularly to the Boston area.
168.99 GBP - Sold by Musicroom UK |
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| 4 Colonial Country Dances
(CURNOW JAMES) Concert band [Score and Parts] - Intermediate/advanced Curnow Music
Par CURNOW JAMES. Throughout the colonial period in America, country dancing was...(+)
Par CURNOW JAMES. Throughout the colonial period in America, country dancing was the principal recreation of all social classes. Americans had inherited this tendency from Elizabethan England, and many continental Europeans also took up English country dancing as their own. Four Colonial Country Dances feature country dance tunes that were indigenous to New England and particularly to the Boston area. / Niveau : 5 / Pièce de concert / Répertoire / Concert Band
211.98 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Anthony Rooley: Four
Elizabethan Dances:
Guitar: Instrumental Work Oxford University Press
Arrangements of lute music by Dowland Batchelar Johnson and Anon
11.95 GBP - Sold by Musicroom UK |
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| Music from the Film
Shakespeare in Love:
String Ensemble: Score
and Parts String Orchestra [Score and Parts] - Intermediate Faber Music Limited
Stephen Warbeck's Oscar-winning music from the hit film 'Shakespeare in Love' ha...(+)
Stephen Warbeck's Oscar-winning music from the hit film 'Shakespeare in Love' has been skillfully arranged by Tony Osbourne into a four-movement suite for intermediate string ensemble. The suite perfectly encapsulates all the passion romance and wit of this delightful love story which traces the footsteps of the young Shakespeare. With an exciting opening sighing love-themes and two rhythmic dances which capture the atmosphere of the vibrant Elizabethan court this contrasted suite will stir players' and audiences' imagination and take flight.
19.99 GBP - Sold by Musicroom UK |
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| Damiani Andrea - Method
For Renaissance Lute
(english Version) Lute Ut Orpheus
Traduction Doc Rossi Compositeur : Damiani Andrea Instrumentation : Luth Public...(+)
Traduction Doc Rossi Compositeur : Damiani Andrea Instrumentation : Luth Publication Date: 1999 Series: Teoria e Didattica della Musica (Theoretical and Educational Texts) Pages: pp. 208 CONTENTS * Preface * Introduction * CHAPTER 1. TUNING AND TABLATURE Tuning - Tablature (French tablature - Italian tablature - Rhythm symbols - Fingering and other symbols) - Stringing and doubling - Tuning practice (Practical advice on tuning - Tuning problems) - Strings * CHAPTER 2. BASIC TECHNIQUES Posture and position of the lute - Right-hand position - Right-hand functions - Sound production (Positioning p - Forearm movement - Attack - Positioning i) - Alternating p and i - Finger articulation for polyphonic passages (Positioning p - Positioning i) - Preparatory exercises - Differences from guitar technique - Body control * CHAPTER 3. THE RIGHT HAND Forearm and accentuation - Fingering * CHAPTER 4. THE LEFT HAND General principals - Preparatory exercises - Avoiding stiffness - Differences from guitar technique - Hand coordination * CHAPTER 5. SCALES Right-hand scale technique (Forearm movement - Finger articulation - Integrating the two techniques) * CHAPTER 6. EXERCISES FOR TWO LUTES Exercises on a ground bass - Contrapuntal exercises - Articulation - Dances and ground basses * CHAPTER 7. SHIFTING LEFT-HAND POSITIONS Fundamental principals - Position changes using the same finger - Position changes by substitution - Position changes by jump * CHAPTER 8. EXERCISES FOR TWO LUTES WITH POSITION CHANGES * CHAPTER 9. RIGHT-HAND TECHNIQUE IN POLYPHONIC MUSIC p-i articulation - Positioning m - Rest stroke with p - Left-hand positions and movement - m-i articulation - Combining p, i and m - Easy pieces in two voices - Two-voice scales * CHAPTER 10. COUNTERPOINT Voice progression and intervals - The species - Florid counterpoint - Imitation - Syncopation - Suspension * CHAPTER 11. CONTRAPUNTAL PIECES IN TWO VOICES * CHAPTER 12. THREE VOICES The right hand - Combining chords and single notes - Repeated chords and monophonic passages - Arpeggios - Chords and counterpoint * CHAPTER 13. CONTRAPUNTAL PIECES IN THREE VOICES Technical aspects: three-voice scales, the barre - Contrapuntal pieces in three voices * CHAPTER 14. CHORDS OF FOUR OR MORE NOTES The ring finger (a) - Five- and six-note chords - Chords played with p * CHAPTER 15. IDIOMATIC LUTE COMPOSITIONS Chords and divisions - Characteristics of lute composition * CHAPTER 16. TRANSFORMATION OF LUTE TECHNIQUE DURING THE 16th CENTURY Evolution of right-hand position - Exercises for m-i alternation * CHAPTER 17. TECHNIQUE Scales (Full-length scales in all keys - Scales with divisions) - Speed - Left-hand legato and ornamentation - The barre (Preparatory exercises - Barre exercises) - Scales in two and more voices (Two-voice scales - Three-voice scales) - Polyphonic patterns - Right-hand exercises * CHAPTER 18. RENAISSANCE PERFORMANCE PRACTICE Interpretation (Rhetoric - Sound quality - Rhythmic inequality) - Ornamentation (16th-century sources - The first half of the 16th century - The second half of the 16th century - The first half of the 17th century - The Elizabethans) * CHAPTER 19. TEMPERAMENT Meantone temperament - Equal temperament
43.60 EUR - Sold by Woodbrass Pre-shipment lead time: In Stock |
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