Format : Accompaniment CD
SKU: GI.G-10366
This bundle includes all the essential Social Emotional Learning resources from Scott Edgar at a discounted price. All must-have materials for music educators! Scott Edgar's best-selling book Music Education and Social Emotional Learning addresses the critical role music educators play in developing the social and emotional skills of their students. It offers numerous strategies and practical examples that music teachers in all areas will find beneficial. The companion Student Workbook contains thirty engaging activities that allow students to reflect musically, socially, and emotionally, while also enhancing individual social emotional competence and musicianship. Portraits of Music Education and Social Emotional Learning showcases the inspiring stories and innovative ideas of music educators who are implementing Social Emotional Learning (SEL) instruction with intentionality in their classrooms at the elementary, middle, and high school levels. These teachers—representing all areas of music education— share their real-world challenges and triumphs with SEL instruction, along with many tips, activities, lesson plans, and suggestions for embedding SEL in a way that is musical, intentional, and meaningful. Social Emotional Learning for the Pre-Service and In-Service Music Teacher takes current and future music teachers through thirteen sequential units designed to hone important self-care and SEL skills. Each unit offers connections for both pre-service and in-service music teachers that guide them through exercises to strengthen their skills, as well as space to discover, reflect, journal, draw, and commit to growth. The ABCs of My Feelings and Music is a children's picture book that explores the powerful link between art, music, and emotion. Each page offers an emotion word in a piece of colorful artwork, one for each letter of the alphabet. And below each illustration are three classical music suggestions to listen to while observing the art.
SKU: GI.G-9607
ISBN 9781622772865. English.
Emotion in Choral Singing explores what it truly takes to experience the transcendent power of choral music and achieve genuine emotional connection between composer, performer, and listener. With unmatched detail and authority, legendary conductor Jameson Marvin surveys the history of singing, effective rehearsal, score study, repertoire selection, and the relationship between a composer’s intentions, music notation, and expression. Specifically, this book looks at six complementary areas: Musical Gesture and Emotion: A Guide to Teaching and Performing The Historical Roots of Singing: Notation and Expression Performing Polyphony in the 21st Century Style and Expression in Renaissance Choral Performance The Conductor's Process Mastery of Choral Ensemble A particularly noteworthy feature of this book is its emphasis on polyphony, which, Marvin reminds us, encourages an individual expressivity and musicality in singers that can be applied to all styles of choral music, making it as relevant and vital today as ever. Links to recordings included within this book provide a range of examples from throughout Marvin’s career. Emotion in Choral Singing offers a new perspective on the choral art. It is chock-full of practical ideas, tips, and wisdom that will empower and inspire choral directors and musicians of all levels to achieve authentic emotional connection in their work. Jameson Marvin is Emeritus Director of Choral Activities and Senior Lecturer at Harvard University. Under his leadership, the Harvard-Radcliffe Collegium Musicum, Harvard Glee Club, and Radcliffe Choral Society rose to be among the premier collegiate choruses in America. Dr. Marvin’s choral artistry is mirrored by his knowledge of style and performance practice of historical eras and his insightful, communicative, and inspiring performances.  Click Here to Download FREE MP3's by Harvard University Ensembles!
SKU: GI.G-8250
ISBN 9781579999018. English.
What is the secret language between a performing artist and an audience? How does a performing artist’s product differ from the product of nonperformance art? How is a performer’s artwork shaped, changed, and elevated by captivated observers? Motion, Emotion, and Love is a book that will transform the experience of performers and audiences alike, by infusing performance art with a new vocabulary. For performers, the book is a practical guide to building intentional and inspirational practice time, bringing true artistry to every element of a performance, and developing strong personal communication with the audience. For audiences, the book explains the vital role of the audience in a performance, revealing to them a new level of involvement and collaboration with the performer and with other members of the audience. Performers, whether musicians, actors, or dancers, communicate emotion by means of bodily movement. But it is love that unites performers with the audience and with each other. Motion, Emotion and Love helps performing artists return to the soul of their craft, and imbues their physical mastery with human vulnerability. Musician, teacher, and author Thomas Mark’s profound, yet clear and practical exploration is eye-opening in its connections, a compelling blueprint for deeper understanding and appreciation of artistic performance.  Decorated with 24 etchings, Balli di Sfessania, by Jacques Callot (1592–1635).  Thomas Carson Mark studied piano in New York with David Bar-Illan and Jeannette Haien, and philosophy at Columbia University, where he earned his PhD. He taught philosophy for several years at various colleges and universities, then returned to the piano. From 1992 to 2001 he organized and performed in the Newport Coffee Concerts, a chamber music series in Newport, Oregon. He is the author of What Every Pianist Needs to Know about the Body, some philosophical articles on performance, and a book and several papers on the philosophy of Spinoza. Thomas Mark writes and teaches in Portland, Oregon.
SKU: HL.14042382
ISBN 9788759823415.
Set of parts for Motion/Emotion for Wind Quintet (2010/11) by Faroese composer Sunleif Rasmussen.
Commissioned by John Storgårds and The Chamber Orchestraof Lapland.
SKU: HL.14042381
ISBN 9788759823408.
Motion/Emotion for Wind Quintet (2010/11).
Parts: WH31397A
SKU: GI.G-9820
ISBN 9781622773527.
This convenient workbook contains thirty practical and engaging activities for music educators implementing Social Emotional Learning (SEL) curriculum in their classrooms. Each worksheet corresponds to an exercise detailed in Scott N. Edgar’s pioneering book Music Education and Social Emotional Learning: The Heart of Teaching Music. These activities offer students the opportunity to reflect musically, socially, and emotionally, and also enhance individual social emotional competence and musicianship. These activities are well-suited for musical and SEL assessment purposes. This workbook is organized into sections based on the three core SEL goals: Self, Others, and Decisions. Edgar first defines each goal and then provides teachers with learning standards and skill sets for each goal. This workbook also includes a series of thoughtful reflection questions at the end of each section, which students may respond to in a developmentally appropriate way.  As an added convenience, the workbook contains a unique code allowing the purchaser to download an electronic file containing select worksheets, along with permission to reproduce them. The Music Education and Social Emotional Learning Student Workbook is perfect for any teachers hoping to better equip themselves with the tools to implement a musical SEL curriculum, help their students, and truly teach music with heart!    Scott N. Edgar is a professor of music at Lake Forest College in Illinois and presents internationally on music education and social emotional learning. He has taught instrumental music in Ohio, Michigan, and Illinois. .
SKU: M7.ART-42139
ISBN 9783866421394.
'Romantic Piano Emotions' ist für Jugendliche und Erwachsene gedacht, die gerne emotionale und gefühlvoll-romantische Klaviermusik spielen. Die 25 mittelleichten bis leicht anspruchsvollen Stücke besitzen klare harmonische Strukturen und fantasievolle, leicht zu merkende Melodien. Die Kompositionen treffen sich musikalisch in der Mitte zwischen 'klassisch' und 'modern' und bereichern einerseits das klassische Repertoire durch moderne Klänge und Rhythmen, andererseits werden die technisch-pianistischen Fähigkeiten ausgebaut, die eine vielseitige Anwendung beim Spielen anspruchsvollerer Klaviermusik anderer Stilrichtungen finden. Das Erarbeiten der Klavierstücke bringt dem fortgeschrittenen Anfänger verschiedene technische Aufgaben wie Akkordspiel, leichte Zweistimmigkeit bzw. Melodie und Begleitung mit der rechten Hand gleichzeitig, Terz-Doppelgriffe, Tonleiter- und Arpeggiopassagen grundlegend näher. Besondere Aufmerksamkeit gilt der linken Hand, die unterschiedliche Begleitmuster beherrschen soll oder auch als melodieführende Hand hervortritt. Alle Stücke sind mit einem ausführlichen Fingersatz versehen, welcher Wiedereinsteigern und Autodidakten das Spiel erleichtert. 'Romantic Piano Emotions' ist für den allgemeinen Klavierunterricht, zum Selbststudium und für das entspannte häusliche Musizieren bestens geeignet. Freude und Spaß am Spielen stehen dabei im Vordergrund.
SKU: GI.G-10850
ISBN 9781622777266.
Before music teachers can effectively implement Social Emotional Learning (SEL) with students in the classroom, they must first develop their own SEL skills and tend to their personal well-being. This practical guide takes teachers through thirteen sequential units designed to hone important self-care and SEL skills, such as regulating emotions, resolving conflict, managing stress, and building positive relationships. Each unit is structured around the three core pillars of SEL—Identity, Belonging, and Agency—and offers connections for both pre-service and in-service music teachers that guide them through a series of thought-provoking exercises to strengthen their skills, as well as space to discover, reflect, journal, draw, and commit to growth. An essential resource for current or future music teachers, and an ideal supplement for collegiate music education courses, this resource can be used again and again, year after year, to guide teachers on their journey to SEL competency and personal well-being. Michelle S. McConkey is Associate Professor of Music Education at California State University in Chico, California. She received her doctoral degree in music education from Arizona State University and is an active clinician, presenting workshops and research sessions at state, national, and international music education conferences. Scott N. Edgar is Associate Professor of Music at Lake Forest College. He is the author of Music Education and Social Emotional Learning and is an internationally sought-after clinician on the topic. Dr. Edgar also serves as Director of Practice and Research for the Center for Arts Education and Social Emotional Learning (www.artsedsel.org).
SKU: HL.49043920
ISBN 9783795748272. UPC: 840126965346. 9.0x12.0x0.282 inches.
In this second album composed by top arranger Hans-Gunter Heumann ('Klavierspielen - mein schonstes Hobby', 'Pianotainment') for solo piano, he takes a look at the bright and the dark sides of emotions. Twelve emotional Piano Pieces reflect the whole spectrum from bright to dark, light and shadow. The compositions take the listeners into the land of 'minimal music', combining percussive and meditative elements with wonderful melodic aspects.The gloomy and mystical character of these expressive compositions will fascinate every advanced piano player and be with them forever.
SKU: GI.G-10452
ISBN 9781622775576.
Contributors: Jill Gagliardi, Elise Hackl, Meghan Hickey, Mary Jensen, Jessica Kwasny, Andrew M. Ladendorf, Brandon Larsen, Sandra Lewis, Darlene Machacon, Rachel Manchur, Bobby Olson, Michael J. West, and William Winters This book showcases the inspiring stories and innovative ideas of music educators who are implementing Social Emotional Learning (SEL) instruction with intentionality in their classrooms at the elementary, middle, and high school levels. By utilizing and adapting materials in Scott N. Edgar’s pioneering first book, Music Education and Social Emotional Learning, these teachers—representing all areas of music education—share their real-world challenges and triumphs with SEL instruction, along with many tips, activities, lesson plans, and suggestions for embedding SEL in a way that is musical, intentional, and meaningful. Importantly, Portraits of Music Education and Social Emotional Learning approaches SEL from a culturally relevant and equitable lens, accounting for the ways in which SEL instruction interacts with culture, race, background, and uniqueness, therefore making it a powerful tool for embracing social justice and student empowerment. At its core, SEL gives students the ability to have difficult conversations, cope with stress, and navigate challenges. And while each teacher presents their unique approach to SEL, they come to the same conclusion: SEL is critical to the success of their students and programs. Scott N. Edgar is Associate Professor of Music at Lake Forest College. He is the author of Music Education and Social Emotional Learning: The Heart of Teaching Music and is an internationally sought-after clinician on the topic. Dr. Edgar serves as Director of Practice and Research for The Center for Arts Education and Social Emotional Learning (www.artsedsel.org). Dr. Edgar is a Music for All Educational Consultant, a Conn-Selmer Educational Clinician, and VH1 Save the Music Foundation Educational Consultant.  Finally, the go-to book for music educators who have intuitively and intentionally created classrooms where music and Social Emotional Learning (SEL) are seamlessly aligned. These practical ideas of how to teach music at all levels, grounded in the practices of SEL, will inspire all educators to not only teach from the heart, but to lead with empathy and compassion. —Pamela Randall-Garner, Ed.D.   Senior Staff Advisor   CASEL: Collaborative for Academic, Social, and Emotional Learning  This book is a must-read as well as a compelling study. Wisely, Dr. Scott Edgar brought together an amazing group of remarkable educators who share their own experiences as they avail their students to the immeasurable value of the Social Emotional Learning landscape. Be prepared to be challenged, educated, and enlightened. You have in your hands a rare gift bearing benefits to everyone traversing the educational highway. We are all indebted to this great team of first-class authors and educators. BRAVO! —Tim Lautzenheiser In this new publication, Scott Edgar continues to provide teachers with rich insights and practical suggestions for understanding and implementing Social Emotional Learning (SEL) into music education classes, from elementary through high school grades. Practicing music educators share pragmatic ideas for successful embedding of SEL into their teaching. A must-read for any music teacher wishing to better understand and promote well-being in their students. —John M. Feierabend.
SKU: HL.49044781
ISBN 9783795744878.
This third solo album for piano, Go Your Own Way, is dedicated to the eternal question of which path to take in life. Twelve very emotional New Age pieces for piano take the pianist and the audience on a musical journey during which each of them follows his heart and his inner voice. The road of life is often rocky and paved with tears. And yet, everybody should take it as a fighter and leave his own mark. This requires courage and confidence in order not to despair or be broken. The bottom line of all this is that the way is the goal and that everybody has to go it. These expressive compositions are highly nuanced like piano playing, exciting, rich in contrast and exploring boundaries like life: melancholy and lamenting, comforting, affectionately soothing, motivating, confident, breath-taking, and passionate.Twelve very emotional New Age pieces for piano take the listeners on a musical journey during which each of them follows his heart and his inner voice. Expressive compositions: melancholy and lamenting, comforting, affectionately soothing, motivating, and passionate.
SKU: M7.ART-42091
ISBN 9783866420915.
Mit 'Emotional Piano Ballads' ist Autor Michael Gundlach eine wunderschöne Sammlung gefühlvoller und leicht spielbarer Klavierballaden gelungen. Die 16 zauberhaften Stücke sind von vielfältigen Stimmungen geprägt: romantisch, leicht melancholisch, aber auch beruhigend und zärtlich. Die eingängigen Melodien der Kompositionen sind unterlegt mit einfachen und zeitgemäßen Begleitfiguren der linken Hand und anhand der angegebenen Akkorde lassen sich die harmonischen Zusammenhänge schnell erkennen. Die Stücke sind daher in kurzer Zeit erlernbar und bereiten somit schnell Spielfreude. Dynamikzeichen wurden bewusst sparsam eingesetzt und lassen genügend Spielraum für die eigene kreative Interpretation. 'Emotional Piano Ballads' stellt eine perfekte Ergänzung zu den üblichen Anfänger-Klavierschulen dar und ist bestens geeignet für alle Pianistinnen und Pianisten, die wunderschöne Melodien und Spielspaß mit musikalischem Erfolg kombinieren möchten. Die Stücke eignen sich zudem hervorragend für Vorspiele aller Art und begeistern sowohl Klavierspieler als auch Zuhörer. Der optionale Download dient als praktische Lernhilfe, um den Ausdruck und die richtige Artikulation nachvollziehen zu können und auch als 'Soundtrack' für unterwegs ist 'Emotional Piano Ballads' ein echter Genuss.
SKU: HL.49032983
ISBN 9783795704261. German.
Unter der Leitung des Frankfurter Musikpadagogen Prof. Dr. Hans Gunther Bastian wurde zwischen 1992 und 1998 an Berliner Grundschulen eine Langzeitstudie Zum Einfluss von erweiterter Musikerziehung auf die allgemeine und individuelle Entwicklung von Kindern durchgefuhrt. Das Forschungsprojekt - gefordert vom Bundesministerium fur Bildung und Forschung - umfasste mehr als 100 Testeinsatze und die Auswertung von uber einer Million Daten. Die teils frappierenden Ergebnisse liegen nun vor. Erweiterte Musikerziehung beeinflusst die Personlichkeitsentwicklung von Grundschulkindern ausserst positiv. Im Einzelnen bewirkt sie - eine signifikante Verbesserung der sozialen Kompetenz, - eine Steigerung der Lern- und Leistungsmotivation, - einen bedeutsamen IQ-Zugewinn, - eine Kompensation von Konzentrationsschwachen, - eine Forderung musikalischer Leistung und Kreativitat, - eine Verbesserung der emotionalen Befindlichkeit, - eine Reduzierung von Angsterleben, - uberdurchschnittlich gute schulische Leistungen trotz zeitlicher Mehrbelastung u.a.m. Die Studie liefert in Erganzung zu den bekannten musikimmanenten Begrundungen des Schulfaches Musik wichtige Argumente fur die bildungspolitische Forderung nach einem festen und massgebenden Platz von Musikerziehung im Facherkanon der allgemein bildenden Schulen. Alle Grundschuler sollten die Chance erhalten, in der Schule ein Instrument zu erlernen und in einem Ensemble zu musizieren. Die beiliegende CD-ROM bietet umfangreiches Datenmaterial, Statistiken, Grafiken, Testverfahren, Korrespondenzen etc.
SKU: HL.14048329
ISBN 9783865439543. 9.0x12.0x0.277 inches. German.
20 easy and medium difficulty pieces. Minimal and New Age music dominates these very emotional compositions by Hans-Gunter Heumann.
SKU: GI.G-10153
ISBN 9781622774623.
Illustrated by Nancy Sosna Bohm  Music and art can help us feel and express deep emotions. We can be happy or sad, but that is only the beginning. This beautiful book explores the powerful link between art, music, and emotion, and is ideal for deepening Social Emotional Learning (SEL) and building a fuller emotional vocabulary. Built on the principles of SEL, each page of The ABCs of My Feelings and Music offers an emotion word in a piece of colorful artwork, one for each letter of the alphabet. Below each illustration are three classical music suggestions to listen to while observing the art. Use the provided questions and a link to playlists to help unpack what children are seeing and feeling. The questions can also jumpstart meaningful discussions about how art and music can affect and help us express our emotions. This book is for children as well as teachers, parents, social workers, counselors, music therapists—anyone who works with children and understands the power of art and music. We hope this book helps you and your children/students expand their emotional vocabulary, have meaningful discussions about emotions, and think more deeply about how music and art makes us feel! Scott N. Edgar is Associate Professor of Music, Music Education Chair, and Director of Bands at Lake Forest College (Lake Forest, Illinois). Dr. Edgar is the author of Music Education and Social Emotional Learning: The Heart of Teaching Music and is an internationally sought-after clinician on Social Emotional Learning. Stephanie Edgar is an active choral singer, performing with the Jacksonville Symphony Orchestra Chorus (Jacksonville, Florida), the University Musical Society Choral Union (Ann Arbor, Michigan), and the Chicago-based Peregrine Vocal Ensemble. Stephanie works as Coordinator of the Center for Academic Success at Lake Forest College in Illinois. Nancy Sosna Bohm is a retired academic librarian and lifelong artist with experience in a variety of media, styles, and subjects. Listen to the music on Spotify: In an effort to increase the diversity of musical examples in The ABCs of My Feelings and Music, Karen Howard has created an additional playlist to use with the artwork! Click here for a free PDF of the song titles and emotion words included on Karen's playlist. In an effort to increase the diversity of musical examples in The ABCs of My Feelings and Music, Franklin Willis has created an additional playlist to use with the artwork! Click here for a free PDF of the song titles and emotion words included on Franklin's playlist.
SKU: BT.AMP-479-130
English-German-French-Dutch.
Sanctuary was commissioned by Eastern Bay of Plenty Brass from New Zealand and was performed as an own choice piece at the 2018 New Zealand National Brass Band Championships. It opens with an expressive cornet solo, hymn-like in mood. A slightly faster central section builds to a change of key and an expansive return of the opening melody, this time scored for full band. After an emotional climax the mood subsides, leading to a quiet close. Sanctuary werd geschreven in opdracht van Eastern Bay of Plenty Brass uit Nieuw-Zeeland en werd uitgevoerd als zelfgekozen werk tijdens de New Zealand National Brass Band Championships van 2018. Het werk opent met een expressieve kornetsolo, die qua atmosfeer veel weg heeft van een hymne. Een iets sneller middengedeelte werkt toe naar een verandering van toonsoort en een grootse terugkeer van de openingsmelodie, deze keer getoonzet voor de complete band. Na een emotioneel hoogtepunt wordt de muziek kalmer van sfeer en mondt ze uit in een rustig slot.Sanctuary wurde von der Eastern Bay of Plenty Brass aus Neuseeland in Auftrag gegeben und als Selbstwahlstück bei den New Zealand National Brass Band Championships 2018 aufgeführt. Das Stück beginnt mit einem ausdrucksvollen Kornett-Solo in der Art eines Kirchenliedes. Ein etwas schnellerer Mittelteil führt zu einem Tonartwechsel und einer ausführlichen Rückkehr der Anfangsmelodie, die nun von der gesamten Brass Band gespielt wird. Nach einem emotionalen Höhepunkt beruhigt sich die Stimmung und mündet in einen ruhigen Schluss.Sanctuary est une commande de l’ensemble néo-zélandais Eastern Bay of Plenty Brass, qui l’a interprétée en tant qu’œuvre libre « contemplative » au Championnat national de brass bands de Nouvelle-Zélande 2018. La pièce s’ouvre avec un solo de cornet expressif évoquant un hymne. Un passage central un peu plus rapide mène un changement de tonalité avant un retour majestueux la mélodie du début, cette fois faisant appel l’orchestre entier. Après un climax chargé d’émotion, la musique s’apaise pour aboutir une conclusion sereine.