Cyclo

?Ouvrage publie? sous la direction artistique et scientifique de Yannick MerlinEn 1988, Jean-Franc?ois Tapray apparai?t furtivement dans Jean Saint-Arroman en qualite? de compositeur de VI Concerti per cembalo o per l'organo con tre violini ed un violoncello obligati, Il apparai?t tout aussi furtivement dans Philippe Lescat2 pour son oeuvre pe?dagogique visant les progre?s techniques au clavier, En 1992, Catherine Gas-Ghidina entreprend une recherche encyclope?dique sur l'influence de Tapray et son ro?le dans l'e?volution musicale, Enfin, en 2001, Michel Chapuis enregistre deux de ces noe?ls : Une Vierge Pucelle et L'Ange du Ciel, Et il se?lectionne Une Vierge Pucelle pour faire valoir son originalite? de composition : l'oeuvre est construite autour d'un tapage, ce vacarme soudain et furtif qui contraste avec la douceur de la me?lodie du noe?l, Chapuis suppose que cette forme musicale traduit l'opposition entre l'acclamation de la foule et son recueillement pour accueillir la naissance du Sauveur, Ce genre de clameur subite dans l'e?criture d'une oeuvre d'orgue demeure, a? ce jour, rare et peu documente?, / Orgue

Par POLLINI FRANCESCO. Francesco Pollini (Ljubljana, Republic of Slovenia, 03/26/1762 ? Milan 09/17/1846) was an Italian composer, teacher and pianist. According to ancient encyclopedias, Pollini studied or had contacts with Mozart in Vienna; he studied composition in Milan with the excellent teacher and man of vast musical knowledge Nicola Zingarelli. / Date parution : 2023-06-01/ Répertoire / Piano

All the chords you'll ever need... NOW! Compact format... Easy diagrams & helpful photos... The ultimate instant reference...Open Chords; Barre Chords; Powerchords; Classic Chords. They're all inhere!So forget bulky chord encyclopedias and fancy musical terms... All you need is Guitar Chords... To Go!

Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ' a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy'he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book'encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation and pivot, and the application to tunes. The reader will be tempted to stop on every page and compose. I found the Lost Chord, but won't tell you the page number. Bert Ligon Jazz Pianist/Guitarist, Composer, Arranger, Educator, Director of Jazz Studies, University of South Carolina Ever wonder how to move harmony around instead of repeating the same chord voicing over and over' Then Chords in Motion is a must have book for you! Andy has included a ton of information that will open up your comping and should keep you busy with new ideas for a long time! I highly recommend it! Dan Haerle Jazz Pianist, Composer, Author, Educator, Professor Emeritus, University of North Texas Chords in Motion is an essential guide to expanding one's conception of modern Jazz Piano Harmony. Andy LaVerne has managed to outline in a very practical and concise way, modern principles of piano chord voicings, as they pertain to the Jazz Pianist's primary group function of comping. David Hazeltine Jazz Pianist, Composer, Educator, SUNY Purchase College Conservatory of Music Chords in Motion should be fun to take into the practice room to explore new ways of sustaining harmonies over the entire register of the piano. It is encyclopedic and thorough in its content. No stone is left unturned! Stephany Tiernan Pianist, Composer, Educator, Chair, Piano Department, Berklee College Of Music Chords In Motion is an excellent practicing resource that provides a garden of harmonic sonorities for a musician to choose and explore at the piano. I like the way that Andy has made the information accessible to any level of student. I look forward to discovering some different sounds with this book. Phil DeGreg Jazz Pianist, Author, Educator, University of Cincinnati College Conservatory of Music I am delighted to recommend Andy LaVerne's Chords In Motion to aspiring jazz pianists! Andy is a superb pianist, very capable of addressing this topic. Prior to pianists like McCoy Tyner, Herbie Hancock, Bill Evans, and others, most pianists were content to have acquired a small handful of chord voicings, generally with the chord roots on the bottom of the voicings. Though 'rootless voicings' were adopted in later years, they were primarily for the left hand and generally only used the 3rd or 7th on the bottom. But now the serious jazz pianist needs to be able to move his or her voicings in a more diatonic manner, as shown in Andy's book. Jerry Coker Jazz Saxophonist, Author, Educator Andy LaVerne's Chords in Motion is a study of encyclopedic scope on the use of harmonies based on fourth intervals in the context of jazz harmony. There is a wealth of information in terms of voicings, voice leading and chord/scale relationships and their application to common harmonic formulae (ii-V, etc.) and the chord progressions used in blues and common standard tunes. Jazz musicians interested in this vocabulary should find this book to be a useful launching pad for exploring this important corner of the world of jazz harmony. Bill Dobbins Jazz Pianist, Composer, Arranger, Author, Educator, Professor of Jazz Studies, Conductor, Coordinator Jazz Composition and Arranging, Eastman School of Music Chords in Motion is a highly detailed, informative and filling-in-the-gap text. It's an important and welcome addition to the jazz piano literature, which can be applied to any level of proficiency. Stefan Karlsson Jazz Pianist, Educator, Professor/Jazz Studies Division, University of North Texas Fantastic pianist Andy LaVerne has put together an amazing, detailed, and incredibly comprehensive guide for effectively implementing quartal and related voicings. He has honed in on the 'secret' to using these structures musically and creatively: moving the voicings through changes in logical and interesting ways. Clearly presented, extremely thorough, and loaded with information, Chords in Motion is a must-have for any pianist! Martin Bejerano Jazz Pianist, Composer, Educator, Assistant Professor, Jazz Piano, Frost School of Music University of Miami Chords in Motion is an in-depth look at fourth and related voicings that give an atmosphere that you want to improvise on. We play over the voicing, not the chord symbol. Chords in Motion targets that modal atmosphere that horn players love playing over. Love this book - can't wait to start practicing it! Jerry Bergonzi Jazz Saxophonist, Composer, Author, Educator, New England Conservatory I was thrilled when Jazz Piano Great Mulgrew Miller agreed to write a quote for this book. I was deeply saddened to hear of Mulgrew's passing just days before publication. All who loved Mulgrew and his music will sorely miss him, and are grateful for the rich musical legacy he left us. Rest easy, Mulgrew. Andy LaVerne

based on Homer-s Odyssey. Par AULIO MAXIME. Ulysse, épuisé par la terrible tempête qu’il a subie, échoue sur le rivage des Phéaciens. Reçu au palais du roi Alcinoos, Ulysse entreprend le récit des épreuves passées depuis son départ de Troie. Arrivés dans l’île des Cicones, Ulysse et ses compagnons mettent la cité d’Ismaros à sac puis reprennent la mer. Les vents les emportent chez les Lotophages, un peuple paisible. Ulysse aborde au pays des Cyclopes. Il pénètre dans la caverne de Polyphème accompagné de douze hommes. Après avoir vu le Cyclope dévorer deux de ses compagnons à chaque repas, Ulysse ruse pour lui échapper. Il l’enivre puis embrase un épieu taillé, qu’il plante dans l'oeil unique du Cyclope endormi, l’aveuglant définitivement. Les survivants sortent ensuite cachés sous le ventre de ses brebis et regagnent leurs bateaux. Faisant preuve d’orgueil, Ulysse crie sa véritable identité au risque de faire sombrer son navire sous une pluie de rochers. Ulysse aborde l’île d’Eolie, au royaume du maître des vents. Eole offre à Ulysse un vent favorable pour regagner Ithaque, et une outre renfermant tous les vents contraires. Hélas, la curiosité des marins d’Ulysse aura raison de cet heureux dénouement car, en ouvrant l’outre, les vents contraires s’échappent et déchaînent une nouvelle tempête. Après avoir dérivé plusieurs jours, ils parviennent chez les Lestrygons cannibales qui détruisent l’escadre. Les survivants reprennent la mer avec un unique navire et abordent dans l’île d’Aiaié, séjour de la magicienne Circé. Ulysse envoie des éclaireurs dans les terres. Imprudemment entrés dans la demeure de la magicienne, ils sont transformés en pourceaux. Seul Ulysse échappe au sortilège grâce à l’antidote que lui indique Hermès. Vaincue, Circé s’offre au héros et rend à ses compagnons leur forme humaine. Avant de laisser partir Ulysse, Circé lui conseille d’aller au pays des morts consulter l’ombre du devin Tirésias. Après une journée de navigation, le bateau d’Ulysse atteint le pays des Cimmériens. Il s’acquitte des rites appropriés pour pouvoir s’entretenir avec l’âme / Niveau : 5 / Pièce de concert / Répertoire / Concert Band ou Harmonie

With its 200 licks and phrases conceived by the most famous guitarists this coursebook is a veritable Blues-cyclopedia imperative for everyone working on Blues. The licks presented here are classified according to genre (ternary or binary licks 12/8 licks intros turnarounds riffs etc.) and according to the degree of difficulty. You may rest assured that this coursebook will give you full satisfaction â?? in terms of both level and preference. To make your learning more enjoyable each lickcomes with a corresponding video recording on the DVD and one or more applications on the CD. Along with the licks you are presented the names of the chords they should be played with by which means you learn to place them correctly andsubsequently to use them in different contexts (key place in the chord progression etc.) By helping you to appropriate the vocabulary and rhetoric of Blues this coursebook will develop your musical prowess and your improvisational skills.With its 200 licks and phrases conceived by the most famous guitarists this coursebook is a veritable Blues-cyclopedia imperative for everyone working on Blues. The licks presented here are classified according to genre (ternary or binary licks 12/8 licks intros turnarounds riffs etc.) and according to the degree of difficulty. You may rest assured that this coursebook will give you full satisfaction â?? in terms of both level and preference.To make your learning more enjoyable each lick comes with a corresponding video recording on the DVD and one or more applications on the CD. Along with the licks you are presented the names of the chords theyshould be played with by which means you learn to place them correctly and subsequently to use them in different contexts (key place in the chord progression etc.) By helping you to appropriate the vocabulary and rhetoric of Blues this coursebook will develop your musical prowess and your improvisational skills.

Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant le clavecin.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - deux volumes.ANCELET - Antoine BEMETZIEDER (1-2) - Jean-Laurent de BETHISY - Michel CORRETTE (2) - Denis DIDEROT - Jacques DUPHLY (1-2) - Encyclopédie - Encyclopédie méthodique - Louis-Joseph le neveu FRANCOEUR - Pierre Claude FOUCQUET (1-2) - François-Alexandre-Pierre de GARSAULT - Jean-Benjamin de LABORDE - Philippe MACQUER - Friedrich Wilhelm MARPURG - Jean-Philippe RAMEAU (4) - Jean-Jacques ROUSSEAU - Simon SIMON.Table des matières : Corrette Michel : Les amusements du Parnasse - 1749Foucquet Pierre Claude : Les caractères de la paix - 1749Foucquet Pierre Claude : Second livre de pieces de clavecin - 1751Encyclopédie : Encyclopédie ou dictionnaire raisonné - 1751/1772Duphly Jacques : Troisième livre de pieces de clavecin - 1756Ancelet : Observations sur la musique - 1757Rameau Jean-Philippe : Code de musique pratique - 1760Garsault François-Alexandre-Pierre de : Notionnaire - 1761Simon Simon : Pieces de clavecin - 1761Béthisy Jean-Laurent de : Exposition de la théorie - 1764Rousseau Jean-Jacques : Dictionnaire de la musique - 1768Duphly Jacques : Du doigter - c.1769Diderot Denis : Manuscrit autographe - s.d.Bemetzrieder Antoine : Leçons de clavecin - 1771Francoeur Louis-Joseph le neveu : Diapason général - 1772Macquer Philippe : Dictionnaire raisonné - 1773Laborde Jean-Benjamin de : Essai sur la musique - 1780Bemetzrieder Antoine : Nouvelles leçons de clavecin - 1783Encyclopédie méthodique : Encyclopédie méthodique, arts et métiers mécaniques - 1788Marpurg Friedrich Wilhelm : L'art de toucher le clavecin - c.1797Téléchargez le catalogue Anne Fuzeau Classique / Clavecin / 232 pages / niveau : 1 / Fac-Similés - Format: 24 X 33