Wolfgang Amadeus Mozart: Three Movements For Piano Trio: Piano Trio

Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto In G was written by the composer in 1778. The Concerto remains widely studied and performed on the Flute making it one of the most important Concerti in the instrument's repertoire. Paul Taffanel and Philippe Gaubert's composed cadenzas for the work are essential to all performers of the concerto. Concerto In G is in three movements; 1. Allegro maestoso 2. Adagio ma non troppo and 3. Rondo: Tempo di Menuetto. The first and last movements are in the tonic key whilst the second movement is in the subdominant key of D major. All threemovements contain a cadenza which initially would have been left for the performer to improvise. However cadenzas have since been written including those of Taffanel and Gaubert. Both were prominent flautists of their time and their understanding of the Flute concerto repertoire is second to none making their cadenzas well-informed and essential to performers of the concerto.

Hoffmeister Quartet and Prussian Quartets-Over the next few years all 26 of Wolfgang Amadeus Mozart?s String Quartets will be published by Henle in an Urtext Edition of both score and parts. All previous editions have left much to be desired for example asconcerns the correct placement of dynamic markings.Henle?s edition made with the artistic collaboration of the Armida Quartet draws upon the large body of modern knowledge concerning Mozart philology andperformance practice. We begin with what are chronologically speaking the final four quartets: the so-called ?Hoffmeister? Quartet K. 499 and the three ?Prussian? Quartets K. 575 589 and 590.It is possible that the impulse behind the composition of these last three works was the Prussian King Friedrich Wilhelm II who was an excellent cellist. Modern cellists will find many beautiful melodies to enjoy in thesequartets.

Early Sonatas / Frühe Sonaten 1764-1779-This new two volume publication contains all the completed works by Wolfgang Amadeus Mozart for Violin and Piano (BA5761 BA5762). Several works by Mozart which are not found in competing editions are presented in the new B?renreiter Edition with the Urtext of the New Mozart Edition: Sonatas 6–9 Sonatas 26–31 the Andante and Allegretto in C major K. 404 as well as the three sonata fragments K. 372 403 and 402 completed by Maximilian Stadler. All this with the Urtext of the New Mozart Edition and in the large format 24 3 x 31 cm plus a new preface by the Mozart scholar Dietrich Berke. Not just some but all the works for Violinand Piano Urtext violin part plus an additional violin part prepared with fingerings and bowings Large format 24 3 x 31 cm New informative preface by Mozart scholar Dietrich Berke 'The result is impressive and should have a widerspread appeal among scholars and performers alike… Thankfully B?renreiter have made it far easier for amateurs students and professional musicians alike to choose their own course and free themselves from such intervention.' (The Concort Summer 2007) '...a highly researched performing edition that will be of great interest to all violonists ...' (ESTA – News Views“ Spring 2006) Volume 1 contains: Sonatas KV 6-9 Sonatas KV 26-31 Sonatas KV 301-306 Sonata in C-Dur KV 296 Sonata in B-Dur KV 378

Wolfgang Amadeus Mozart's Horn Concerto No. 1 in D major KV412/514 was written in 1791. The work is in two movements: I. Allegro II. Rondo. Although numbered first this wasactually the last of the composer’s four horn concerti to be completed. Compared to the other three concertos it is shorter in duration (two movements rather than three) and is much simpler in regard to both range andtechnique.This publication has been edited by John Alley and Timothy Jones for Grade 7-8 Horn in F.

This selection of relatively short sacred works by Wolfgang Amadeus Mozart gives active choruses an opportunity to perform these pieces without having to hire an expensive instrumental ensemble. The works including the moving ?Te Deum laudamus ? (K. 141) the brilliant ?Jubilate? from ? Benedictus sit Deus? (K. 117) and the immortal ?Ave verum? are well-suited to performance in church services or concerts. Andreas Köhs has sensitively arranged the orchestral parts for organ using the original score to produce self-contained versions for chorus and organ. The vocal parts follow the Urtext of the New Mozart Edition.Self-contained versions with organ instead oforchestraIdeal for church services and concertsStraightforward easy-to-play organ partThe Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.

Hoffmeister Quartet and Prussian Quartets-Over the next few years all 26 of Wolfgang Amadeus Mozart's String Quartets will be published by Henle in an Urtext Edition of both score and parts. All previous editions have left much to be desired for example asconcerns the correct placement of dynamic markings.Henle's edition made with the artistic collaboration of the Armida Quartet draws upon the large body of modern knowledge concerning Mozart philology andperformance practice. We begin with what are chronologically speaking the final four quartets: the so-called 'Hoffmeister' Quartet K. 499 and the three 'Prussian' Quartets K. 575 589 and590.

For three-part chorus either of women's or men's voices a cappella. The composer of this piece cannot be named with complete certainty but it is attributed to Wolfgang Amadeus Mozart.Edited by Carl Deis.