Voir toutes les partitions de Lionel Bart
SKU: CL.013-0973-00
A light and cheery concert or contest selection that will put a smile on everyone’s face. This Peter Buys original will certainly make you feel ‘young at heart’. Truly unique and uplifting!
SKU: CL.013-0973-01
SKU: HL.49007511
ISBN 9783795750671. UPC: 073999263855. 9.0x12.0x0.199 inches. German. Christa Estenfeld-Kropp.
Wh ere in volume 1 the notes in the octave c1 * d2 were carefully introduced and consolidated, volume 2 expands the range of notes to include c3 and gradually introduces chromatic notes. Rhythmic knowledge is extended (semiquavers, dotted crotchets) and different playing styles are practised (legato, staccato, portato). Lots of songs from all over the world, together with increasing numbers of original pieces, provide varied and colourful teaching repertoire. The teacher's book deals with the prerequisites for starting lessons (buying and caring for an instrument, the principles of teaching) and gives plenty of practical tips for lessons and suggestions for introducing each piece. Following on from volume 2, the publishers now present a tutor book for treble [alto] recorder that continues to feature the descant [soprano] recorder too (ED 8641/ED 8642).
SKU: IS.WE7090EM
ISBN 9790365070909.
Nico Schoeters took his first percussion lessons with Eric Buyle in the Academy for Music and Word in Boom, near Antwerp, after getting the hang of it through private lessons by Jozef Vervliet. Afterwards he continued his music studies at the Royal Conservatory of Antwerp, where he was taught by Leo Ouderits, Carlo Willems and Koen Wilmaers. In 1998 he graduated there with great distinction as Master in percussion. After cooperating on various projects in Belgium and abroad as a freelance percussionist, Nico took up a position as a percussionist in the National Orchestra of Belgium. However, despite of all his achievements as a percussionist, Nico Schoeters didn’t take his first musical steps by playing percussion, but by playing the piano. His love for the piano remained a common thread in his musical career. For example, he played numerous gigs as a pianist with his jazz quartet ‘Just Friends, consisting of a number of top musicians who are his friends. In addition he started composing piano works in 2012. Cosmopolydian is my first composition for symphonic windband. It's a solo piece for flute and vibraphone which is dedicated to Inge Smedts, principal piccolo at the Royal Wind Band of the Belgian Guides. It is written in the context of a musical project ‘Cocktail Maison'. This project includes a concert on May 25th, 2017 in De Singel in Antwerp where this work will be premiered, a CD recording and a concert tour. All the pieces for this project are new compositions by Piet Swerts, Jef Neve, Klaas Coulembier, Etienne Houben, Bart Watté, Jan Huylebroeck, Francois Glorieux and myself. All the compositions are inspired by a cocktail. My choice is the Cosmopolitan, but the non-alcoholic version, the mocktail actually. The title Cosmopolydian is a nod to the lydian scale which I used as a base for the majority of the piece. The idea behind the music is an image of children enjoying themselves, worry-free, during the holidays. Tired but satisfied, they go to sleep and have wonderful dreams. The next day they wake up to start a beautiful new day.The work is constructed in a typical ABA form. A quick first part: ‘sparkling allegro', which of course should sound very light and playful. A slow middle part warm adagio, in which the beautiful dreams become audible. The last part is a re-exposition of the first part in which eventually all the themes merge into the final.
SKU: IS.CM7397EM
ISBN 9790365073979.
Nico Schoeters took his first percussion lessons with Eric Buyle in the Academy for Music and Word in Boom, near Antwerp, after getting the hang of it through private lessons by Jozef Vervliet. Afterwards he continued his music studies at the Royal Conservatory of Antwerp, where he was taught by Leo Ouderits, Carlo Willems and Koen Wilmaers. In 1998 he graduated there with great distinction as Master in percussion. After cooperating on various projects in Belgium and abroad as a freelance percussionist, Nico took up a position as a percussionist in the National Orchestra of Belgium. However, despite of all his achievements as a percussionist, Nico Schoeters didn’t take his first musical steps by playing percussion, but by playing the piano. His love for the piano remained a common thread in his musical career. For example, he played numerous gigs as a pianist with his jazz quartet ‘Just Friends, consisting of a number of top musicians who are his friends. In addition he started composing piano works in 2012. Cosmopolydian is my first composition for symphonic windband. It's a solo piece for flute and vibraphone which is dedicated to Inge Smedts, principal piccolo at the Royal Wind Band of the Belgian Guides. It is written in the context of a musical project ‘Cocktail Maison'. This project includes a concert on May 25th, 2017 in De Singel in Antwerp where this work will be premiered, a CD recording and a concert tour. All the pieces for this project are new compositions by Piet Swerts, Jef Neve, Klaas Coulembier, Etienne Houben, Bart Watté, Jan Huylebroeck, Francois Glorieux and myself. All the compositions are inspired by a cocktail. My choice is the Cosmopolitan, but the non-alcoholic version, the mocktail actually. The title Cosmopolydian is a nod to the lydian scale which I used as a base for the majority of the piece. The idea behind the music is an image of children enjoying themselves, worry-free, during the holidays. Tired but satisfied, they go to sleep and have wonderful dreams. The next day they wake up to start a beautiful new day. The work is constructed in a typical ABA form. A quick first part: ‘sparkling allegro', which of course should sound very light and playful. A slow middle part warm adagio, in which the beautiful dreams become audible. The last part is a re-exposition of the first part in which eventually all the themes merge into the final.
SKU: IS.FP7396EM
ISBN 9790365073962.
SKU: CF.WF231
ISBN 9781491153314. UPC: 680160910816.
Styli stic Etudes for Trombone was written for intermediateto advanced level trombonists, seeking to meet thedemands of the modern marketplace for performers. AsI often tell my students, it’s simply not enough to mastera single style and fake the rest. To make a living as aperformer, trombonists are expected to play many, manydifferent styles authentically. Classical performers studyhard and devote themselves to mastering the stylisticnuances of various eras, various composers, variousforms; jazz musicians seek to accurately reflect the stylesof everything from bar-room burlesque to Coltrane; hornbands in the funk, rock, ska and hip-hop idioms mustreflect attention to the details of their influences even asthey create new paths through popular music.This etude collection is an attempt to help studentsand their teachers work on the details associated withmastering each of these various styles.In order to perform with the correct feel, articulationand sound, trombonists must first get these concepts intheir head through diligent listening and then disciplinedpractice playing in every single style. The same wayorchestral players study the symphonic literature andexcerpts, or the way a professional jazz musician mightwork on chord changes in excruciating detail, a wellroundedtrombone player must master styles by listeningto and playing with great recordings. Most of the etudesin this book are based on styles from specific orchestralliterature, jazz standards and other styles such as NewOrleans’ funk music (Meters) or the music of JamesBrown and Tower of Power.One final note: some of these are hard. On purpose. Theseare not warm-ups that you can play through mindlesslyto get your face going. These are “study pieces†in the oldfashionedsense. They are designed to challenge you asa player, to make you a little uncomfortable. Some aretougher than others, of course, but none of them are easy.If you can play through each of these well, with greatmusicianship and impeccable technique, you will be anincredibly versatile instrumentalist and be able to secureperformance opportunities that are outside the comfortzone of many trombonists.Thanks for buying this book. I hope you enjoy workingthrough these, whether you’re a teacher, student,performer, or weekend warrior. I learned a lot by puttingthese together and I hope you find them useful and helpful.Stylistic Etudes for Trombone was written for intermediate to advanced level trombonists, seeking to meet the demands of the modern marketplace for performers. As I often tell my students, it’s simply not enough to master a single style and fake the rest. To make a living as a performer, trombonists are expected to play many, many different styles authentically. Classical performers study hard and devote themselves to mastering the stylistic nuances of various eras, various composers, various forms; jazz musicians seek to accurately reflect the styles of everything from bar-room burlesque to Coltrane; horn bands in the funk, rock, ska and hip-hop idioms must reflect attention to the details of their influences even as they create new paths through popular music.This etude collection is an attempt to help students and their teachers work on the details associated with mastering each of these various styles.In order to perform with the correct feel, articulation and sound, trombonists must first get these concepts in their head through diligent listening and then disciplined practice playing in every single style. The same way orchestral players study the symphonic literature and excerpts, or the way a professional jazz musician might work on chord changes in excruciating detail, a well-rounded trombone player must master styles by listening to and playing with great recordings. Most of the etudes in this book are based on styles from specific orchestral literature, jazz standards and other styles such as New Orleans’ funk music (Meters) or the music of James Brown and Tower of Power.How these etudes were conceived, composed and transcribed: The style or concept of the etude was thought out in my head and ear. I then improvised in that style and concept on my trombone, recording my efforts until I was satisfied with the etude. All along, my goal was to play the range of the instrument while emphasizing certain articulations, rhythms, range and, fundamentally, the intended style of the etude. The resulting etude was then transcribed by a terrific graduate student named Zach Bornheimer, who also works with many other classical and jazz composers as a copyist/arranger.Tips for working on the etudes: Seek out professional recordings that match the style of each etude to get a good idea of what the etude should sound like musically. My recording of each of these etudes is available for download and can be purchased online for a modest fee. Search for “Brantley Etudes†at either iTunes or CDBaby. Practice each etude very slowly and in segments as needed, using a metronome. Record yourself and listen for good technique, musicianship and authenticity of style with your sound, feel and articulations. Compare your own efforts to the sounds you’ve heard on recordings. Would you fit in that ensemble or band? If range is an issue, take certain notes or passages down or up an octave. Work on your fundamentals every day, including the techniques and skills needed for these etudes. Be patient! Small improvements every day result in big success over time. Always play with a wide dynamic range. Always play with line and direction. Always play with impeccable time as well as rhythm. Use a metronome to help with this. Always play in tune. You can work on this with a tuner as well as with drones. Play these for teachers, friends, peers and colleagues not only for their feedback but also for the experience of informal performance. An audience changes everything. Make music, listen to music, record yourself, play in public and have fun!One final note: some of these are hard. On purpose. These are not warm-ups that you can play through mindlessly to get your face going. These are “study pieces†in the old-fashioned sense. They are designed to challenge you as a player, to make you a little uncomfortable. Some are tougher than others, of course, but none of them are easy. If you can play through each of these well, with great musicianship and impeccable technique, you will be an incredibly versatile instrumentalist and be able to secure performance opportunities that are outside the comfort zone of many trombonists.Thanks for buying this book. I hope you enjoy working through these, whether you’re a teacher, student, performer, or weekend warrior. I learned a lot by putting these together and I hope you find them useful and helpful.Best wishes,—Tom Brantley.
SKU: BT.1334-06-400-DHI
ISBN 9789043124560. Japanese.
The title Performance Studies tells you exactly why these pieces have been composed - to improve your complete performance while learning the saxophone. The pieces are meant for saxophone players who have been playing for a couple of years, but they will also be useful for experienced player, helping bring perfection to any performance. The pieces have been written exclusively for this book and with their colourful and melodic character they’re not only very useful for practising saxophone techniques but also make perfect pieces for exams or concerts. A demo CD is also included with this book with the famous Japanese sax player Nobuya Sugawa performing each study.Japaneseedition Japanese editionDer Titel Performance Studies (Vortragsetüden) gibt exakt an, worum es bei diesen Stücken geht: das umfassende Spiel auf dem Saxophon. Die Stücke sind für Saxophonisten mit wenigen Jahren Spielerfahrung gedacht, aber auch Fortgeschrittene können mit ihnen ihr Spiel perfektionieren. Die Etüden wurden von Komponisten aus aller Welt speziell für dieses Buch geschrieben. Sie sind nicht nur praktische technische Übungen, sondern auch ideal für Prüfungen oder Konzerte geeignet. Nobuya Sugawa gibt auf der CD ein ausgezeichnetes Interpretationsbeispiel aller Stücke.Japanische Ausgabeversion japonaise.
SKU: BT.1332-06-400-DHI
ISBN 9789043124546. 9x12 inches. Japanese.
Dance of Uzume is a concertino that is based on a Japanese myth. Out of anger toward her brother Susanowa (the storm god), Amaterasu (the sun goddess) hides in a cave. The goddess of joy, Uzume, succeeds in luring the sun goddess out of the cave by dancing wildly. The joy and laughter from the other gods as they watch Uzume arouses Amaterasu’s curiosity and with her appearance, the light on Earth returns. This fantastic new original work will provide a much needed addition to the advanced repertoire for saxophone and piano. It also comes with a demo CD played by the famous Japanese saxophonist Nobuya Sugawa showing you exactly how it should be performed.Piet Swerts componeerde Dance of Uzume op verzoek van de Japanse topsaxofonist Nobuya Sugawa. Het werk is gebaseerd op een Japanse mythe: uit woede op haar broer Susanowa, de god van de storm, verschuilt de zonnegodin Amaterasuzich in een grot. De vreugdegodin Uzume weet de godin van de zon echter met een wilde dans uit de grot te lokken. Het gelach van de andere goden wekt namelijk de nieuwsgierigheid van Amaterasu en met haar verschijning komt hetlicht terug op aarde. Dit verhaal wordt in de muziek meesterlijk weerspiegeld.Danc e of Uzume ist ein auf einer japanischen Sage basierendes Concertino. Es Werk besteht aus einem konzertanten Dialog zwischen dem Solisten und der Begleitung. Dieses anspruchsvolle, abwechslungsreiche Werk mit lebhaften und lyrischen Themen, einem sehr melodischen Mittelteil, Blues und Marsch ähnlichen Motiven sowie östlichen Anklängen ist eine lohnende Herausforderung für Saxophonisten. Dance of Uzume ist ebenfalls für Saxophon und Blasorchester erhältlich.
SKU: GI.G-317179
ISBN 9781574630978. UPC: 884088245467.
This valuable collection of quick-to-read yet deeply insightful strategies is like finding expert trade secrets all placed in one convenient source. Contributors to the book were even eager to get a look at each other's ideas! With outstanding records of performance, workshop clinics, recordings, research, composition, leadership and teaching, the 57 authors provide their favorite recipes that range from overviews of successful programs to specific topics that will inspire all levels and types of ensembles and performers. Sample recipes include: Developing Facility on the Bass Clarinet (J. Lawrie Bloom), Breathing Demystified (Leone Buyse), Recipe for Preventing Play-Related Health Problems (William J. Dawson, M.D.), How Should I Test a Saxophone Mouthpiece? (Eugene Rousseau), and many more.
SKU: PR.114417570
ISBN 9781491107867. UPC: 680160636013. 9x12 inches.
The famous set of dances by Norway's greatest composer were written for piano duet. Grieg later created a piano solo version, but refused to orchestrate the set. After some study of Grieg and his music, Michael Webster has arranged the four dances for Flute, Clarinet, and Piano in a faithful setting, using the piano duet version as a guide. This lively Grieg classic will be a welcome new addition to performance programs. For advanced performers.______________ _________________________ Text from the scanned back cover:Born in 1944, MICHAEL WEBSTER made his New York recital debut at Town Hall in 1968 with his eminent father, Beveridge Webster, as pianist. In the same year, he won the Young Concert Artists International Competition and succeeded his teacher, Stanley Hasty, as Principal Clarinet in the Rochester Philharmonic, a position he held for twenty years. Webster has performed with the Chamber Music Society of Lincoln Center, the 92nd Street Y, with the Tokyo, Cleveland, Muir, Ying, Enso, and Dover String Quartets, and with the festivals of Marlboro, Santa Fe, Norfolk, Chamber Music Northwest, Angel Fire, Steamboat Springs, Park City, Sitka, Kapalua, Bowdoin, Orcas Island, Skaneateles, La Musica di Asolo, Stratford, Victoria, and Domaine Forget.As soloist he has appeared with many orchestras, including the Philadelphia Orchestra under Aaron Copland and the Boston Pops under John Williams. His travels have taken him as performer and teacher to most of the 50 states, as well as Canada, Mexico,Puerto Rico, Central and South America, Europe, Japan, China, Australia, and New Zealand. Webster was Acting Principal Clarinet of the San Francisco Symphony, and has served on the clarinet and/or conducting faculties of New England Conservatory, Boston University, University of Michigan, and the Eastman School, from which he earned his three degrees. Currently he is Professor of Music at Rice Universityâ??s Shepherd School of Music and Artistic Director of the Houston Youth Symphony, which has won multiple first prizes in national performance competitions.With his wife, flutist Leone Buyse, and pianist Robert Moeling, he plays in the Webster Trio, which has recorded his arrangements on Tour de France and World Wide Webster for Crystal Records. Otherarrangements were recorded for Nami and Camerata Tokyo in Japan with pianist Chizuko Sawa. Webster has also recorded for Albany, Arabesque, Beaumont, Bridge, Centaur, CRI, and New World. He has played at many ClarinetFests for the International Clarinet Association and written a column entitled â??TeachingClarinetâ? in The Clarinet Magazine since 1998. Michael Webster is a Buffet artist-clinician, performing on Buffet clarinets exclusively. NORWEGIAN DANCES (Grieg)Michael Websterâ??s transcriptions for Flute, Clarinet, and Piano have created the core literature for this instrumental genre. Working directly from Griegâ??s original piano four-hands version of the charmingly familiar Norwegian Dances, Webster has given flutists and clarinetists another addition to the ensembleâ??s repertoire.
SKU: AP.74-1848365858
ISBN 9781848365858. English.
The Rough Guide to Guitar is a one-stop shop for all your guitar-related needs---whether you're buying an instrument, playing, gigging, recording, or are a complete beginner. This book covers everything, from the basics and tips for experienced guitarists to home recording and successfully starting a band. Written by Dave Hunter, one of the world's leading guitar authors and contributor to Guitar Player and Vintage Guitar magazines, The Rough Guide to Guitar covers it all in a language that players of all levels and ages will understand. Whether you want to learn classic rock, indie, punk, or psychedelic music, this is the guide for you.
SKU: BT.1333-06-400-DHI
ISBN 9789043124553. Japanese.
All the pieces in this book have been selected from the Méthode Complète by H. Klosé. Practically every saxophonist with a classical education comes across these pieces during his or her studies. Over the years, their value has been proven from a musical as well as a technical perspective. However, this music never had a piano accompaniment - which is of vital importance for musical development and for concert performances. In this new edition a piano part has been written by the well-known composer Roland Kernen. On the CD you will hear a performance of the complete piece followed by a play-along piano accompaniment for use if you do not have a pianist to accompany you.Alle in diesem Buch versammelten Stücke stammen aus der bekanntesten klassischen Saxophonschule aller Zeiten: die Méthode Complète von H. Klosé. Es gab jedoch nie eine Klavierbegleitung zu dieser Musik - und gerade diese ist für die musikalische Entwicklung von großer Bedeutung. Roland Kernen hat nun fantastische Klavierstimmen zu dieser Musik geschrieben. Auf der CD werden die Stücke zunächst von Nobuya Sugawa vorgespielt, dann folgt die auf einem Flügel gespielte Klavierbegleitung.
SKU: CF.BF120
ISBN 9781491149836. UPC: 680160907335. 9 x 12 inches.
Continuing on the success of the popular Compatible series,Compatible Duets for Strings, Volume II contains 29 duets in avariety of styles (classical, folk music, new original pieces) thatcan be played with any combination of two string instruments.Students can develop their chamber ensemble skills whileplaying with their friends, no matter what string instrumentthey play. Ranging from grade levels 2–3, Compatible Duetsfor Strings, Volume II is perfect for orchestra directors to buyfor use in the classroom, and its flexibility makes it a musthavefor any string player.Having students play in small chamber music groups is a very beneficial exercise to improvethe student’s overall musicianship. The simplest form of chamber music is the duet. It is anopportunity for the student to play with a teacher or to play with another student of similarabilities. Aspects of playing such as tone quality, intonation, technique and ensemble skillscan be developed during the process of studying duets.These duets are different in that they have many different performance options since all ofthe books in this series are compatible. As former long time music educators we alwayshad student that wanted to come to the music room during lunch or after school and theyjust wanted to play with their friends. That was not possible since there is very little duetmaterial available that is compatible with all of the string instruments. This book and thefirst volume in the series takes care of that. A student can now grab their friend no matterwhat instrument they play and have hours of fun playing duets together. Most importantthey will learn something in the process.The duets have been generally placed in the book in order of difficulty and cover a rangeof keys that are appropriate for this ability level. Special care was given to making surethat both of the duet parts were on a similar ability level and that each line was givenan opportunity to play a lead role at some point during the arrangement. Also, most ofthe musical markings are attached to both systems and the point size of the music wasconsidered for ease of reading.It is our hope that this collection will help to stimulate and enhance the musicianship of theperformers. It was a pleasure for me to have the opportunity to put together this collection.We hope it is a useful tool for you for years to come.
SKU: GI.G-10345
ISBN 9781574635294.
Writ ten for drumline instructors, arrangers, and performers at all levels, Drumline Gold reveals the philosophies, lessons, and mindsets of over 20 of the most brilliant, creative, and successful game-changers in the marching percussion activity. Top educators in DCI, WGI, PAS, college, and high school share their systems on leading, practicing, rehearsing, listening, cleaning, performing, arranging, competing, auditioning, reading, marching, tuning, recruiting, staffing, and building an excellent culture. There is even a system on self-care and the importance of wearing earplugs, preventing injury, and managing stress. Learn more about this new resource in the informational video below: WOW, I’m so impressed with the information gathered in this book. This is a must-have for all marching percussion instructors and performers, young and old. —Tom Aungst   Dartmouth High School, The Cadets, DCI, WGI, and World Drum Corps Hall of Fame Drumline Gold is a terrific collection of shared principals, fundamental to leading, building and elevating any program, as well as underscoring life skills that transcend the marching arts. —Julie Davila   Middle Tennessee State University and WGI Hall of Fame A must-read for students and members of any drumline in that it provides insight into how these leading educators think and what they expect. BRAVO, Paul, and thank you. —Dennis DeLucia   DCI, WGI, and PAS Hall of Fame A thought-provoking resource for students and educators of all backgrounds and experience levels. This is a must-read addition to anyone’s library. —Thom Hannum   University of Massachusetts, Carolina Crown,   and DCI and World Drum Corps Hall of Fame No matter your position, or where you are in your career—if you are a student of the game, this book is well worth your time! —Jeff Queen   District Manager for Yamaha’s School Service Sales Division   Former percussion director with Carmel and Avon High Schools  This book should be in the hands of all drumline teachers, whether this is their first year or their fiftieth. The information provided is valuable for everyone. It will make you think hard about your drumline culture and your approach, and it will most likely help to bring about positive changes to your ensemble. —Josh Armstrong Percussive Arts Society  .
SKU: BT.MUSAM1001440R
ISBN 9781783058921. English.
Hailed as the most comprehensive and complete beginner's Guitar method ever, the Justinguitar.com Beginner's Course from Justin Sandercoe will take you through everything from buying a Guitar to basic improvisation, now including two CDs full of content. If you have ever thought about picking up a Guitar, this book should be your first port of call. In renowned music teacher Justin Sandercoe 's friendly and authoritative way, he takes you through the basics of being a Guitarist from the absolute beginning to playing some impressive songs. You will learn all the essential chords, the fundamental scales and rhythm strumming and picking. giving you demonstrations of every chord, technique and exercise to help you hear exactly how everything should sound. Justinguitar.com has been world-renowned since it was initially set up in 2003. The Independent The CDs have been specially recorded by Justin newspaper has called him one of the most influential guitarists in history, and his combined total of 100 million viewers would certainly agree. His online videos have gained him huge recognition, but he is also a teacher at the Guitar Institute, and has taught thousands of students privately, including Katie Melua and Cathy Dennis. The course has been 20 years in the making, and has incorporated everything that a beginning guitarist needs to know, but that is often skipped over in less rewarding methods; things like music theory, aural training and songs specifically chosen to reinforcetechniques learned. Speaking of songs, if you want more songs to learn as a fantastic complement to this book, check out the Justinguitar.com Beginner's Songbook . Topics covered in this Beginner's Course include: Choosing equipment like a Guitar, an amplifier and accessories Open, barre and power chords as well as rhythm Guitar techniques Scorching lead playing such as the 12-bar blues and basic improvisation.
SKU: HL.355740
ISBN 9780876392102. UPC: 073999480092. 6.0x9.0x0.724 inches.
Top songwriters know that to make it in today's music business, you need to understand music publishing. Whether you are an independent songwriter or a music business entrepreneur, this book will help you set up a publishing company so that you can generate income from your songs. You will understand how the current music industry works: who is buying, what they are looking for, how to find your audience, and how to create the mechanisms necessary for you to get paid. Essential sample agreements and language are presented and discussed. â??I recommend this book to both novices and professionals that want to expand the way they market their music. Eric presents so many resources that the reader sees that with talent and determination, there is always a way.â? â??Steve Diamond, Emmy® award winner and six-time GRAMMY® award-nominated songwriter, whose hits have been recorded by Faith Hill, Eric Clapton, and John Michael Montgomery.
SKU: CF.BF121
ISBN 9781491149843. UPC: 680160907342. 9 x 12 inches.
SKU: CF.BF119
ISBN 9781491149829. UPC: 680160907328. 9 x 12 inches.
SKU: CF.BF118
ISBN 9781491149812. UPC: 680160907311. 9 x 12 inches.