Invitation To The Dance Fl Pft Band 25

SKU: HL.49002680

ISBN 9780901938039. English.

Ballet an its Music traces the influence of the outstanding personalities in the world of ballet from the seventeenth century to the present day. The development of dance-technique and ballet music is followed from the courtly and peasant dances of the High Renaissance through to contemporary productions. The author deals in detail not only with the great choreographers, past and present, but also with the composers whose names are especially linked with ballet and who have made a significant contribution to music for the dance. She combines a historical narrative with a perceptive treatment of world-famous Schools and Companies. Ballet and its Music is copiously illustrated with photographs and engravings. A special feature of the book is the collection of music extracts from many famous ballets, arranged for piano solo, which will make it particularly attractive to the student an amateur musician. Althrough primarily intended for young people embarking on a study of ballet, the wealth of information contained in this book will make it a stimulating and invaluable guide for readers of all ages.

SKU: FJ.B1794

UPC: 241444411926. English.

This highly energetic work in 7/8 is inspired by the beauty of dance and the music that inspires its movements. Moving through a broad range of emotions, textures and tonal centers, the music has a constant feeling of forward motion and enthusiasm. A spirited and inviting work!

About FJH Symphonic Band

Appro priate for accomplished high school, college, and professional groups. Includes expanded instrumentation and ranges. Grades 4 - 5

SKU: FJ.B1794S

English.

This highly energetic work in 7/8 is inspired by the beauty of dance and the music that inspires its movements. Moving through a broad range of emotions, textures and tonal centers, the music has a constant feeling of forward motion and enthusiasm. A spirited and inviting work!

About FJH Symphonic Band

Appro priate for accomplished high school, college, and professional groups. Includes expanded instrumentation and ranges. Grades 4 - 5

SKU: AI.AMC-WB-003SSC

8.5 x 11 inches.

The 1818 publication of Francis Johnson's A Collection of New Cotillions marks the first known publication of original music by a black composer in the United States. A prolific composer, instrumentalist, teacher and conductor, Johnson led a varied and successful career in an era in U.S. history that was not inviting to black professionals. His musical interests ranged from the contemporary works of Johann Strauss Jr. to traditional, popular dances.

The cotillion is a French country dance that was popular in Europe and America in the 18th century. It was originally danced by four couples in square formation and was an important influence in the development of the square dance in the United States. Francis Johnson composed two sets of six piano accompaniments for this dance. The original 1818 publication even included movement instructions for the eight dancers. The short and charming melodies that he composed are a fitting example of popular dance music of the time.

This transcription may be performed as a piano solo, with the piano as a non-solistic instrument within the ensemble or without piano at all. If it is to be a piano solo, the other instruments should not play the passages marked “opt. tacet (optional tacet). If the piano will not be treated soloistically, the conductor can have some or all of the “opt. tacet passages played at their discretion. When there is no piano involved in the performance ,all instrumentalists should ignore the “opt. tacet instruction and play everything.

SKU: AI.AMC-WB-003

The 1818 publication of Francis Johnson's A Collection of New Cotillions marks the first known publication of original music by a black composer in the United States. A prolific composer, instrumentalist, teacher and conductor, Johnson led a varied and successful career in an era in U.S. history that was not inviting to black professionals. His musical interests ranged from the contemporary works of Johann Strauss Jr. to traditional, popular dances.

The cotillion is a French country dance that was popular in Europe and America in the 18th century. It was originally danced by four couples in square formation and was an important influence in the development of the square dance in the United States. Francis Johnson composed two sets of six piano accompaniments for this dance. The original 1818 publication even included movement instructions for the eight dancers. The short and charming melodies that he composed are a fitting example of popular dance music of the time.

This transcription may be performed as a piano solo, with the piano as a non-solistic instrument within the ensemble or without piano at all. If it is to be a piano solo, the other instruments should not play the passages marked “opt. tacet (optional tacet). If the piano will not be treated soloistically, the conductor can have some or all of the “opt. tacet passages played at their discretion. When there is no piano involved in the performance ,all instrumentalists should ignore the “opt. tacet instruction and play everything.

SKU: AI.AMC-WB-003SCO

11 x 17 inches.

The 1818 publication of Francis Johnson's A Collection of New Cotillions marks the first known publication of original music by a black composer in the United States. A prolific composer, instrumentalist, teacher and conductor, Johnson led a varied and successful career in an era in U.S. history that was not inviting to black professionals. His musical interests ranged from the contemporary works of Johann Strauss Jr. to traditional, popular dances.

The cotillion is a French country dance that was popular in Europe and America in the 18th century. It was originally danced by four couples in square formation and was an important influence in the development of the square dance in the United States. Francis Johnson composed two sets of six piano accompaniments for this dance. The original 1818 publication even included movement instructions for the eight dancers. The short and charming melodies that he composed are a fitting example of popular dance music of the time.

This transcription may be performed as a piano solo, with the piano as a non-solistic instrument within the ensemble or without piano at all. If it is to be a piano solo, the other instruments should not play the passages marked “opt. tacet (optional tacet). If the piano will not be treated soloistically, the conductor can have some or all of the “opt. tacet passages played at their discretion. When there is no piano involved in the performance ,all instrumentalists should ignore the “opt. tacet instruction and play everything.